Classical Reviews
Kuusisto, Philharmonia, Salonen, RFH review - Icelanders fare better than SibeliusFriday, 29 September 2017
London orchestras do communicate with each other, sometimes at least, when it comes to programming. Read more...
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Pogostkina, BBCSO, Oramo, Barbican review - human emotions in Sibelius's heavenThursday, 28 September 2017
It was on the strength of a single concert including a startling Sibelius Luonnotar and Third Symphony, thankfully reported here, that Sakari Oramo was appointed Chief Conductor of the BBC Symphony Orchestra. Read more... |
Lammermuir Festival 2017 review - rich and deeply rewardingTuesday, 26 September 2017
Increasingly, the Lammermuir Festival is – one audience member whispered conspiratorially to me – what East Lothian music lovers are switching to alongside the Edinburgh International Festival. It’s insidious to compare, of course – but still, you can see the attraction. Read more... |
BBCPO, Mena, Bridgewater Hall, Manchester review - Mahler's Third lovingly realisedMonday, 25 September 2017
Juanjo Mena memorably began his tenure as chief conductor at the BBC Philharmonic with a Mahler symphony (the Second), and chose to enter his seventh and last season with them at the Bridgewater Hall with the Third. It was a testimonial to an era at the end of which he leaves with the orchestra in at least as good shape as he found them, and in some ways better still. Read more... |
The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance musicSaturday, 23 September 2017
Peter Phillips and the Tallis Scholars have nothing to prove when it comes to Renaissance choral music – few ensembles can match them for clarity, balance and purity of tone. Read more... |
Reger Cello Suites, Richard Harwood, Malling Abbey review - Bach with a dash of acidSaturday, 23 September 2017
Three “little greats,” as Opera North might put it, proved just the thing to cleanse the palate in a quiet place the afternoon after the LSO/Rattle Stravinsky trilogy. Read more... |
Stravinsky Ballets, LSO, Rattle, Barbican review - the big three burn with focused energyFriday, 22 September 2017
“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of Simon Rattle’s new era at the helm of the London Symphony Orchestra. Well, last night, with no celebratory overload around the main event, the homecomer was flying like a firebird, and taking a newly galvanised orchestra with him, at the start of another genuine spectacular. Read more... |
La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamiteMonday, 18 September 2017
For his monster concerts in 1840s Paris, Berlioz took pride in assembling and marshalling a "great beast of an orchestra". At the Barbican on Sunday night, the LSO filled the stage and fitted the bill. Read more... |
Grenfell Tower Benefit Concert, Cadogan Hall - stellar line-up for a vital causeMonday, 18 September 2017
“Keep here your watch, and never part.” There was a strong symbolism of standing and singing together in the last moments of the Grenfell Tower Benefit Concert. After singing the Lament of Purcell's Dido, Christine Rice made her way back slowly through the orchestra to join the choir. All 150 participants in the concert, operatic stars, young singers, conductor, a special orchestra assembled from various London orchestras joined in for the final chorus of Dido and Aeneas. Read more... |
Tetzlaff, LSO, Rattle, Barbican review - a triumphant homecoming for the maestroFriday, 15 September 2017
After all the talk and anticipation, at last some music. Simon Rattle took up the reins of the London Symphony Orchestra last night – as its first ever “Music Director” – with a programme dedicated to home-grown composers whose lives span the lifetime of the orchestra. Read more... |
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