wed 23/04/2014

Film reviews, news & interviews


Tom Birchenough

There might seem to be a world of difference between Israeli director Eytan Fox’s last film, the coming-out-of-grief, intimate drama Yossi, and his new movie, a delicious, prove-what-you-can-do musical comedy, Cupcakes. But both are about moving towards somewhere better, and overcoming the obstacles encountered along the way, with a little help from your friends.Cupcakes is about camaraderie as much as anything else, in this case a group of neighbours who have a tradition of getting together...

DVD: Kill Your Darlings

Katie Colombus

Mighty oaks from little acorns grow – meet Allen Ginsberg, before the beard. Daniel Radcliffe plays an 18-year-old version of the infamous beat poet in the defining moments of the artist as a young man, and the true-life episode that created the genre.A bespectacled, sheltered, bookish Jew, Ginsberg frees himself from the shackles of a mentally ill mother and dodges the shadow of a middle-class education provided for by his bourgeoisie poet father Louis Ginsberg, by heading off to Columbia...


Emma Simmonds

Home is truly where the heart is in writer-director Joanna Hogg's extraordinarily astute and artistically alive third film, which takes in the...

An Episode in the Life of an Iron Picker

Tom Birchenough

We see the harshness of everyday life in Danis Tanović’s An Episode in the Life of an Iron Picker first in its snowy, subsistence landscapes, as hero...

The Love Punch

Matt Wolf

Even Emma Thompson's finely honed deadpan delivery can go only so far in The Love Punch, a caper movie (remember those?) that moves from the...

DVD: Seven Samurai

Graham Fuller

There's much more to Kurosawa's scintillating 16th-century epic than kinetic fight scenes

Magic Magic

Katherine McLaughlin

Sebastián Silva's exploration of a fragile mind features a star turn from Juno Temple

10 Questions for Director Lukas Moodysson

Emma Simmonds

The Swedish helmer revisits childhood mischief with his latest

The Amazing Spider-Man 2

Nick Hasted

Superhero almost saves the day, again, in well-made, redundant sequel

Celluloid Man: Preserving the heritage of Indian cinema

Tom Birchenough

Outstanding documentary tribute to living legend of film conservation, PK Nair

We Are the Best!

Kieron Tyler

Plucky girls embrace punk as their salvation in early Eighties Sweden

DVD: That Sinking Feeling

Graham Rickson

Low-budget Glaswegian crime comedy shines in a new restoration

theartsdesk in Panama: Hubris, suffering and cinema

Demetrios Matheou

The diversity of Latin American cinema was on show at an exciting young festival


Adam Sweeting

How can you make a movie this good with just one man, a car and a mobile phone?

Six of the best: Film


theartsdesk recommends the half-dozen top movies out now

DVD: Violent Saturday

Kieron Tyler

Audacious Fifties hybrid of bank-heist caper and melodrama

The Strange Colour of Your Body’s Tears

Kieron Tyler

Head-spinning Belgian take on Italy’s Giallo cinema of the Seventies

The Lunchbox

Katherine McLaughlin

This charming Indian rom-com contains a real depth of flavour

The Raid 2

Emma Simmonds

Gareth Evans delivers a fiercely exciting, expansive sequel

DVD: The Atom Egoyan Collection

Nick Hasted

Enigmatic Armenian-Canadian director's best work boxed


Emma Simmonds

John Michael McDonagh follows 'The Guard' with an unconventional, blackly comic whodunit

Half of a Yellow Sun

Jasper Rees

Too episodic transfer to the big screen for Chimamanda Ngozi Adichie's Biafran bestseller

A Story of Children and Film

Tom Birchenough

Impressionistic meditations on a theme, presented by Mark Cousins with great verve

The Motel Life

Nick Hasted

Low-budget, all-star indie gem follows bruised brothers on the run


Karen Krizanovich

Darren Aronofsky’s biblical epic couldn’t be better timed


Emma Simmonds

Neil Burger provides the dismal direction on a film which fails to stand out from the crowd

Tom at the Farm

Tom Birchenough

Queer, compelling dramas unfold in Canadian backlands

DVD: Wonderwall

Kieron Tyler

Hippy-era curio soundtracked by George Harrison and an inspiration for Oasis

The Double

Karen Krizanovich

A doppleganger turns our hero's life upside down in writer-director Richard Ayoade's comedic second feature

Footnote: a brief history of British film

England was movie-mad long before the US. Contrary to appearances in a Hollywood-dominated world, the celluloid film process was patented in London in 1890 and by 1905 minute-long films of news and horse-racing were being made and shown widely in purpose-built cinemas, with added sound. The race to set up a film industry, though, was swiftly won by the entrepreneurial Americans, attracting eager new UK talents like Charlie Chaplin. However, it was a British film that in 1925 was the world's first in-flight movie, and soon the arrival of young suspense genius Alfred Hitchcock and a new legal requirement for a "quota" of British film in cinemas assisted a golden age for UK film. Under the leadership of Alexander Korda's London Films, Hitchcock's Blackmail (1929) is considered the first true sound movie, documentary techniques developed and the first Technicolor movies were made.

Brief_EncounterWhen war intervened, British filmmakers turned effectively to lean, effective propaganda documentaries and heroic, studio-based war-films. After Hitchcock too left for Hollywood, David Lean launched into an epic career with Brief Encounter (pictured), Powell and Pressburger took up the fantasy mantle with The Red Shoes, while Carol Reed created Anglo films noirs such as The Third Man. Fifties tastes were more domestic, with Ealing comedies succeeded by Hammer horror and Carry-Ons; and more challenging in the Sixties, with New Wave films about sex and class by Lindsay Anderson, Joseph Losey and Tony Richardson. But it was Sixties British escapism which finally went global: the Bond films, Lean's Dr Zhivago, Mary Poppins and The Sound of Music made Sean Connery, Julie Christie and Julie Andrews Hollywood's top stars.

In the 1970s, recession and the TV boom undermined cinema-going and censorship changes brought controversy: a British porn boom and scandals over The Devils, Straw Dogs and A Clockwork Orange. While Hollywood fielded Spielberg, Coppola and Scorsese epics, Britain riposted with The Killing Fields, Chariots of Fire and Gandhi, but 1980s recession dealt a sharp blow to British cinema, and the Rank Organisation closed, after more than half a century. However more recently social comedies such as Four Weddings and a Funeral and The Full Monty, and royal dramas such as The Queen and The King's Speech have enhanced British reputation for wit, social observation and character acting.

As more films are globally co-produced, the success of British individual talents has come to outweigh the modest showing of the industry itself. Every week The Arts Desk reviews latest releases as well as leading international film festivals, and features in-depth career interviews with leading stars. Its writers include Jasper Rees, Graham Fuller, Anne Billson, Nick Hasted, Alexandra Coghlan, Veronica Lee, Emma Simmonds, Adam Sweeting and Matt Wolf

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