Classical Reviews
BBC Proms live online: London Sinfonietta, Paterson review – varied perspectives on city lifeWednesday, 02 September 2020
In reviewing Sunday night’s LSO Prom I was impressed by the innovative and exciting programming and that was also a hallmark of Tuesday’s Prom, although this was more true to form for the London Sinfonietta. Read more... |
Doric Quartet, Bandstand Chamber Festival, Battersea Park review – radiance on a late summer eveningWednesday, 02 September 2020
Wonderful as the livestreamed Proms are for players working together again and for viewers/listeners who wouldn’t be able to get to the Royal Albert Hall even if they could be admitted, I’d sacrifice them all for one evening of live musical communication like this. Read more... |
BBC Proms live online: Viennese Night review - sophisticated pleasuresTuesday, 01 September 2020
Viennese operetta is like that other great Central European treat, goulash. It comes in many forms. In Vienna it’s coffeehouse comfort food; in Slovenia they add bacon for a smoky tang. And in the marketplaces of Transylvania it comes in bubbling iron cauldrons, practically fluorescent with paprika. But it’s all goulash. You know it when you taste it, and all that matters is that it tastes good. |
BBC Proms live online: Uchida, LSO, Rattle review – eclectic concert makes good TVMonday, 31 August 2020
Sunday night’s Prom by the London Symphony Orchestra was Simon Rattle’s 75th and surely his strangest. Read more... |
BBC Proms live online: Jonathan Scott review - the organ as orchestraMonday, 31 August 2020
“Did you bring any Bach?” was not a question to ask of Jonathan Scott before he launched into his jaw-dropping Prom on the Royal Albert Hall's 1871 Henry Willis organ – the largest in the world at the time. augmented in its 2002-4 overhaul to 9,999 pipes. Read more... |
BBC Proms live online: BBC Singers, BBCSO, Oramo review – threnodies to an empty hallSaturday, 29 August 2020
So the bubble of reactionary brouhaha over the Last Night of the Proms quickly burst: there can be no argument about singing “Land of Hope and Glory” or “Rule, Britannia!” when they’re to be presented in their original Proms forms (Elgar’s Pomp and Circumstance March No. Read more... |
BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the starsFriday, 21 August 2020
Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. Read more... |
Kaleidoscope Collective, Wigmore Hall online – playing with panache, as if to a live audienceWednesday, 19 August 2020
If it all comes across as vividly as this on screen, imagine what it would have been like to witness in person. Which quite a few of us very nearly did, until we had to be disinvited owing to changed government guidelines. Read more... |
Pavel Kolesnikov and Samson Tsoy, Bold Tendencies review - visions under the car-park roofMonday, 17 August 2020
Before the not-quite-clear all-clear was given for distanced performances indoors, Bold Tendencies already had the perfect summer solution in the floor space beneath its rooftop terrace in Peckham’s former multi-storey car park. Read more... |
Charles Owen, Fidelio Orchestra Café review - high-profile, robust romanticsThursday, 13 August 2020
Composer Gian-Carlo Menotti once asked rhetorically what society wanted of performing artists – “the bread of life or the after-dinner mint?” There were a couple of audience members last night – unique in my experience so far of the Fidelio Orchestra Café’s set-up – who clearly wanted pianist Charles Owen’s recital to be the pre-dinner amuse-bouche; one was reading a book from the start, another came... Read more... |
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