Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
latest in today
Superhoe, Brighton Festival 2019 review - a darkly vital one...
Tonight comes with a caveat, delivered before proceedings begin by the one-...
Mark Knopfler, Royal Albert Hall review - the Sultan's...
Prufrock might have measured his life in coffee spoons but for many of us it’s rock albums, the money to buy them way back when scrabbled together...
Alastair Campbell: Depression and Me, BBC Two review - is th...
Persistent depression is debilitating and...
ANNA, National Theatre review - great thriller, shame about...
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or GDR, is the archetypal surveillance state, in which...
John McEnroe: In the Realm of Perfection review - a fascinat...
Film buffs who are also tennis fans (there must be quite a few of us who fit in that particular Venn diagram) will love this quirky and...
Heathrow: Britain's Busiest Airport, ITV review - 80 mi...
It’s remarkable that this meandering observational ...
Rage 2 review – garish but great post-apocalyptic shooter
Rage 2 is a wacky Dayglo-infused post-apocalyptic world filled with various different factions who, for one reason or another, want you...
Traptown, Wim Vandekeybus/Ultima Vez, Brighton Festival 2019...
It’s no surprise that Wim Vandekeybus is trying something new at ...
The Best Plays in London
London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...