Theatre Reviews
The Caretaker, Trafalgar StudiosTuesday, 19 January 2010
It is almost an article of faith that over the 50 years since its first production, The Caretaker has become a classic of the British theatrical canon. Read more... |
BlackSkyWhite, Institute of Contemporary ArtsSunday, 17 January 2010
I whizzed back to my previous reviews of BlackSkyWhite when I got home last night to check how much I’d enjoyed them in the past, so disappointing was their offering for the London International Mime Festival, USSR Was Here. Read more... |
The Rivals, Southwark PlayhouseSaturday, 16 January 2010
'Tis the season to be jolly. Or, if you're a small theatre and choose not to stoop to panto, time perhaps to be a little light, anyway, tickle some tastebuds. Richard Brinsley Sheridan's The Rivals (1775) is his best-known play, followed by The School for Scandal and The Critic. In his early twenties when he wrote The Rivals (and then, after its first London outing was howled down, rewrote it), Sheridan spawned a skittish, playful, self-consciously silly... Read more... |
Every Good Boy Deserves Favour, National TheatreFriday, 15 January 2010
Over the last 20 years or so, the genre of music we have learnt to associate with the violent assault of a regime upon its adversaries is hard rock blared out on massive speakers at ear-splitting volume, 24/7. First tried out with decisive results by the American military on General "Pineapple Face" Noriega of Panama in 1989, it has been refined in recent times to break down the resistance of innumerable presumed jihadis and insurgents in US detention. Read more... |
Midsummer, Soho TheatreWednesday, 13 January 2010
David Greig’s delightful Midsummer (a play with songs), opened at the Traverse in Edinburgh in 2008, was revived for last year’s Fringe and now provides a warming tonic for frozen winter nights in London. A knowing, modern romcom about two thirtysomething lost souls from opposite ends of Edinburgh who find each other over the midsummer weekend, it could just as easily serve as a love-letter from the playwright to the city of his birth. Read more... |
Legally Blonde, Savoy TheatreWednesday, 13 January 2010
Audiences genuinely love Legally Blonde, and all but the most churlish of critics should crack plenty a smile, as well. Read more... |
The World's Wife, Trafalgar StudiosTuesday, 12 January 2010
If ever you wanted to understand the art of acting and how it gives life to words on the page, this is a good place to start. Actress Linda Marlowe, under the direction of Di Sherlock, has adapted Poet Laureate Carol Ann Duffy’s 1999 collection, The World's Wife - which gives a wry, subversive and feminist voice to characters (real or imagined) written out of history, mythology and the Bible - and gives the words form on stage. It is an exquisite treat. Read more... |
The Lady or the Tiger, Orange Tree TheatreThursday, 07 January 2010
Endure this bafflingly pointless, sparsely staged and hopelessly dated musical, and you might find that the prospect of bloody death in the jaws of an enraged tiger somewhat loses its sting; you certainly won’t care whether that’s the fate in store for the show’s bland balladeer hero. Read more... |
Theatre 2009-10: Looking Back and AheadSunday, 03 January 2010
How to encapsulate the theatre year just gone, one in which the critics - not always to the benefit of an increasingly imperilled profession - made headlines of their own, whether for being drunk (as if!)... Read more... |
Twelfth Night, Duke of York'sTuesday, 22 December 2009
When I saw Gregory Doran’s production of Twelfth Night for the Royal Shakespeare Company at the Courtyard Theatre in Stratford-upon-Avon in October, I thought it unsubtle and underpowered, but that it would settle in during its run. Apparently not, as, in its transfer to London’s West End, it has gathered neither pace nor depth. That’s a real shame as there are some terrific performances at its heart. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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