Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).
Articles By Peter Quantrill
latest in today
Off the Rails review - go for the scenery, not the script
Mamma Mia! hovers unhelpfully over every frame of Off the Rails, a road...
Reclaiming Amy, BBC Two review - Winehouse family and friend...
“My worst fear? What am I scared of?” Amy Winehouse ponders. She pauses thoughtfully: “Myself.”
Ten years to the day since she died, ...
Album: Anne-Marie - Therapy
Anne-Marie Nicholson is a hard-working young woman from Essex whose career description is “Global Girl-next-door Pop Star”. She has incrementally...
Le Comte Ory, Garsington Opera review - high musical style a...
Play it straight and you’ll get more laughs: that’s the standard advice on great operatic comedies like the masterpieces of the Gilbert &...
Album: Jackson Browne - Downhill From Everywhere
It’s hard to believe that it’s almost 50 years since I splurged a day’s Saturday pay on For Everyman, Jackson Browne’s second...
Lava, Bush Theatre review - poetic writing, mesmerically per...
What’s in a name? In Benedict Lombe’s incendiary...
Riders of Justice review - revenge, coincidence and the mean...
All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything?...
Hamlet, Windsor Theatre Royal review - the age is out of joi...
So it wasn’t Cinderella but Hamlet who was...