TV reviews, news & interviews
Case Histories, BBC One
Monday, 20 May 2013
He's back - and he's even moodier than before. Jackson Brodie, the private dick for whom the word “brooding” was invented, hasn't been seen on BBC One since 2011, and now there are three 90-minute films to feast on, based on Kate Atkinson's novels and relocated to Edinburgh. Last night's was Started Early, Took My Dog.The story started in Munich, where Brodie (Jason Isaacs) was involved in a child snatch that he was doing solely for the money, as he had just spent two months visiting his...
The Man Who Shot Beautiful Women, BBC Four
Monday, 20 May 2013
You can only marvel at the family intrigues that virtually closed down the legacy of photographer Erwin Blumenfeld in the years following his death in 1969. "Destroy, destruct, separate, divide,” was the emphatic double-phrased imperative with which one of his granddaughters described the “family legacy” in The Man Who Shot Beautiful Women, the BBC Four documentary that’s itself the work of another descendant, grandson Remy Blumenfeld, who wrote and produced this film by Nick Watson.It’s...
Footnote: a brief history of British TV
You could almost chart the history of British TV by following the career of ITV's Coronation Street, as it has ridden 50 years of social change, seen off would-be rivals, survived accusations of racism and learned to live alongside the BBC's EastEnders. But no single programme, or even strand of programmes, can encompass the astonishing diversity and creativity of TV-UK since BBC TV was officially born in 1932.
Nostalgists lament the demise of single plays like Ken Loach's Cathy Come Home or Mike Leigh's Abigail's Party, but drama series like The Jewel in the Crown, Edge of Darkness, Our Friends in the North, State of Play, the original Upstairs Downstairs or Tinker, Tailor, Soldier, Spy will surely loom larger in history's rear-view mirror, while perhaps Julian Fellowes' surprise hit, Downton Abbey, heralds a new wave of the classic British costume drama. For that matter, indestructible comic creations like George Cole's Arthur Daley in Minder, Nigel Hawthorne's Sir Humphrey in Yes Minister, the Steptoes, Arthur Lowe and co in Dad's Army, John Cleese's Fawlty Towers or Only Fools and Horses insinuate themselves between the cracks of British life far more persuasively than the most earnest television documentary (at which Britain has become world-renowned).
British sci-fi will never out-gloss Hollywood monoliths like Battlestar Galactica, but Nigel Kneale's Quatermass stories are still influential 60 years later, and the reborn Doctor Who has been a creative coup for the BBC. British series from the Sixties like The Avengers, Patrick McGoohan's bizarre brainchild The Prisoner or The Saint (with the young Roger Moore) have bounced back as major influences on today's Hollywood, and re-echo through the BBC's enduringly successful Spooks.
Meanwhile, though British comedy depends more on maverick inspiration than the sleek industrialisation deployed by US television, that didn't stop Monty Python from becoming a global legend, or prevent Ricky Gervais being adopted as an American mascot. True, you might blame British TV (and Simon Cowell) for such monstrosities as The X Factor or Britain's Got Talent, but the entire planet has lapped them up. And we can console ourselves that Britain also gave the world Jacob Bronowski's The Ascent of Man, David Attenborough's epic nature series Life on Earth and The Blue Planet, as well as Kenneth Clark's Civilisation. The Arts Desk brings you overnight reviews and news of the best (and worst) of TV in Britain. Our writers include Adam Sweeting, Jasper Rees, Veronica Lee, Alexandra Coghlan, Fisun Güner, Josh Spero and Gerard Gilbert.
latest in today
Guillem weaves her game-changing magic in Forsythe and Ek
Mouthy London trio's debut is loaded with enjoyable bawdiness and atti...
The pioneer of continuous music astonishes while Bon Iver’s preferred artis...
Her obsession with death and decay was leavened by a wicked sense of humour
On the eve of a new exhibition of his kinetic saints, the artist talks abou...
Comedy is king in a Falstaff revival which is consistently enjoyable but co...
The welcome return of the legacy of photographer Erwin Blumenfeld
most read
Comedy is king in a Falstaff revival which is consistently enjoyable but co...
Easy listening and continental European intellectualism combine on the earl...
On the eve of a new exhibition of his kinetic saints, the artist talks abou...
The German artist plays with notions of the Romantic sublime
from the archives
Tony Marchant's Georgian courtroom drama keeps a foot in the here and...
Clearly, it's a one-horse race to the top for the toffs
Ken Follett's Middle Ages: English history shot in Hungary and funded...
Superbly rendered films of M R James's spectral tales return to haunt...
- 1 of 107
- ››
























