reviews
David Nice |

You don't have to be mad to enjoy Gerald Barry's methodically berserk approach to Wilde, but your wits might have begun to turn by the interval and you'll question your sanity by the end. Director Jack Furness has extra ideas the composer would surely like - Australia? Kangaroo!

Nick Hasted |

Mass shootings and social media combine to fry the humanity of rich New York kid Balthazar (Jaeden Martell) and poor Southern kid Solomon (Sex Education’s Asa Butterfield) in Oscar Boyson’s directorial debut. Co-writing with Ricky Camilleri, he dodges the moralising high ground and experiential dread of previous online and shooter films, preferring to satirise his antiheroes from the inside.

Aleks Sierz
Queerness is subversive – it dissolves gender binaries. You know the kind of thing: male/female, straight/gay, married/single, fixed/fluid. Likewise…
Kieron Tyler
The key track gives the album its title. “Where the Fades Meet” opens with swelling strings, which are swiftly underpinned by groovy, shuffling,…
David Nice
Noble intentions and two talented true individuals faced a few obstacles in this admirably-planned Prom. Gianandrea Noseda looked set to reduce the…

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Gary Naylor
Not everything works but, with this unbreakable musical, it doesn't need to
Kieron Tyler
The welcome return of a foundational album of electronic minimalism
Rachel Halliburton
An intriguing musical exploration of shifting power dynamics in the 20th century
Adam Sweeting
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Robert Beale
Two tales of magic and mystery - as TV reality show and environmental parable
Helen Hawkins
Simon Stone's latest reversioning of a classic is a muddled misfire
Sarah Kent
Ritualistic performances and evocations of fertility goddesses
Jonathan Geddes
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
Robert Beale
Quality take on Verdi and a pure comedy re-imagining of Léhar
Kieron Tyler
A partial account of how Brit-punk absorbed an aspect of reggae
Gary Naylor
Lots of innovative ideas, but we need to hear the line readings clearly
Helen Hawkins
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
Guy Oddy
A new album is unveiled and old tunes are played for the last time
Helen Hawkins
Aakash Odedra is superb as a tortured creature seeking freedom and transcendence
Rachel Halliburton
Eurovision star Sam Ryder is made for the title role, while Drew McOnie’s choreography makes us feel the delirium
Sarah Kent
Darkness reigns in powerful but competing installations
Veronica Lee
Dolls, heroes and changing therapists
Helen Hawkins
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kieron Tyler
First-rate salute to a creative colossus
David Nice
Latest in a line of great Irish mezzos shows her versatility, and the strings swoon
Aleks Sierz
Chloë Moss’s new drama is a nerve-fraying example of telephonic tension
Adam Sweeting
You can fool all the people some of the time, and some of the people all the time...
James Saynor
Kiss kiss, bang bang in a moving Middle East documentary

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You don't have to be mad to enjoy Gerald Barry's methodically berserk approach to Wilde, but your wits might have begun to turn by the…
Mass shootings and social media combine to fry the humanity of rich New York kid Balthazar (Jaeden Martell) and poor Southern kid Solomon (…
Queerness is subversive – it dissolves gender binaries. You know the kind of thing: male/female, straight/gay, married/single, fixed/fluid…
The key track gives the album its title. “Where the Fades Meet” opens with swelling strings, which are swiftly underpinned by groovy,…
Noble intentions and two talented true individuals faced a few obstacles in this admirably-planned Prom. Gianandrea Noseda looked set to…
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