fri 17/10/2025

Classical Reviews

Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

Jessica Duchen

From a distance, the pianist Christian Blackshaw bears an uncanny resemblance to Franz Liszt, silver hair swept back à la 19th century. At the piano, though, you could scarcely find two more different musicians. There seems not to be a flamboyant bone in Blackshaw’s body.

Read more...

Apartment House, Wigmore Hall online review - introspective music for isolated times

Miranda Heggie

Another year, another lockdown. Though I have little doubt this was not the way most us of hoped to start 2021, we can at least be grateful that we’re not suffering quite the same drought of live music we experienced back in March.

Read more...

Gillam, Hallé, Bloxham, Hallé online review - music of poetry

Robert Beale

Jonathan Bloxham makes his debut as conductor with the Hallé Orchestra in the third of the Hallé’s Winter Season concerts on film.

Read more...

The Soldier's Tale, Scottish Chamber Orchestra online review - top performers master a baggy mini-monster

David Nice

Born in exigency at the end of the First World War and soon kiboshed by the Spanish flu, The Soldier’s Tale as originally conceived is a tricky hybrid to bring off. Not so the suite – Stravinsky’s mostly incidental-music numbers are unique and vivid from the off – but the whole story, based on a Russian folk tale about a simple man’s tricky dealings with Old Nick, is awkward, made impossibly complicated and preachy by the Swiss writer Charles Ferdinand Ramuz.

Read more...

Gabrieli Consort, McCreesh online review - joyous Bach Christmas Oratorio

Bernard Hughes

After the main portion of the Voces8 Live from London Christmas festival revelled in the variety of its groups and repertoire, the final stretch allowed a single group to explore a single masterpiece by a great composer.

Read more...

Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zeal

David Nice

“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness seemed frequent companions in the interesting New Year’s Day bill of fare.

Read more...

Bevan, LPO, Jurowski, RFH online review – never-ending stories

Boyd Tonkin

The LPO, and its soon-to-depart chief conductor Vladimir Jurowski, began its 2020 Vision season back in February. It set out to mix and match the music of three centuries and show how it echoes in contemporary works. Well, little of that turned out quite as planned: this final concert at the Royal Festival Hall was meant to premiere Sir James MacMillan’s new Christmas Oratorio, now scheduled for the Concertgebouw in Amsterdam on 16 January.

Read more...

Best of 2020: Classical music concerts

David Nice

No picture of a musician tells more of a story about 2020 than the above image of cellist Steven Isserlis, stepping out on 8 July to play, what else but Bach, to his first live – albeit small – audience in just under four months.

Read more...

Voces8 LIVE from London online review part 2 – an assortment box of Christmas choral treats

Bernard Hughes

I gave a rare five stars to the first half of the Voces8 LIVE From London Christmas online festival and the second five concerts matched the first in their vitality, virtuosity and variety.

Read more...

Stile Antico, The Cardinall's Musick, Wigmore Hall online review – lightening our darkness

Boyd Tonkin

Suitably enough, this year’s musical Christmas arrived at the Wigmore not in a dazzle of joyful light and bedecked with winter greenery, but with a lonely band of singers facing the gloom of an unlit, empty hall as fear and confusion multiplied outside. In both of yesterday’s concerts, the closing events of the venue’s defiant and courageous autumn season, a cappella choral music from the Renaissance ushered in a festival more austere than ecstatic.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
After the Hunt review - muddled #MeToo provocation

The last few years have seen the much-needed positivity of the #MeToo movement...

Cockerham, Manchester Camerata, Sheen, Martin Harris Centre,...

Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter...

Ballad of a Small Player review - Colin Farrell's all i...

Whether it’s the trenches of the First World War, or the halls and chambers of Vatican City, we’re becoming used to director Edward Berger...

London Film Festival 2025 - Bradley Cooper channels John Bis...

Is This Thing On? 

Bradley Cooper has previously...

Heartbreak and soaring beauty on Chrissie Hynde & Pals...

A key part of Chrissie Hynde’s brilliance and longevity has always been her ability to keep multiple musical personas going at once. She’s the...

Ragdoll, Jermyn Street Theatre review - compelling and emoti...

Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolph Hearst’s granddaughter, who, at the age of...

The Last Dinner Party's 'From the Pyre' is as...

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness,...

Thomas Pynchon - Shadow Ticket review - Pulp Diction

Thomas Pynchon is having a moment. Paul Thomas Anderson’s second Pynchon adaptation, One Battle After Another (loosely based on...