Comedy reviews, news & interviews
Stewart Francis, Touring
Saturday, 05 May 2012
Before he started making regular appearances on BBC Two's Mock the Week, Stewart Francis was an accomplished comic of some years' standing on the circuit - and that experience shows in his extensive UK tour, Outstanding in His Field, where he proves to be a slick performer whose set is delivered with exquisite timing.The audience at the Wycombe Swan let a few of his (very good) gags fly past them, mostly those about him being a Canadian, but no matter. Like fellow punster Tim Vine, Francis has...
Paul Merton, Touring
Wednesday, 02 May 2012
Paul Merton is a very funny man, as anybody who watches Have I Got New For You will know. But fans of that programme will find his latest live show, billed as his return to stand-up, which he started doing 30 years ago, a very different experience. First thing to report is that it's not really stand-up, more an autobiographical run-through of his life, using jokes, songs and sketches, aided by some chums from his improv group Paul Merton's Strolling Players.The players – Richard Vranch, Lee...
Footnote: a brief history of British comedy
British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.
In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.
In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.
By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.
The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.
Free Newsletter
latest in today
The Afro-Futurist star on going from a sexed-up rap prince to post-genre ba...
The doors open for the 65th edition of the world's greatest film festi...
News
most read
The pop-loving indie kids return in reflective mode
A slick Serb Part 1, an effective Macedonian Part 3 and a very very Albania...
Producer Giles Martin on scouring the late Beatle's private tape vault...














