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Rachel Halliburton |

This blistering account of Brecht’s classic – which he wrote in a white heat of fury as news reached him of Hitler’s invasion of Poland – pitches us headlong into the cynicism and casual obscenity of war. Elle While’s uncompromising production is like a Mad Max cabaret at the end of time, a post-apocalyptic vision of a world corrupted by violence and greed. 

Bernard Hughes
In 1595 a new Doge was invested in St Mark’s in Venice, an occasion celebrated with the full musical panoply at the state’s command. Which was a lot…
Helen Hawkins
It’s safe to say Oscar Wilde enjoyed a good party, so it’s very likely he would give a big thumbs up to the Lyric’s An Ideal Husband, which director…
Florence Hallett
Art should reflect its times, but after a preview week dominated by the controversial participation of Russia and Israel, the 61st Venice Biennale…

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
This blistering account of Brecht’s classic – which he wrote in a white heat of fury as news reached him of Hitler’s invasion of Poland –…
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