wed 17/07/2019

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

La Fille du Régiment, Royal Opera review - enjoyable but questionable revival

Read more...

Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebratory Schumann

Read more...

Treatise Project, Goldsmiths review - potent symbols reveal rich music potential

Read more...

Cendrillon, Glyndebourne Festival review - busy but engaging

Read more...

10 Questions for Cellist Raphael Wallfisch

Read more...

Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothes

Read more...

JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartets

Read more...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

Read more...

Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

Read more...

Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

Read more...

Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

Read more...

Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

Read more...

LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

Read more...

Thomas Adès, Wigmore Hall review - playful and erratic Janáček

Read more...

The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

Read more...

Mitsuko Uchida, Royal Festival Hall review - conviction and grace

Read more...

Pages

latest in today

k.d.lang, Brighton Dome review - superb revival of classic a...

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992...

The Night of the Iguana, Noël Coward Theatre review - Clive...

One of the glories of contemporary London theatre is its revivals of classic American drama. Year after year, audiences are able to revisit and...

Ewa Banaszkiewicz and Mateusz Dymek: 'Is our film porny...

Spoiler alert: About sixty-four minutes into our feature film, one of the main female characters undresses for the camera. Alicja is being filmed...

The Day We Walked on the Moon, ITV review - it was 50 years...

It was on 16 July 1969 that Apollo 11 lifted off from Florida en route for the Moon, and exactly 50 years later, as we nervously anticipate the...

Burt Bacharach Together with Joss Stone, Eventim Apollo revi...

Whatever age you are, in whatever era you grew up – wherever you grew up – you will know, perhaps unknowingly, a large handful of songs by Burt...

Inside the Social Network: Facebook's Difficult Year, B...

Not everybody is on Facebook, yet. So far, Mark Zuckerberg’s social media monolith has only managed to scrape together about 2.3 billion users,...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

CD: The Flaming Lips – King’s Head

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and...

Equus, Trafalgar Studios review - passionate intensity

When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about “moments of experience” being...