sun 23/11/2014

Comedy reviews, news & interviews

Noel Fielding, Eventim Apollo

Veronica Lee

Many of the audience for An Evening with Noel Fielding were still in nappies when the comic first plied his trade as one half of The Mighty Boosh with Julian Barrett, which started life on the Edinburgh Fringe in the late 1990s and quickly became a cult hit.But since Howard Moon and Vince Noir have been put into mothballs, Noel Fielding has forged a career as an actor (The IT Crowd), television host (Never Mind the Buzzcocks), and the creator of several outlandish characters in various solo TV...

John Bishop, Touring

Veronica Lee

It's a conundrum for some in the industry how John Bishop, so beloved of the BBC, which has given him several vehicles to parlay his Liverpool-lad-made-good comedy, can still, as a multimillionaire, perform his smiley Everyman persona with such conviction and be met with such affection - as indeed he was at the National Indoor Arena in Birmingham where I saw his Supersonic arena tour.It cannot be a case of, as an old show business saw (attributed to many) has it, “Sincerity; if you can fake...

Jim Davidson, Sands Centre, Carlisle

Veronica Lee

Well, here’s a first; I was taken to a comic’s dressing room to be checked out before I could review his show. There was a mix-up over tickets for...

Lee Mack, Eventim Apollo

Veronica Lee

The last time I saw Lee Mack live, my companion and I were literally in pain because we were laughing so much. It's perhaps unfair to expect a repeat...

Paul Daniels, Touring

Veronica Lee

It's inevitable that Paul Daniels would introduce his wife and onstage partner as “... the lovely Debbie McGee”, one of two phrases now synonymous...

Lee Evans, O2 Arena

Veronica Lee

No amount of fart gags and racing about can hide the cobwebs on these jokes

Luisa Omielan, Soho Theatre

Veronica Lee

Joyous and raucous hymn to modern womanhood

Forbidden Broadway, Vaudeville Theatre

David Nice

Fearless foursome spoofs the poker-faced and the overblown in magnificent Menier transfer

Joan Rivers, 1933-2014

Fisun Güner

The first lady of comedy whose biggest dread was an empty diary

Steen Raskopoulos, Soho Theatre

Veronica Lee

Superb character comedy from Australian debutant

John Kearns/ Alex Edelman/ This Is Ceilidh

Veronica Lee

Winning shows at the Edinburgh Fringe

Edinburgh Fringe 2014: Chris Turner/ BEASTS/ Angela Barnes/ Show Pony

Veronica Lee

More from the world's biggest and best arts festival

Edinburgh Fringe 2014: Adam Riches/ Josie Long/ Loretta Maine/ Dane Baptiste/ Tom Allen

Veronica Lee

More from the world's biggest and best arts festival

Edinburgh Fringe 2014: Bridget Christie/ Men in the Cities/ Lazy Susan/ Outings

Veronica Lee

More from the world's biggest and best arts festival

Listed: The laughter and tears of Robin Williams

Jasper Rees

From Mork to mawkish, the clips that define a brilliant career

Edinburgh Fringe: Andrew Maxwell/ Spoiling

Veronica Lee

More from the world's biggest and best arts festival

Ursula Martinez: My Stories, Your Emails, Purcell Room

Hanna Weibye

Smart show about stripping and the internet

Edinburgh Fringe: Sarah Kendall/Christian O'Connell

Veronica Lee

First reviews from the Fringe of 2014

theartsdesk at Latitude: Damon Albarn/Booker T Jones

Matthew Wright

Booker T Jones' set of Sixties hits wows the crowd - but is Damon Albarn's new solo material a touch too subtle to headline?

Chelsea Handler, London Palladium

Veronica Lee

Brisk and businesslike debut for US comic

Monty Python, O2 Arena

Veronica Lee

Reunion of comedy royalty is worth the wait

Dawn French, Brighton Theatre Royal

Veronica Lee

One half of comedy duo makes assured debut as solo performer

Adrienne Truscott, Soho Theatre

Veronica Lee

Show about a serious subject is acidly funny

David Baddiel, Menier Chocolate Factory

Veronica Lee

Intelligent and witty examination of modern celebrity

Festival of the Spoken Nerd, Udderbelly

Veronica Lee

Popular science show with a few whizz-bangs

10 Questions for Ventriloquist Nina Conti

Jasper Rees

What makes a postmodern vent act tick?

David Sedaris, Cadogan Hall

Veronica Lee

Essayist and raconteur tells richly comic tales

Jack Whitehall, O2 Arena

Veronica Lee

Decent storyteller who needs more convincing material

Miranda Hart, O2 Arena

Veronica Lee

Sitcom star returns to stand-up

Footnote: a brief history of British comedy

British comedy has a honourable history, dating back to Chaucer’s Canterbury Tales, through Shakespeare’s and Restoration plays to Victorian and Edwardian music hall and its offspring variety, and on to Monty Python’s Flying Circus, working-men’s clubs, 1980s alternative comedy, and today's hugely popular stand-up acts in stadiums seating up to 20,000 people.

In broadcast media, the immediate decades after the Second World War marked radio’s golden age for comedy, with shows such as ITMA, The Goons, Round the Horne and Beyond Our Ken. Many radio comedy shows transferred to even greater acclaim on television - such as Hancock’s Half Hour, The Hitchhiker's Guide to the Galaxy, Knowing Me, Knowing You, The Day Today, Red Dwarf, The League of Gentlemen, Goodness Gracious Me and Little Britain.

In television, the 1970s and 1980s were the great age of British sitcom, when shows such as Steptoe and Son, Till Death Us Do Part, Rising Damp, Dad’s Army, Porridge, Yes, Minister, Only Fools and Horses, Fawlty Towers and Blackadder. They were marked by great writing, acting and directing, although the time should also be noted for great British dross such as On the Buses and Love Thy Neighbour.

By the 1990s, British sitcom had developed into intelligent über-comedy, with shows such as Absolutely Fabulous and The Office making dark or off-kilter (although some would say bad taste) shows such as Drop the Dead Donkey, Peep Show, Green Wing and The Inbetweeners possible. In film, British comedy has had three great ages - silent movies (Charlie Chaplin being their star), Ealing comedies (Passport to Pimlico perhaps the best ever) and Carry On films. The first are in a long tradition of daft physical humour, the second mark the dry sophistication of much British humour, and the last the bawdiness that goes back to Chaucer.

The 2000s marked the resurgence of live comedy, with acts (including Jimmy Carr, Peter Kay and Russell Howard) honing their talents at successive Edinburgh Fringes and their resulting TV, stadium tour and DVD sales making millionaires of dozens of UK comics. Comedians cross readily from TV to stand-up to film to West End comedy theatre. The British comedy industry is now a huge and growing commercial business, with star comics such as Peter Kay and Michael McIntyre grossing tens of millions of pounds from arena tours, and attendances of up to 20,000 at venues across the UK.

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