The opening track initially seems straightforward. To begin “Sons of Art,” Michael Garrick runs up and down his piano keyboard. Norma Winstone adds wordless vocals which weave in and out of his sparkling arpeggios. Then, the bass arrives. Drums kick in. So do the tenor sax and trumpet. After a climax around the two-minute mark, what begins as pacific turns turbulent. The conventional has become unpredictably experimental.
American R&B singer Eric Benet is the latest star to throw Santa’s hat into the ring and spin a Christmas album out of the seasonal market – the cover has him in 1950s mode, in a deep leather armchair in front of a coal fire in magnolia jumper and slacks and a pair of Christmas socks. Cosy.
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