Dance reviews, news & interviews
"If you know anything about dance," I was told last night by an aged balletomane at the Royal Opera House, "you know that Russian ballet companies are the best." If this is true then the Bolshoi Ballet, biggest of the Russian companies, in Swan Lake, that most quintessential of ballets, must be awe-inspiring.In many ways, it is, and deliberately so. Yuri Grigorovich's production may be less bombastic than his Sleeping Beauty, but it's still heavy on grandeur and light on naturalism. Instead of...
Exactly 60 years have passed since this company made its first London visit, an unlikely triumph of art over geopolitics. For 1956 was the year Britain was rocked by the Suez crisis and the year the Soviet Union invaded Hungary. British spies Burgess and Maclean had surfaced behind the Iron Curtain after five years on the run and distrust between London and Moscow was acute. Until their plane landed, it was touch and go that the Bolshoi’s London season would happen at all.But it did, giving the...
Britain's reputation as one of the world's great ballet nations has been swiftly won, as home-grown classical ballet started here only in the 1930s. Yet within 30 years the Royal Ballet was recognised as the equal of the greatest and oldest companies in France, Russia or Italy. Now the extraordinary range in British dance from classical ballet to contemporary dance-theatre, from experimental new choreography in small spaces to mass arena-ballet spectaculars, can't be matched in the US or Russia, where nothing like the Arts Council subsidy system exists to encourage new work.
Fonteyn_OndineWhile foreign stars have long been adored by British audiences, from Anna Pavlova and Rudolf Nureyev to Sylvie Guillem, the British ballet and dance movements were offspring of the movement towards a national subsidised theatre. This was first activated in the Thirties by Lilian Baylis and Ninette de Valois in a tie-up between the Old Vic and Sadler's Wells, and led to the founding of what became the Royal Ballet, English National Opera and the National Theatre. From 1926 Marie Rambert's Ballet Club operated out of the tiny Mercury Theatre, Notting Hill, a creative crucible producing early stars such as choreographer Frederick Ashton and ballerina Alicia Markova and which eventually grew into Ballet Rambert and today's Rambert Dance. From all these roots developed Sadlers Wells Theatre Ballet (now Birmingham Royal Ballet), London Festival Ballet (now English National Ballet), and Western Theatre Ballet which became Scottish Ballet.
Margot Fonteyn's dominance in the post-war ballet scene (pictured in Ashton's Ondine) and the granting of a Royal charter in 1956 to the Royal Ballet and its school brought the "English ballet" world renown, massively increased when Soviet star Rudolf Nureyev defected from the Kirov Ballet in 1961 and formed with Fonteyn the most iconic partnership in dance history.
The Sixties ballet boom was complemented by the introduction of American abstract modern dance to London, and a mushrooming of independent modern choreographers drawing on fashion and club music (Michael Clark), art and classical music (Richard Alston), movies (Matthew Bourne) and science (Wayne McGregor). Hip-hop, salsa and TV dance shows have recently given a dynamic new twist to contemporary dance. The Arts Desk offers the fastest overnight reviews and ticket booking links for last night's openings, as well as the most thoughtful close-up interviews with major creative figures and performers. Our critics include Ismene Brown, Judith Flanders, David Nice, Matt Wolf and James Woodall
Groundhog DayThe Old Vic11 July – 17 SeptemberGroundhog Day is the story of Phil Connors (Andy Karl), a cynical Pittsburgh TV weatherman who is sent to cover the annual Groundhog Day event in the isolated small town of Punxsutawney, Pennsylvania, when he finds himself caught in a time loop, forced to repeat the same day again and again…and again. As each day plays out exactly the same as before Phil becomes increasingly despondent, but is there a lesson to be learnt through his experiences, will he ever unlock the secret and break the cycle?Director Matthew Warchus, composer and lyricist Tim Minchin, choreographer Peter Darling and designer Rob Howell, four of the creators of the international sensation Matilda The Musical, have joined forces with writer Danny Rubin to collaborate on this new musical based on his 1993 hit film.Andy Karl’s numerous Broadway credits include On the Twentieth Century, Rocky, The Mystery of Edwin Drood, Jersey Boys, Wicked, 9 to 5, Legally Blonde, The Wedding Singer and Saturday Night Fever.
Andy Karl is appearing with the support of UK Equity, incorporating the Variety Artistes’ Federation, pursuant to an exchange program between American Equity and UK Equity.#GroundhogDay@oldvictheatre
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