Classical Reviews
Bronfman, Philharmonia, Salonen, RFH review – celebration around C majorSaturday, 05 June 2021
One of the many things we’ll miss when Esa-Pekka Salonen moves on from his 13 years as the Philharmonia’s principal conductor will be his programming. For this first of his farewell concerts, he’s not only chosen what he loves but made sure it all fits. Read more...
|
Gweneth Ann Rand, Simon Lepper, Wigmore Hall review - a richly hued collection of songsFriday, 04 June 2021
In the final concert marking the Wigmore Hall’s 120-year anniversary, soprano Gweneth Ann Rand and pianist Simon Lepper gave a programme of songs curated by Rand, titled "An Imperfect Tapestry". Read more... |
Swan Lake, LPO, Jurowski, Marquee TV review - full Tchaikovsky score perfectly pacedThursday, 03 June 2021
Two regrets and a tentative hope before full praise for what has to be the best complete Swan Lake in concert ever. Read more... |
Wigmore Hall at Portman Square / Wang, LSO, Tilson Thomas, LSO St Luke's review - al fresco chamber, full orchestra indoorsTuesday, 01 June 2021
Sometimes the big musical institutions follow off-piste trailblazers. Read more... |
András Schiff, Wigmore Hall review - mystery marvels mesmeriseSaturday, 29 May 2021
As András Schiff remarked from the stage early in this fairly remarkable evening, his usual audience knows he’s not about to play Rachmaninov. The idea for this concert last night and his return visit today, is that we turn up not knowing exactly what we will hear, beyond the name of a composer or two. He has a point. Why should pianists have to decide on every detail of their programmes two years in advance, sometimes more? Read more... |
Ragged Music Festival 2021, Ragged School Museum review - harrowing of hell from great musiciansWednesday, 26 May 2021
Seven months might just about be enough time to have digested the deep and intense offerings of the Second Ragged Music Festival before moving on to more soul-shattering and transcendence in the third. Read more... |
Sean Shibe, Wigmore Hall review - a bewitching hourThursday, 20 May 2021
Last time I was in a Wigmore audience for a Sean Shibe recital, his electric-guitar second half had many regulars fleeing the hall (he later said that the amplification had been meddled with – it was too loud, though the work in question, Georges Lentz’s Ingwe, was always going to be a stunner). Read more... |
LSO, Rattle, Barbican review - songs and dances in a room with an audienceWednesday, 19 May 2021
It began with a sense of wonder, not just from the Barbican's socially distanced audience but also from the stage, at “that sound you make with your hands”, as Simon Rattle put it in what he said was a novelty speech before a performance. Read more... |
Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favouritesSaturday, 15 May 2021
The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble recital I reviewed last month. Read more... |
Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrowTuesday, 11 May 2021
The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious talisman to ward off the finality of a Ninth. Read more... |
Pages
inside classical music
latest in today
'We are bowled over!' Thank you for your messages...
