mon 06/07/2020

peter quinn

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Bio
Peter has written on classical music and jazz for Tempo, Jazzwise, The Times Literary Supplement, BBC Music Magazine and International Record Review, among others. His performing experience runs the gamut from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.

Articles By Peter Quinn

Album: Tom Misch & Yussef Dayes - What Kinda Music

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Album: Sergio Mendes - In the Key of Joy

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Albums of the Year 2019: Claire Martin - Believin’ It

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Cleveland Watkiss 60th birthday celebration, Queen Elizabeth Hall review - seismic pulse, emotive words

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Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

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CD: Harry Connick Jr - True Love: A Celebration of Cole Porter

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Soweto Kinch, Jazz Cafe review - instant karma in Camden

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CD: Jamie Cullum - Taller

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Claire Martin, Ronnie Scott’s - swinging hard in Soho

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Jazz FM Awards 2019 - young guard triumphs

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Albums of the Year 2018: William Parker - Voices Fall From The Sky

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Jazzmeia Horn, EFG London Jazz Festival 2018 review - searching for the unexpected

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Orphy Robinson’s Astral Weeks, London Jazz Festival 2018 review - reimagining a masterpiece

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CD: Bansangu Orchestra - Bansangu Orchestra

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Jazz FM Awards 2018 - a banner year for Ezra Collective

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CD: Owen Broder - Heritage

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latest in today

Album: Rufus Wainwright - Unfollow the Rules

After Unfollow the Rules: The Paramour Session and the...

Terri White: Coming Undone review - a British journalist unr...

The journalistic addiction-memoir is a crowded genre these days: Details editor Dan Perez chronicles his massive intake of Vicodin and...

Camille Laurens: Little Dancer Aged Fourteen review - the st...

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and...

Reissue CDs Weekly: Philip Rambow - The Rebel Kind

“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty,...

Dom Joly / Daniel Sloss, Brent Cross reviews - UK's fir...

It was a weary and frustrated Dom Joly (★★) who left the stage after performing the first drive-in...

Homemade review - laughs, loss and madness in lockdown

If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when...

Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite...

There’s sun and sand, and both are golden – but this is no holiday beach. Distantly, out of focus, you can make out a man with a donkey and cart....