Theatre Reviews
Coriolan/us, National Theatre Wales/RSCFriday, 10 August 2012
National Theatre Wales like the word “us”. It was there in Michael Sheen’s Passion of Port Talbot – its film adaptation was called The Gospel of Us – and it is here, prominently, in the multi-layered title of Mike Pearson and Mike Brookes’ latest site-specific offering. Read more...
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Bush Bazaar, Bush TheatreTuesday, 07 August 2012
The curators encourage you to come to Bush Bazaar with an open mind to explore the value of theatre. But I found this cluttered evening a lesson in the value of saying no. Twenty companies – 100 emerging artists in all – have taken over the building to sell their wares, including a dinner party, a cleansing treatment and one to one with Justin Bieber (hard to resist). After paying £10 to get in, you decide what to see and how much more to pay the artists. Read more... |
The Curious Incident of the Dog in the Night-Time, National TheatreFriday, 03 August 2012
When Complicite conceived their beautiful A Disappearing Number they gave maths energy, drama, and above all watchability, but they never quite brought the heart. In Simon Stephens’s new adaptation, A Curious Incident of the Dog in the Night-Time has it in abundance (as well of course as a dead bee, a live rat, three beer cans and 20-odd metres of model train-track). Read more... |
Philadelphia, Here I Come!, Donmar WarehouseWednesday, 01 August 2012
Philadelphia, Here I Come! ends in its Donmar invocation with the roar of a plane taking off, which only amplifies one’s sense that the show has taken some while to take wing. Markedly better after the interval than during an abrasive first half, the director Lindsey Turner’s determinedly unsentimental take on Brian Friel’s breakthrough 1964 play comes at a price, and some may wonder whether the (very real) pay-off is worth the often snarky ride getting there. Read more... |
Taking Part/After the Party, Criterion TheatreWednesday, 01 August 2012
Britain may be in grip of Olympic fever, but two playwrights are questioning our unqualified cheer: should we really break out into an excited sweat, they ask, at the mention of beach volleyball, Rebecca Adlington and Danny Boyle? Taking Part and After the Party come under the umbrella of Playing the Games, which comprises a fortnight of plays, standup and talks at the Criterion Theatre responding to London 2012. Read more... |
In Water I'm Weightless, National Theatre WalesTuesday, 31 July 2012
Adrian Burley MP would probably call In Water I’m Weightless “leftie multicultural crap”. I’d like to bestow similar praise. In common with Danny Boyle’s Olympic opening ceremony, director John McGrath’s exploration of issues facing disabled people is a bit of a mess, a bit of a tick-box exercise and thoroughly enjoyable. Read more... |
Richard III, Shakespeare's GlobeThursday, 26 July 2012
“Would you enforce me to a world of cares?” croons Rylance’s Richard III, lingering tremulously over his question, the picture of world-sick piety and reluctance. As the groundlings cheer an ecstatic affirmative, Shakespeare’s most compelling villain once again claims the dramatic victory. History may have him as the vanquished, but in Tim Carroll’s new Globe production, even death cannot strip the crown of the vanquisher from Mark Rylance’s brow. Read more... |
The Doctor's Dilemma, National TheatreWednesday, 25 July 2012
“Of all the anti-social vested interests the worst is the vested interest in ill-health.” The Preface on Doctors that precedes George Bernard Shaw’s The Doctor’s Dilemma finds the writer at his characteristic best: caustic certainly, witty frequently, but in the service of a serious and lengthy invective on the state of British healthcare. Read more... |
The Boy Who Fell into a Book, Soho TheatreMonday, 23 July 2012
Alan Ayckbourn refuses to write down to children, and it shows. The Boy Who Fell into a Book is as sophisticated in structure as it is family-friendly in content. The narrative follows nine-year-old Kevin, who is absorbed (literally) into the detective story he is reading: Rockfist and the Green Shark. Read more... |
Ten Billion, Royal Court Theatre UpstairsThursday, 19 July 2012
“I'm here because I'm concerned,” says scientist Stephen Emmott in direct, measured tones. “I'm concerned about the state of our planet. I think the situation that we're in right now can rightly be called a planetary emergency, an unprecedented planetary emergency.” Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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