mon 18/03/2019

Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Così fan tutte, Royal Opera review - fine singing and elegant deceits

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Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offs

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

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Die Walküre, Royal Opera review – putting family before sex

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Chiaroscuro Quartet, Kings Place review – antique melancholy

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LSO, Rattle, Barbican review - symphonies of death and new life

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theartsdesk in Korea: national pride and candour

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Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

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Christmas Oratorio, LPO, Jurowski, RFH review - right piece, wrong place

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Hough, Basel CO, Holliger, Cadogan Hall review - heavenly lengths in Schubert

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Romantics Anonymous, Shakespeare's Globe review - box of delights

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Bavouzet, BBCSO, Oramo, Barbican review - playing the long game in Sibelius

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Jacqueline du Pré: A Gift Beyond Words, BBC Four review - ode to joyful cellist

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Ensemble InterContemporain, Pintscher, RFH review - a visit from the gentle ghost of Boulez

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La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

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Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolution

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latest in today

Richard II, Sam Wanamaker Theatre review - electrifying mixe...

Richard II has become the drama of our times, as it walks us through the impotent convulsions of a weak and vain leader brought down by in-...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells...

In The Thread Russell Maliphant attempts what, at first sight, appears a foolhardy project – the juxtaposition of...

CD: Lucy Rose - No Words Left

Every so often, an album reminds you that, done properly, the art form is more than just a collection of songs. Barely...

David Hepworth: A Fabulous Creation review - how vinyl sooth...

Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April – it’s possible to buy a special...

Reissue CDs Weekly: Where The Girls Are Volume Ten

The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the...

Connolly, Drake, Berrington, Wigmore Hall review – between t...

Vary the stale format of the vocal recital and all sorts of new doors open for performers and listeners alike. The only downside, as became clear...

Yxng Bane, Brixton Academy review - all the fam on stage

There’s a wolf howl and Yxng Bane (pronounced Young Bane) jumps off a block on stage and his furry hooded coat flies open and the arena erupts in...

Showbands, BBC Four review - an Irish cultural phenomenon ex...

Ask most people what a showband is and they’ll give you a blank look. But ask any...