Classical Reviews
Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute lacks punchTuesday, 25 July 2017
Ten days ago I reviewed the First Night of the 2017 Proms. Last night I was back at the Royal Albert Hall to hear the First Night of the 1966 Proms. This time-capsule experience was courtesy of a re-enactment of Sir Malcolm Sargent’s 500th Prom, in what turned out to be his final season. Read more... |
Prom 10 review: Aurora Orchestra, Collon – a revolution taken to heartMonday, 24 July 2017
When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact. Not only did the Aurora Orchestra under Nicholas Collon stretch their repertoire of symphonies performed from memory to cover the epic expansiveness and ear-bending innovations of Beethoven’s Third, the Eroica. Read more... |
Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthralsThursday, 20 July 2017
It’s at times like this that I give thanks for the Proms. Who else would (or could) have put together a programme pairing Berlioz’s Symphonie Fantastique with an 18th-century sonic fantasy, or topped it off with a substantial UK premiere? A bit bonkers on the page, it remained so in performance. Read more... |
Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magicWednesday, 19 July 2017
Nicola Benedetti was the star of this show, no doubt about that. She is a Proms regular and favourite, attracting a large and enthusiastic audience, the Royal Albert Hall filled almost to capacity. Read more... |
Prom 3: Faust, COE, Haitink - Europeans tread air under 88-year-old masterMonday, 17 July 2017
The message must be getting through. On the First Night of the Proms, Igor Levit played as encore Liszt's transcription of the great Beethoven melody appropriated as the European Anthem; in Prom 2, Daniel Barenboim unleashed his Staatskapelle Berlin on Elgar's Pomp and Circumstance following an inspirational speech about European culture, education and humanism. Yesterday afternoon's manifesto was a given,... Read more... |
Prom 1 review: Levit, BBCSO, Gardner - fizzing Adams finally ignites mixed First NightSaturday, 15 July 2017
The ideal First Night of the Proms sets the tone for the season, perhaps flagging up some of the themes to be followed up later, offering a blend of novelty and familiarity, and preferably ending with a roof-raising choral blockbuster. This programme successfully ticked those boxes, but took until the second half to really catch light. Read more... |
Ke Ma, Wigmore Hall review - a debut of distinctionFriday, 14 July 2017
The turnout in the Wigmore’s Kirckman series of young-artist showcases was unusually high for this 23-year-old Chinese pianist. With the Op. 28 Preludes of Chopin, it became clear that many of the audience had known what they were waiting for. Up to that point, Ke Ma had given the impression of another young Brahms-and-Prokofiev virtuoso. Read more... |
Kozhukhin, LSO, Rattle, BarbicanThursday, 13 July 2017
Gorgeous sound, shame about the movement – or lack of it. That seems to be the problem with too many of Simon Rattle's interpretations of late romantic music. Read more... |
East Neuk Festival review - Schubert, brass and nine electric guitarsTuesday, 11 July 2017
Elisabeth Leonskaja, Schubert's greatest living interpreter, was always going to be Queen of Scotland's East Neuk for three summer days; her performances of four piano works and the "Trout" Quintet with outstanding string players were transcendental. But this festival is exceptional in keeping several pertinent... Read more... |
OAE, Christie, St John's Smith SquareWednesday, 05 July 2017
William Christie chose a suitably light and breezy programme for this warm summer evening’s concert at St. John’s Smith Square. The concert was titled “Bach goes to Paris”, with works chosen to highlight the connections between the German master and his French contemporaries. Read more... |
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