sat 18/05/2013

theatre reviews, news & interviews

Bullet Catch, Spiegeltent, Brighton

Thomas H Green

Magicians’ online forums are seething at Bullet Catch’s host and writer-director, the Scottish actor and magician Rob Drummond. This is because at one point in the show he levitates a small table then takes an audience poll as to who would like to know how the trick is done. When a majority vote they’d like to know, he shows us, simple as that. The irritation of his peers is understandable but Bullet Catch, a hit at last year’s Edinburgh Fringe, isn’t really a magic show – although it contains...

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The Victorian in the Wall, Royal Court Theatre Upstairs

Sam Marlowe

The past: it’s etched into the fabric not just of our lives, but of the architecture that surrounds us – the streets we tread, the buildings where we work or make our homes. In this whimsical, winning 90-minute piece by Will Adamsdale, the past has a niggling habit of leaping out from the places where it should lie buried, rubbing up cheekily against the present, and sticking its nose into the future.Sweet and slyly clever, the show blends the literary, the historic and the anecdotal to tell...

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Knee Deep, Theatre Royal, Brighton

Thomas H Green

Knee Deep, the show by four-person Brisbane acrobatic troupe Casus, is only an hour long but packs more eye-popping antics into its first 10 minutes...

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These Shining Lives, Park Theatre

Demetrios Matheou

North London has a splendid new theatre, The Park, whose £2.5 million existence – without a penny of government subsidy – is something  of a...

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Public Enemy, Young Vic

David Nice

Everything seems so free and easy, so do-as-you-darn-well-pleasey, in the Stockmanns’ fjord-view model home. Cheery friends in bright 1970s clothes...

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The Match Box, Tricycle Theatre

Carole Woddis

Leanne Best excels in grievous solo play from Frank McGuinness

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The Hothouse, Trafalgar Studios

Demetrios Matheou

The lunatics are running the asylum in an uproarious production of Pinter's play, starring Simon Russell Beale and John Simm

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Six of the best: Theatre

theartsdesk

Shakespeare, Peter Nichols and Mormons: a bit of everything in theartsdesk's tips

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Passion Play, Duke of York's Theatre

Sam Marlowe

David Leveaux directs Peter Nichols's devastating dissection of sexual betrayal

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A Doll's House, Royal Exchange, Manchester

Philip Radcliffe

Ibsen in the round loses none of its power to cast a spell

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Who was Dorothy Squires?

Johnny Tudor

As a new play about her opens, an old showbiz friend recalls a complicated diva

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Praxis Makes Perfect, National Theatre Wales

Gary Raymond

Gruff Rhys and Boom Bip tell of the Italian publishers who rocked the Communist Party

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Gutted, Theatre Royal Stratford East

Aleks Sierz

Rikki Beadle-Blair’s latest is rude, crude and fun — but also messy and exhausting

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The Tempest, Shakespeare's Globe

Alexandra Coghlan

An ambiguous but magical production of Shakespeare's problem play

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Fräulein Julie, Barbican Theatre

Aleks Sierz

Welcome back Katie Mitchell, with a radical new take on Strindberg’s passionate tale

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Desperately Seeking the Exit: The Story of a West End Disaster

Peter Michael Marino

How a Madonna film mixed with Blondie's music sank, and gave birth to a one-man show

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Desperate: How a disaster was born

Jasper Rees

From the archive, this piece from 2007 recalls how a flop musical was conceived in hope

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Olivier Awards 2013: Many Shows Called, Few Chosen

Matt Wolf

Multiple trophies for a handful of shows meant many productions left the 2013 Oliviers empty-handed

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The Resurrection of Conor McPherson

Jasper Rees

As The Weir is revived, the ghost of booze no longer haunts the Irish playwright's work

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The Weir, Donmar Warehouse

Veronica Lee

Mesmerising revival of Conor McPherson's haunting play

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Opinion: Is acting now just for the privileged?

