mon 08/08/2022

Peter Quantrill

Peter Quantrill's picture
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offs

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

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Die Walküre, Royal Opera review – putting family before sex

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Chiaroscuro Quartet, Kings Place review – antique melancholy

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LSO, Rattle, Barbican review - symphonies of death and new life

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theartsdesk in Korea: national pride and candour

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Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

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Christmas Oratorio, LPO, Jurowski, RFH review - right piece, wrong place

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Hough, Basel CO, Holliger, Cadogan Hall review - heavenly lengths in Schubert

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Romantics Anonymous, Shakespeare's Globe review - box of delights

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Bavouzet, BBCSO, Oramo, Barbican review - playing the long game in Sibelius

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Jacqueline du Pré: A Gift Beyond Words, BBC Four review - ode to joyful cellist

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Ensemble InterContemporain, Pintscher, RFH review - a visit from the gentle ghost of Boulez

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La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

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Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolution

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Prom 30 review: Bournemouth SO, Karabits - pagan fire and thunder

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latest in today

Prom 27, Dinnerstein, National Youth Orchestra, Gourlay revi...

Danny Elfman – the punk rocker-turned-film composer behind Batman, Spider-Man, Edward Scissorhands and The Simpsons...

Burn, Edinburgh International Festival 2022 review - bold, r...

In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reappraisal of one of...

Utopia, Limited, National Gilbert & Sullivan Opera Compa...

Joseph Heller grew tired of being told that he’d never written anything as good as Catch 22. ‘Who has?’, he'd retort. In the same...

Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz

Boy, Summerhall

Nature or nurture? It...

Album: Boris - Heavy Rocks

Boris are an eclectic Japanese band, with over 20 albums to their name. Following their creative instincts and often recording live with no...

Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Bor...

 

Les Dawson: Flying High, Assembly George Square ★★★

Any...

Music Reissues Weekly: The Movers - Vol. 1 1970-1976

After a burst of gun-shot drumming, “Hot Coffee” instantly hits its groove. Simple but insistent guitar, a rubbery bass line and electric organ...

Nightclubbing: The Birth of Punk Rock in NYC review - cheap...

Bankruptcy, rubble, rape and murder: Manhattan in the Seventies could be grim, as multiple New York punk memoirs make clear. The trade-off was the...

South Pacific, Sadler's Wells review - strong singing i...

How old is Emile de Becque? Perhaps because my first Emile was the 1958 film version’s Rossano Brazzi, my vision of the lonely French...

Edinburgh Fringe 2022 reviews: Tiff Stevenson / Seann Walsh...
 
Tiff Stevenson, Pleasance Courtyard ★★★★
...