tue 07/07/2015

Chopin

Alston at Home, The Place

Parties in someone's back garden are often more fun than those in big fancy venues. Richard Alston Dance Company celebrated its 20th birthday with a big soirée at Sadler's Wells in January, but last night was their cheerful family gathering, held in...

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Robbins/MacMillan Triple Bill, Royal Ballet

Last night at the Royal Ballet was, emphatically, laser-free. The combination of Afternoon of a Faun (1953) and In the Night (1970) by the great American choreographer Jerome Robbins, with a repeat of Kenneth MacMillan's 1965 Song of the Earth,...

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Yevgeny Sudbin, QEH

Mahler once wrote that his symphonies were edifices built from the same stones, gathered in childhood. In each of the four recitals I’ve heard from Yevgeny Sudbin, he’s moved several of his repertoire cornerstones around to different effect in the...

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theartsdesk Q&A: Pianist Yevgeny Sudbin

Whatever the recording industry may try to tell you, there is rarely any such thing as a single “best” among today’s pianists. We’ve had Benjamin Grosvenor and Leif Ove Andsnes, excellent artists both, touted as a cut above the rest. But hearing...

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Stephen Hough, RFH

It took just two bars of Debussy's La plus que lente for Stephen Hough to transport the entire Royal Festival Hall to Paris. The nearest thing the French composer ever wrote to a café waltz – inspired by a gypsy band in a local hotel – this...

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Ashton Mixed Bill, Royal Ballet

This morning, those who follow ballet on both sides of the Atlantic might be feeling a bit like the male soloists at the beginning of Ashton’s Scènes de Ballet: turning their heads sharply, almost pantomimically, from side to side. Over there, in...

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Classical CDs Weekly: Nielsen, Kristjan Järvi, Benjamin Grosvenor

 Nielsen: Symphonies 1 and 4 New York Philharmonic/Alan Gilbert (Dacapo)Alan Gilbert tears into the opening of Nielsen 4 with some ferocity, sustaining the forward motion very nicely indeed. Until, well, we'll get to that later. This symphony...

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Daniil Trifonov, Royal Festival Hall

Daniil Trifonov, 23, has shot to prominence as one of the hottest pianistic properties of the moment. With multiple competition wins behind him, including the Tchaikovsky in his native Russia, plus a recording contract with DG and a frenetic globe-...

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Proms Chamber Music 7: Benjamin Grosvenor/Prom 60: Driver, RPO, Dutoit

After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin...

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Prom 29: Grosvenor, Goode, BBC Philharmonic, Noseda

“That,” she said, “is what it must be like when you enter heaven.” And I knew just what my wife meant. The organ was in full regalia, revelling in the marshmallow glory of the chorale theme in Saint-Saëns’ Third Symphony, with the orchestra...

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The Dream/Connectome/The Concert, Royal Ballet

The Dream has at its heart a great partnership. Not just the original, magical pairing of Anthony Dowell and Antoinette Sibley, for whom Frederick Ashton created the ballet fifty years ago (thereby launching one of the top couples in ballet history...

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Khatia Buniatishvili, Queen Elizabeth Hall

A voluptuous dream in sequined silver, the nearly-27-year-old Georgian pianist Khatia Buniatishvili sat down at the keyboard and instantly transcendentalised her mermaid look as Ravel’s Ondine. Even Brahms took to the life aquatic of her recital’s...

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