Theatre Reviews
The Village Social, National Theatre WalesMonday, 24 October 2011
As autumn turns to winter and we enter “the dark half of the year”, National Theatre Wales opens its second season with a 16-show tour of village halls around the Principality. Read more... |
Jumpy, Royal Court TheatreThursday, 20 October 2011
“Why does anyone ever have kids?” By the time a character in April De Angelis’s new comedy utters this exasperated exclamation, there are many in the audience - whether parents or children, or both - who must have had the same thought. And more than once in the evening. For this exceptionally hilarious and perceptive play, which opened last night, not only tickles the insides of your arm, but also lights up the senses and then gives you a quick cuddle, too. Read more... |
A Round-Heeled Woman, Riverside StudiosThursday, 20 October 2011
Sharon Gless is best known for her role as Detective Christine Cagney in Cagney & Lacey, and then to another generation in the American version of Queer as Folk and currently in the drama Burn Notice. Read more... |
Inadmissible Evidence, Donmar WarehouseWednesday, 19 October 2011
John Osborne was the great founding father of contemporary new writing for the theatre. In 1956, his Look Back in Anger changed British drama for ever, and his subsequent work explored the subjects of failure and national identity in language that is both highly rhetorical and at the same time feels as if it is torn from the gut. His 1964 play about the washed-up London solicitor Bill Maitland, which opened last night in Jamie Lloyd’s revival, is one of his masterpieces. Read more... |
Jerusalem, Apollo TheatreTuesday, 18 October 2011
So it's back, then. Garlanded with awards, lionised in London and on Broadway, Jerusalem starring Mark Rylance returns to the West End for a limited run, in the same production and with many members of the earlier cast(s). Is this an opportunistic, irrelevant, premature revival? On the contrary. Read more... |
The Queen of Spades, Arcola TheatreTuesday, 18 October 2011
Russia’s Shakespeare, Alexander Pushkin, has enjoyed imaginative treatment on the British stage and screen. Brighton Theatre’s now-legendary Vanity conjured the world of the verse-novel Eugene Onegin vividly with three actors and minimal props. More folk will remember the cinematic Queen of Spades, with Anton Walbrook’s crazed gambler terrorising the ancient Countess of Edith Evans to death for her secret of three winning cards. Read more... |
Sixty-Six Books, Bush TheatreMonday, 17 October 2011
Sometimes theatre people do mad things. Like stay up all night and the following day to “celebrate” the King James Bible and a theatre’s house-move to new premises. Its 400th year has been a good year for that collection of stories currently being advertised elsewhere as “the book that changed the world”. Read more... |
Bang Bang Bang, Royal Court TheatreSunday, 16 October 2011
“Go home. This is not your business. This is not your war.” So a Congolese warlord tells Sadhbh, an Irish human-rights defender, in Stella Feehily’s new drama for Out of Joint. Has the arrogance and exploitation of colonialism been replaced by the interference of aid organisations? Are the motives of those drawn to troubled countries purely altruistic? And what real hope have they of making a difference, after the media has lost interest in a conflict and left? Read more... |
Saved, Lyric HammersmithFriday, 14 October 2011
Given that Edward Bond, that most austere of playwrights, has refused to allow a London production of his most notorious play, Saved, for over a quarter of a century, it’s neither surprising nor unwise that having been granted the rights, director Sean Holmes is respectful of the text. You can, however, have too much of a good thing. Read more... |
The Pitmen Painters, Duchess TheatreWednesday, 12 October 2011
Is there something remarkable about a group of working-class men learning to paint? You may think there is, or you may think there isn’t. You may think that anyone with very little formal education learning to do any of the things associated with High Art – even if the results are quite naïve – is, in itself, astonishing. Or you may not: give someone a brush, paints and a board and, your clear-eyed reasoning might tell you, either genuine talent emerges or it doesn’t. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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