mon 20/05/2013

Comedy reviews, news & interviews

Nina Conti, Soho Theatre

Veronica Lee

Ventriloquism, once a staple of music hall and variety theatre, has rather gone out of fashion. More mature readers - or students of the form - may be familiar with names such as Edgar Bergen and Charlie McCarthy, Shari Lewis and Lambchop or Ray Alan and Lord Charles, but they are all decades gone from our stages and television screens. Nina Conti is now one of just a few vent acts to have a popular following, and she's reinventing the form.Her puppets owe more to the soft felt of The Muppets...

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Daniel Kitson, Theatre Royal, Brighton

Thomas H Green

Aware I was going to see a stand-up comedian at the Brighton Festival but not knowing much about Daniel Kitson, the opening of his new show, After The Beginning, Before The End, bemused. On he wandered, shaven bald of head, geeky, bearded, wearing specs and a librarian-style brown jacket. He sat in a nondescript red chair at a small table with a cup of tea and pressed buttons on an electronic gizmo which began to burble sweet abstract electro bleeps. Then he went into a monologue which ceased...

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Eddie Izzard, Wembley Arena

Kate Bassett

Eddie Izzard is lining up his targets. He’s taking issue with dictatorial authority figures, with God, royals and priests, right-wingers and high-...

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Jimeoin, Queen's Hall, Edinburgh

Graeme Thomson

No theme, no message, no set, no title. Northern Irish comedian Jimeoin is a beguilingly old-fashioned kind of standup. “Just jokes,” he told us at...

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The South Bank Show: Tim Minchin, Sky Arts 1

Tom Birchenough

The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten...

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Paul F Tompkins, Soho Theatre

Veronica Lee

Suave American comic makes accomplished UK debut

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theartsdesk Q&A: Writers Ray Galton and Alan Simpson

Jasper Rees

Fifty years on, the creators of Steptoe and Son explain its enduring appeal as the classic sitcom is revived onstage

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The Mimic/Anna & Katy, Channel 4

Jasper Rees

Promising sitcom riffs on the impersonator with no personality, plus a new female sketch duo

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Will Franken, Soho Theatre

Veronica Lee

Absurdist and unsettling American character comic

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Harry Hill, Cliffs Pavilion, Southend-on-Sea

Veronica Lee

Madcap fun and games from the medic turned comic, making his return to stand-up

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Altitude Festival 2013

Veronica Lee

Alpine comedy festival line-up announced

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theartsdesk at the London Comedy Film Festival 2013

Emma Simmonds

LOCO laughs in the face of post-Xmas misery with its assortment of global rib-ticklers

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Glasgow International Comedy Festival 2013 launched

Veronica Lee

GIGF now in its 11th year

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theartsdesk Q&A: Comedian Rowan Atkinson

Jasper Rees

The face of Blackadder and Bean on a life spent entertaining, and taking on a tragicomedy

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Black Cat Cabaret

Veronica Lee

New club opens in fabled venue

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Best of 2012: Top 10 Comedy DVDs

Veronica Lee

Our recommendations for the finest funnies to put in the Christmas stocking

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Susan Calman, Soho Theatre

Veronica Lee

Scottish comic has a serious message among the jokes

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Alan Davies, Touring

Veronica Lee

The star of QI makes an assured return to stand-up

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Jenny Eclair, touring

Veronica Lee

Deliciously potty-mouthed comic on fine form

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Jack Dee, Edinburgh Playhouse

Graeme Thomson

Comedy's Mr Misery returns to the stage - but has familiarity bred contentment?

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Russell Kane, Hammersmith Apollo

Veronica Lee

High-energy stand-up delivers a high-concept show about fatherhood

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Shappi Khorsandi, Soho Theatre

Veronica Lee

Stand-up gets down and dirty in tales of love

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Greg Davies, touring

Thomas H Green

Super-sized comic proves thoroughly capable of dragging a crowd into his world

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Michael Mittermeier, Soho Theatre

Veronica Lee

Sharp German comic leans a little too heavily on national stereotypes

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Danny Bhoy, Bloomsbury Theatre

Veronica Lee

Epistolary comedy from the Scottish stand-up

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Kevin Bridges, Hammersmith Apollo

Veronica Lee

Affable Glaswegian stand-up mixes easygoing anecdotes with sardonic comedy

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Michael McIntyre, O2 Arena

Veronica Lee

Observational comic shows why he's Mr Popular

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Stewart Lee presents John Cage's Indeterminacy, Cafe OTO

Joe Muggs

Is the avant-garde po-faced? An attempt to prove otherwise

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Edinburgh Fringe: James Acaster/David Trent/Daniel Simonsen/Ben Target

Veronica Lee

Gentle whimsy; spontaneous laughs; Norwegian observations and a high-concept show

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Footnote: a brief history of British comedy

British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.

In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.

In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.

By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.

The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.

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