sat 25/05/2024

Carole Woddis

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Bio
Carole Woddis has been a theatre journalist for more than 20 years. She was London theatre critic for The Herald (Glasgow) for over a decade and has written for many national and arts based publications. She has also published three books on theatre and taught Journalism to adults at both Goldsmiths and City Universities.

Articles By Carole Woddis

latest in today

Jerry’s Girls, Menier Chocolate Factory review - just a para...

Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...

Punt and Dennis, The Marlowe, Canterbury review - satire and...

Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...

Album: Jihye Lee Orchestra - Infinite Connections

Brooklyn-based composer and bandleader Jihye Lee’s story really does take quite some telling. Having been an indie pop singer in her native...

Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...

The Beach Boys, Disney+ review - heroes and villains and goo...

It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...

Album: Twenty One Pilots - Clancy

If there is one positive of the past decade, it must be the growing openness with...

Richard III, Shakespeare's Globe review - Michelle Terr...

There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...

Between Riverside and Crazy, Hampstead Theatre review - race...

It’s often said that contemporary American playwrights are too polite, too afraid of giving offence. But this accusation can’t be levelled at...