thu 20/06/2013

Visual Arts reviews, news & interviews

A Crisis of Brilliance, Dulwich Picture Gallery

Marina Vaizey

The very tall, skeletal and formidable Henry Tonks (1862-1937), surgeon and anatomist, became one of the most decisive, influential, scathing and inspirational teachers in the history of visual education. At the Slade, in his second career as artist and teacher, he presided over several generations of London-based artists who formed the bedrock of modernism, from the absorption of Impressionism to the various isms of the turn of the last century. He referred to this cohort of his students, here...

Six of the best: Art

theartsdesk

 A Crisis of Brilliance, Dulwich Picture Gallery A rich anthology of experimental British art in the years leading up to and during the First World War. Until 22 SeptemberMaster Drawings, Ashmolean Museum, Oxford An unusually intriguing survey of what drawing has meant in the history of Western art. Until August 18Propaganda: Power and Persuasion, British Library A thought-provoking exhibition looking at ways in which the state seeks to wield its influence. Until 17 SeptemberAnthony Caro:...

theartsdesk in Istanbul: Art pours out of Gezi...

Sebastian Merrick

I can’t wait to check out Istanbul’s galleries in a couple of years. Already endowed with an exploding arts and design scene, with Istanbul Modern in...

Alternative Guide to the Universe, Hayward Gallery

Sarah Kent

The Alternative Guide to the Universe, an exhibition of work mainly by self-taught practitioners, encourages one to speculate on the merits of...

Chagall: Modern Master, Tate Liverpool

Fisun Güner

“Charming” is undoubtedly a double-edged word. Along with its perfumed allure, it carries a whiff of insincerity, of something slick and not quite...

Death in the Making: Photographs of War by Robert Capa, Atlas Gallery

Jasper Rees

Little quiet on the western front as the co-founder of Magnum shoots classic images of conflict

Anthony Caro: Park Avenue Series, Gagosian Gallery

Marina Vaizey

A sculptor still fully in command of the visual language he has made his own

Cornelia Parker, Frith Street Gallery

Zsuzsanna Ardó

Time and space, destruction and resurrection are the big themes in an evocative body of new work

William Scott, Hepworth Wakefield

Fisun Güner

A British modernist whose quiet paintings reward careful observation

Patrick Caulfield/Gary Hume, Tate Britain

Marina Vaizey

A late 20th-century great emerges into the light, overshadowing a YBA

Birth of a Collection: The Barber Institute, National Gallery

Marina Vaizey

A display that celebrates the founding of a forward-thinking arts institute in the heart of the West Midlands

Master Drawings, Ashmolean Museum, Oxford

Marina Vaizey

An unusually intriguing survey of what drawing has meant in the history of western art

Helen Chadwick, Richard Saltoun

Sarah Kent

Her obsession with death and decay was leavened by a wicked sense of humour

10 Questions for Artist Michael Landy

Fisun Güner

On the eve of a new exhibition of his kinetic saints, the artist talks about death, destruction and turning 50

The Man Who Shot Beautiful Women, BBC Four

Tom Birchenough

The welcome return of the legacy of photographer Erwin Blumenfeld

theartsdesk in Warsaw: A New Jewish Museum

Simon Broughton

Although only 7,500 Jews live in Poland, a space dedicated to their history has opened in the old Ghetto

Mariele Neudecker, Regency Town House, Brighton

Fisun Güner

The German artist plays with notions of the Romantic sublime

Propaganda: Power and Persuasion, British Library

Fisun Güner

A thought-provoking exhibition looking at ways in which the state seeks to wield its influence

Leon Kossoff: London Landscapes, Annely Juda Fine Art

Marina Vaizey

A deeply affecting survey of an artist who captures a sense of London as a living, breathing organism

Great Artists: In Their Own Words, BBC Four

Fisun Güner

The BBC tries to cover up its own history of uptight, anti avant-garde conservatism

Mamma Andersson / Andreas Eriksson, Stephen Friedman Gallery

Fisun Güner

Beguiling, mysterious and very Nordic: two Swedish painters in two knock-out solo shows

theartsdesk in Prague: Two Faces of Mucha

Simon Broughton

The great Czech pioneer of art nouveau has a pair of shows, one of them curated by Andy Murray's coach

William Scott: Divided Figure, Jerwood Gallery, Hastings

Marina Vaizey

The centenary of the British artist is marked with an array of his lesser-known and blandly genteel nudes

Ellen Gallagher: AxME, Tate Modern

Sarah Kent

She may be obsessed with a single issue but the humour, beauty and variety of the work makes for a rich experience

theartsdesk in Austin, Texas: The Library with Everything

Markie Robson-Scott

A trip to the Harry Ransom Center's spectacular literary and visual archive

Turner Prize 2013 shortlist: Is David Shrigley an artist? and other thoughts

Fisun Güner

Always interesting for who it leaves out, but at least this year's shortlist won't disappoint for familar names

Saloua Raouda Choucair, Tate Modern

Fisun Güner

A long overdue retrospective of this little-known Lebanese artist

Rachel Whiteread: Detached, Gagosian Gallery

Sarah Kent

More casts by the artist who transforms familiar objects into potent presences

Jacob Epstein: Portraits, National Portrait Gallery

Marina Vaizey

The sculptor who got under the skin of his subjects and endowed them with an uncanny liveliness

Footnote: A brief history of british art

The National Gallery, the British Museum, Tate Modern, the Victoria & Albert Museum, the Royal Collection - Britain's art galleries and museums are world-renowned, not only for the finest of British visual arts but core collections of antiquities and artworks from great world civilisations.

Holbein_Ambasssadors_1533The glory of British medieval art lay first in her magnificent cathedrals and manuscripts, but kings, aristocrats, scientists and explorers became the vital forces in British art, commissioning Holbein or Gainsborough portraits, founding museums of science or photography, or building palatial country mansions where architecture, craft and art united in a luxuriously cultured way of life (pictured, Holbein's The Ambassadors, 1533 © National Gallery). A rich physician Sir Hans Sloane launched the British Museum with his collection in 1753, and private collections were the basis in the 19th century for the National Gallery, the V&A, the National Portrait Gallery, the original Tate gallery and the Wallace Collections.

British art tendencies have long passionately divided between romantic abstraction and a deep-rooted love of narrative and reality. While 19th-century movements such as the Pre-Raphaelite painters and Victorian Gothic architects paid homage to decorative medieval traditions, individualists such as George Stubbs, William Hogarth, John Constable, J M W Turner and William Blake were radicals in their time.

In the 20th century sculptors Barbara Hepworth and Henry Moore, painters Francis Bacon and Lucian Freud, architects Zaha Hadid and Richard Rogers embody the contrasts between fantasy and observation. More recently another key patron, Charles Saatchi, championed the sensational Britart conceptual art explosion, typified by Damien Hirst and Tracey Emin. The Arts Desk reviews all the major exhibitions of art and photography as well as interviewing leading creative figures in depth about their careers and working practices. Our writers include Fisun Guner, Judith Flanders, Sarah Kent, Mark Hudson, Sue Steward and Josh Spero.

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