Classical Reviews
Mark Padmore, Mitsuko Uchida/ Benjamin Baker, Timothy Ridout, Wigmore Hall online/BBC Radio 3 review – hail and farewellSunday, 28 June 2020![]()
Of course, we just had to end with a midsummer Winterreise. The Wigmore Hall’s month of lockdown concerts for BBC Radio 3 had begun with a legendary elegy – the Chaconne from Bach’s D minor Partita, written according to musical folklore in memory of his first wife, with which Stephen Hough so gravely, beautifully, broke the pandemic silence on 1 June. Read more... |
Live from Covent Garden 2, Royal Opera and Ballet online review - heaven and earth in a nutshellWednesday, 24 June 2020![]()
Solitude, mortality and transcendence have never been more profoundly expressed in music than by Mahler, who composed Das Lied von der Erde (The Song of the Earth) in the valley of the shadow of death (too superstitious to give it the name of Ninth Symphony, though that and a sketched-out Tenth did follow, he never lived to hear it performed). Read more... |
Alina Ibragimova, Kristian Bezuidenhout/Iestyn Davies, Elizabeth Kenny, Wigmore Hall online/BBC Radio 3 review - two perfect pairingsTuesday, 23 June 2020![]()
Last Tuesday’s offering from the Wigmore Hall’s series of live broadcasts was a fiery recital from Russian violinist Alina Ibragimova partnered by pianist Kristian Bezuidenhout. Read more... |
Ailish Tynan, Iain Burnside/Allan Clayton, James Baillieu, Wigmore Hall online/BBC Radio 3 review – alone togetherSaturday, 20 June 2020![]()
Loneliness haunts the solo song – not simply all those solitary wanderers and defiant wayfarers of the Lied tradition, but the forsaken lovers and questing pilgrims who fill the folk-song repertoire of many lands. Read more... |
Roderick Williams, Joseph Middleton, Wigmore Hall online/BBC Radio 3 review - gender roles in song examinedMonday, 15 June 2020![]()
I'm not sure if it was the beauty of Roderick Williams’s velvety vocals, the poignant delight of seeing a live performance in a concert hall after all this time, or my generally unusual frame of mind during lockdown that caused me to immediately burst into tears at the opening bars of Schubert’s "Gretchen am spinnrade" ("Gretchen at the Spinning Wheel"), but the fact no other audience members were... Read more... |
Paul Lewis/Hyeyoon Park, Benjamin Grosvenor, Wigmore Hall online/BBC Radio 3 review - tranquil Schubert, fiery FranckThursday, 11 June 2020![]()
The Wigmore Hall’s triumphant series of lockdown lunchtime concerts by the finest of local recitalists is not without an audience; it’s just that the performers can’t see them. Read more... |
Stephen Hough/Lucy Crowe, Anna Tilbrook, Wigmore Hall online/BBC Radio 3 review - the end of the beginningWednesday, 03 June 2020
After a devastating drought, even a light shower can feel like something of a miracle. Under normal circumstances, a 60 minute lunchtime piano recital from the Wigmore Hall would represent wholly unremarkable business as usual for BBC Radio 3. Read more... |
Philharmonia, Channel 4 review - death on the podiumMonday, 01 June 2020![]()
Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Read more... |
Classical music/Opera direct to home 13 - piano marathons and string masterclassesFriday, 29 May 2020![]()
In an atmosphere of uncertainty created by a government desperate to boost the economy despite the COVID-19 infection rate not reducing significantly, some UK venues and organisations are moving responsibly towards some kind of new normality. Read more... |
Andsnes, Eriksmoen and friends, Bergen International Festival online review - from Mozart to WidmannThursday, 28 May 2020![]()
This is as close as we’re going to come now to the real festival experience. The enviably well-funded Bergen International Festival is serving up on average three or four events a day, livestreamed from atmospheric venues around the city and all available for a month. Read more... |
Pages
inside classical music
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...