sun 18/02/2018

National Theatre

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to the West End, the small powerhouses of the Donmar Warehouse and the Almeida and out to the fringe...

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John, National Theatre review - in for the long haul?

On their return home from Ohio to New York, young couple Jenny and Elias (Anneika Rose and Tom Mothersdale, main picture) make a detour to Gettysburg for a few days’ sightseeing. Elias has been fascinated by the town and its bloody history since he...

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Beginning, Ambassadors Theatre review - funny and richly moving comedy about loneliness

Awkwardness is a challenging effect in drama, and one so rewarding when it works. When the movement isn’t easy, when the dialogue doesn't flow; when, with emotional revelations broken and coming with difficulty, the pauses speak more powerfully than...

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Lumiere London review - London in a different light

It seems they’re having trouble with the lights. Thirty-five past five and they’re not yet on. “Typical,” laughs a woman, surveying the huddle of hi-vis chaperones. Palm fronds wave in the wind, suits leave their work. St James’s Square slowly fills...

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Best of 2017: Theatre

Year-end wrap-ups function as both remembrances of things past and time capsules, attempts to preserve an experience to which audiences, for the most part, have said farewell. (It's different, of course, for films, which remain available to us...

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Pinocchio, National Theatre review - boy puppet lifts off, eventually

From Nicholas Hytner and Alan Bennett’s wonderfully nostalgic version of The Wind in the Willows through Coram Boy, the international smash hit War Horse and beyond, the National Theatre has a startling track record in turning what used to be...

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Network, National Theatre review - Bryan Cranston’s searing London stage debut

Outrage knows no time barrier, as the world at large reminds us on a daily basis. So what better moment for the National Theatre to fashion for the internet age a stage adaptation of Network, the much-laureled 1976 celluloid satire about lunacy...

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Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interview

“I’m mad as hell and I’m not going to take this anymore!” In 1976 American anger about the state of the nation was channelled into Network, in which cinema satirised its kid sibling television as vapid and opportunistic. Paddy Chayefsky’s script,...

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Beginning, National Theatre review - assured, intimate, but short of surprises

Loneliness: in the age of the digital hook-up and the flaunting narcissism of social media, it’s become a strange sort of taboo – a secret shame, the unsexy side of singledom. So it’s good to see playwright David Eldridge putting it centre-stage in...

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Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier

Bold and fearless are adjectives that might describe playwright Rory Mullarkey as accurately as any chivalrous knight. He made his name in 2013 when, at the age of 25, his play Cannibals, part of which was in Russian, took to the main stage at the...

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'I’d never written a play as a single action before': David Eldridge on 'Beginning'

My friend, the playwright Robert Holman, says that the writing of a play is always “the product of a moment”. Of course, he’s right, but sometimes you have to pick your moment.In autumn 2015 a TV writing gig hadn’t worked out in the way that I’d...

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Jane Eyre, National Theatre review - a dynamic treatment that just misses

Sometimes you go to the theatre and in the first 10 minutes are convinced that the production is going to smash it, only to find by half time that it’s not. Initial delight gives way to mild irritation, and as a member of the ticket-buying public...

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