sun 14/09/2025

Reviews

'We are bowled over!' Thank you for your messages of love and support

Tom Birchenough

We are bowled over! 

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Edition

Kieron Tyler

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn, had made three albums with varying success and a raft of home-country hit singles for the label from the mid-Nineties to 2002.

Downton Abbey: The Grand Finale review - an...

Helen Hawkins

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of posh folk at the...

BBC Proms: Ehnes, Sinfonia of London, Wilson...

Boyd Tonkin

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I was...

Presteigne Festival 2025 review - new music is...

Clare Stevens

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

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Islands review - sunshine noir serves an ace

Demetrios Matheou

Sam Riley is the holiday resort tennis pro in over his head

A Single Man, Linbury Theatre review - an anatomy of melancholy, with breaks in the clouds

Jenny Gilbert

Ed Watson and Jonathan Goddard are extraordinary in Jonathan Watkins' dance theatre adaptation of Isherwood's novel

Cow | Deer, Royal Court review - paradox-rich account of non-human life

Aleks Sierz

Experimental work about nature led by Katie Mitchell is both extraordinary and banal

Lammermuir Festival 2025 review - music with soul from the heart of East Lothian

Boyd Tonkin

Baroque splendour, and chamber-ensemble drama, amid history-haunted lands

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

Kieron Tyler

Paris-based Lebanese electronica stylist reacts to current-day world affairs

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Oramo review - double-bill mixed bag

Bernard Hughes

Young pianist shines in Grieg but Bliss’s portentous cantata disappoints

Honey Don’t! review - film noir in the bright sun

James Saynor

A Coen brother with a blood-simple gumshoe caper

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern, UK Subs, Black Lips, Stax, Dennis Bovell and more

Thomas H Green

The biggest, best record reviews in the known universe

Blondshell, Queen Margaret Union, Glasgow review - woozy rock with an air of nonchalance

Jonathan Geddes

The singer's set dripped with cool, if not always individuality

Ganavya, Barbican review - low-key spirituality

Mark Kidel

Communion and intimacy with diminishing returns

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Years at 45 RPM

Kieron Tyler

Triple-album 50th-anniversary celebration of the mould-breaking British independent label

I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed

Helen Hawkins

Sheridan Smith's raw performance dominates ITV's new docudrama about injustice

theartsdesk at the Lahti Sibelius Festival - early epics by the Finnish master in context

David Nice

Finnish heroes meet their Austro-German counterparts in breathtaking interpretations

Deaf Republic, Royal Court review - beautiful images, shame about the words

Aleks Sierz

Staging of Ukrainian-American Ilya Kaminsky’s anti-war poems is too meta-theatrical

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho review - Tony winner makes charming, cheeky London debut

Matt Wolf

Broadway's acclaimed Cinderella, Louise, and Amalia reaches Soho for a welcome one-night stand

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gallery, Manchester review - premiere of no ordinary violin concerto

Robert Beale

Images of maternal care inspired by Hepworth and played in a gallery setting

The Courageous review - Ophélia Kolb excels as a single mother on the edge

Markie Robson-Scott

Jasmin Gordon's directorial debut features strong performances but leaves too much unexplained

The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for

Helen Hawkins

Perfectly judged recycling of the original's key elements, with a star turn at its heart

Edinburgh Psych Fest 2025 review - eclectic and experimental

Miranda Heggie

Underground gems and established acts in this multi-genre, multi-venue day long festival

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy

Aleks Sierz

Thrilling revival of Philip Ridley’s cult classic confirms its legendary status

Supersonic Festival 2025, Birmingham review - a deep dive into the spectacularly weird and very wonderful

Guy Oddy

Festival season comes to an end with a celebration of the freakiest of the musical underground

The Guest, BBC One review - be careful what you wish for

Adam Sweeting

A terrific Eve Myles stars in addictive Welsh mystery

Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and Marlowe

Heather Neill

Rival Elizabethan playwrights in an up-to-the-minute encounter

Album: Saint Etienne - International

Kieron Tyler

British pop institution’s final communiqué is an unalloyed winner

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latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...