Over the past few years, the National Theatre has specialized in trilogies. End is the final play in both playwright David Eldridge’s outstanding trilogy and in this venue’s former director Rufus Norris’s Dorfman programme.
Obsession makes for good drama. Looking back over 30 years of in-yer-face theatre in general and female monologues in particular – anything from Fleabag to Superhoe – I’m struck by the power of the individual voice to take us on journeys into the underworlds of extreme feelings. Dark places; dark thoughts; darkness visible. So Tanya-Loretta Dee’s debut play, Loop, which she performs herself, starts with a very promising premise.
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