fri 21/02/2020

Peter Quantrill

Peter Quantrill's picture
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

latest in today

Album: Ozzy Osbourne - Ordinary Man

Ozzy Osbourne stands on the front cover of his new album...

Greed review - so-so satire of the über rich

Steve Coogan’s long partnership with director...

Frang, CBSO, Yamada, Symphony Hall Birmingham review - the t...

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just...

La Cage aux Folles [The Play], Park Theatre review - half-co...

Not the musical then, worst luck. How timely it would have been to mark Jerry Herman's passing with a celebration of a great achievement. Just how...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

Album: Moonlight Benjamin - Simido

Moonlight Benjamin, the fierce and deep-voiced vocalist from Haiti, is a powerful presence on stage. On her second album, she is once again...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

The Cellist/Dances at a Gathering, Royal Ballet review - A g...

The cello is the stringed instrument most closely aligned to the human voice. It has a human shape, too, so in theory it was a short step for...