wed 18/10/2017

Comedy reviews, news & interviews

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

Veronica Lee

Mat Ewins comes on stage with a bullet belt slung across his chest. Indiana Jones he ain't, but what follows is a spoof on that film genre, a convoluted narrative that makes little sense but has a large degree of bombast as the show's title, Mat Ewins: Presents Adventureman 7 – the Return of Adventureman, suggests.

Ahir Shah, Soho Theatre - a bravura response to Brexit vote

Veronica Lee

There were a lot of shocked and disappointed people after the EU referendum last year and several comics have used the result to fashion some good comedy, delivering state-of-the-nation material in their shows. For Ahir Shah, though, the more he thought about the result, the more he took it personally.

Mae Martin, Soho Theatre review - life is a drug

Veronica Lee

She’s only 30, but Mae Martin has been at this comedy lark for a long time. By her own admission she was a rather strange child; she became obsessed...

Edinburgh Festival and Fringe 2017 reviews round-...

Theartsdesk

Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.STANDUPAthenu Kugblenu,...

Edinburgh Fringe 2017 reviews: Ingrid Oliver /...

Veronica Lee

Ingrid Oliver ★★★★ Ingrid Oliver is an old Edinburgh hand as one half of the sketch duo Watson and Oliver, but this is her debut solo show, and...

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena Kugblenu

Veronica Lee

A possible valediction, class concerns, feeling the privilege, and millennial politics

Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / Trumpageddon

Veronica Lee

A happy anniversary, neural pathways, an assured debut, and a deflated Trump

Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot Steel

Veronica Lee

Unlikely subject matter for gags, an old favourite revived, and one for the millennials

Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila Carlson

Veronica Lee

The politics of beauty, the comedy of organ donation and big laughs from the southern hemisphere

Enter theartsdesk's Young Reviewer of the Year Award

Theartsdesk

In association with The Hospital Club's h.Club 100 Awards, we're launching a new competition to find a brilliant young critic

Russell Brand, Touring review - grandiloquent performer in reflective mood

Veronica Lee

Fatherhood prompts a look back at earlier misdemeanours

Jeremy Hardy, Brighton Festival review - expert raconteur shows political bite

Thomas H Green

Radio 4 regular's conversational style masks a passionate pin-sharp topicality

Ricky Gervais, Touring review - chatty and relaxed riffing

Veronica Lee

Some very personal material among the edgy content

Ayesha Hazarika, Soho Theatre review - 'politics is her patch'

Veronica Lee

Former Labour adviser finds the funny in politics

Our Friend Victoria review – ‘Victoria Wood’s genius is irreplaceable’

Jasper Rees

Julie Walters presents the first part of BBC One's series celebrating a comedian without equal

Russell Howard, Touring - 'the passion and anger are real'

Veronica Lee

An amiable mix of sex and politics

Peter Kay's Dance for Life, Ricoh Arena Coventry

Veronica Lee

School disco with lots of laughs

Miles Jupp, London Palladium

Veronica Lee

A gentle meander through life's vicissitudes

The UK Pun Championships, Leicester Comedy Festival

Veronica Lee

Wordplay galore as jokesmiths battle for title

Suzi Ruffell, Soho Theatre

Veronica Lee

Amusing take on how class defines us

Chris Gethard, Soho Theatre

Veronica Lee

US comic tackles his mental-health problems

Mr Swallow - Houdini, Soho Theatre

Veronica Lee

Daft escapist fun from bumbling spoof performer

The Great Indoors, ITV2

Veronica Lee

Limp US inter-generational sitcom starring an out-of-place Stephen Fry

Scott Gibson, Soho Theatre

Veronica Lee

Award-winning show about a medical calamity

Best of 2016: Comedy

Veronica Lee

We needed something to laugh at. Here's who helped...

Michelle Wolf, Soho Theatre

Veronica Lee

US comic mixes the personal and political

The best comedy DVDs of 2016

Veronica Lee

A few suggestions for funny stocking-fillers - from Billy Connolly to Sarah Millican

Tom Allen, Soho Theatre

Veronica Lee

Intricately constructed tale about suburbia

The Catherine Tate Show Live, Eventim Apollo

Veronica Lee

Go on, have a guess. Terrific live tour of sketch show favourites

Footnote: a brief history of British comedy

British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.

In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.

In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.

By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.

The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.

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