Jasper Rees

How the dramatic arts are reacting to the Etonian insurgency

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Tir Sir Gâr, Carmarthenshire County Museum

Gary Raymond

Admirable attempt to dramatise the anxieties of agriculture marred by artsy intervention

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Othello, National Theatre

Sam Marlowe

Adrian Lester and Rory Kinnear are enormously compelling in Nicholas Hytner's absorbing production of Shakespeare's tragedy

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Orpheus, Battersea Arts Centre

Sebastian Scotney

Delightful revamp of underworld myth with suave Parisian jazz guitarist

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The Breadwinner, Orange Tree Theatre

Alexandra Coghlan

A prescient and alarmingly topical comedy from Somerset Maugham

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The Life of Stuff, Theatre503

Sam Marlowe

This revival of Simon Donald's 1990s In-Yer-Face drama offers a snake's eye view of Edinburgh's underbelly

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The South Bank Show: Tim Minchin, Sky Arts 1

Tom Birchenough

Early career tribute to the multi-talented Australian sheds light on his roots

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Doktor Glas, Wyndham’s Theatre

Aleks Sierz

Swedish Wallander Krister Henriksson’s West End debut is brilliantly acted and beautifully crafted

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#aiww: The Arrest of Ai Weiwei, Hampstead Theatre

Heather Neill

Howard Brenton gives the dissident Chinese artist a voice

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Footnote: a brief history of British theatre

London theatre is the oldest and most famous theatreland in the world, with more than 100 theatres offering shows ranging from new plays in the subsidised venues such as the National Theatre and Royal Court to mass popular hits such as The Lion King in the West End and influential experimental crucibles like the Bush and Almeida theatres. There's much cross-fertilisation with Broadway, with London productions transferring to New York, and leading Hollywood film actors coming to the West End to star in live theatre. In regional British theatre, the creative energy of theatres like Alan Ayckbourn's Stephen Joseph Theatre, Scarborough, the Bristol Old Vic and the Sheffield theatre hub add to the richness of the landscape, while the many town theatres host circling tours of popular farces, crime theatre and musicals.

lion_kingThe first permanent theatre, the Red Lion, was built in Queen Elizabeth I's time, in 1576 in Shoreditch; Shakespeare spent 20 years in London with the Lord Chamberlain's Men, mainly performing at The Theatre, also in Shoreditch. A century later under the merry Charles II the first "West End" theatre was built on what is now Theatre Royal Drury Lane, and Restoration theatre evolved with a strong injection of political wit from Irish playwrights Oliver Goldsmith and Richard Brinsley Sheridan. Catering for more populist tastes, Sadler's Wells theatre went up in 1765, and a lively mix of drama, comedy and working-class music-hall ensued. But by the mid-19th century London theatre was deplored for its low taste, its burlesque productions unfavourably contrasted with the aristocratic French theatre. Calls for a national theatre to do justice to Shakespeare resulted in the first "Shakespeare Memorial" theatre built in Stratford in 1879.

The Forties and Fifties saw a golden age of classic theatre, with Sir Laurence Olivier, Sir Ralph Richardson and Sir John Gielgud starring in world-acclaimed productions in the Old Vic company, and new British plays by Harold Pinter, John Osborne, Beckett and others erupting at the English Stage Company in the Royal Court. This momentum led in 1961 to the establishing of the Royal Shakespeare Company in Stratford, and in 1963 the launch of the National Theatre at The Old Vic, led by Olivier. In the late Sixties Britain broke the American stranglehold on large-scale modern musicals when Andrew Lloyd Webber and Tim Rice launched their brilliant careers with first Joseph and the Amazing Technicolor Dreamcoat and then Jesus Christ Superstar in 1970, and never looked back. The British modern original musical tradition led on to Les Misérables, The Lion King and most recently Matilda.

The Arts Desk brings you the fastest overnight reviews and ticket booking links for last night's openings, as well as the most thoughtful close-up interviews with major creative figures, actors and playwrights. Our critics include Matt Wolf, Aleks Sierz, Alexandra Coghlan, Veronica Lee, Sam Marlowe, Hilary Whitney and James Woodall.

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