mon 20/10/2025

Interviews with leading figures from the arts

theartsdesk Q&A: musician Warren Ellis recalls how jungle horror and healing broke him open

Nick Hasted

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects meanwhile exist on the malign edge, from Snowtown’s suburban serial killer and Nitram’s mass shooter to Ned Kelly.

theartsdesk Q&A: Idris Elba on playing a US President faced with a missile crisis in 'A House of Dynamite'

Pamela Jahn

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's portraying the American President in Kathryn Bigelow's tense political thriller A House of Dynamite.

theartsdesk Q&A: composer Donghoon Shin on...

Rachel Halliburton

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite...

Robert Redford: remembering All the President’s...

Demetrios Matheou

In the summer of 2005, Robert Redford, who died this week, attended the Karlovy Vary Film Festival in the Czech Republic, to collect a life...

theartsdesk Q&A: actor Sam Riley on playing a...

Pamela Jahn

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the Berlin-based...

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theartsdesk Q&A: Suranne Jones on 'Hostage', power pants and politics

Pamela Jahn

The star and producer talks about taking on the role of Prime Minister, wearing high heels and living in the public eye

theartsdesk Q&A: actor Leonie Benesch on playing an overburdened nurse in the Swiss drama 'Late Shift'

Pamela Jahn

The Guildhall-trained German star talks about the enormous pressures placed on nurses and her admiration for British films and TV

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, love, and confusion in the modern world

Pamela Jahn

The writer-director discusses first-love agony and ecstasy in 'Dreams', the opening UK installment of his 'Oslo Stories' trilogy

theartsdesk Q&A: actor Lars Eidinger on 'Dying' and loving the second half of life

Pamela Jahn

The German star talks about playing the director's alter ego in a tormented family drama

theartsdesk Q&A: director Athina Rachel Tsangari on her brooding new film 'Harvest'

Pamela Jahn

The Greek filmmaker talks about adapting Jim Crace's novel and putting the mercurial Caleb Landry Jones centre stage

theartsdesk Q&A: writer and actor Mark Gatiss on 'Bookish'

Pamela Jahn

The multi-talented performer ponders storytelling, crime and retiring to run a bookshop

Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fan

Rachel Halliburton

Music Director Julián Vat and pianist Matias Feigin compare notes on Piazzolla

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk' and life education

Pamela Jahn

The Anglo-French star of 'Sex Education' talks about her new film’s turbulent mother-daughter bind

theartsdesk Q&A: director Andreas Dresen on his anti-Nazi resistance drama 'From Hilde, with Love'

Pamela Jahn

The East German-born filmmaker explains why his biopic of the activist Hilde Coppi isn't bound to the 1940s

Bleak landscapes and banjos: composer Bernard Hughes discusses his score for 'Chicken Town'

Graham Rickson

Our critic talks about his recent film project

theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

Adam Sweeting

She nearly became a dancer, but now she's one of TV's most familiar faces

theartsdesk Q&A: Gary Oldman on playing John Cheever in 'Parthenope' and beating the booze

Pamela Jahn

Exclusive: A candid interview with the master actor

theartsdesk Q&A: film director Déa Kulumbegashvili on her startling second feature, 'April'

Pamela Jahn

The Georgian filmmaker talks about her award-winning abortion drama, motherhood and her relationship with the unknown

theartsdesk Q&A: director Leonardo Van Dijl discusses his sexual abuse drama 'Julie Keeps Quiet'

Pamela Jahn

The Belgian filmmaker unfolds an all too familiar tragedy in the world of tennis

theartsdesk Q&A: filmmaker Miguel Gomes on his latest exotic opus, 'Grand Tour'

Pamela Jahn

The Portuguese director's comic melodrama takes a fantastical journey through Southeast Asia and the history of cinema

theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apocalyptic musical 'The End'

Pamela Jahn

The documentary director talks about his ominous first fiction film and why its characters break into song

theartsdesk Q&A: director François Ozon on 'When Autumn Falls'

Nick Hasted

The modern French master reflects on ageing, useful lies and country secrets in his new slow crime film

theartsdesk Q&A: Indian star Radhika Apte on 'Sister Midnight'

Pamela Jahn

The actor on her breakout screen performance capturing the frantic pulse of Mumbai, and living and working between London and India

theartsdesk Q&A: Raoul Peck, director of the documentary 'Ernest Cole: Lost and Found'

Pamela Jahn

Peck analyses his approach to the anti-apartheid photographer's work and to his methods as a political filmmaker

theartsdesk Q&A: Oscar-winner Adrien Brody on 'The Brutalist'

Pamela Jahn

The much-garlanded actor on what playing the architect László Toth meant to him

Interview: Polar photographer Sebastian Copeland talks about the dramatic changes in the Arctic

Rachel Halliburton

An ominous shift has come with dark patches appearing on the Greenland ice sheet

theartsdesk Q&A: Iranian director Mohammad Rasoulof on 'The Seed of the Sacred Fig' - 'It became a question of self-respect'

Nick Hasted

The exiled filmmaker on authoritarian minds, reluctant radicalism and Iran's future

10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'

Justine Elias

Gatiss explains why his eerie tale begins with its original Victorian-Edwardian author Edith Nesbit

theartsdesk Q&A: filmmakers Guy Maddin, Evan and Galen Johnson on 'Rumours'

Nick Hasted

Archetype-bending auteur Maddin and co. discuss their new film's starry, absurd G7, autobiography and artifice

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