tue 07/04/2020

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Remembering Krzysztof Penderecki (1933-2020)

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Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last stand

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Gabetta, NHK SO, Järvi, RFH review - transparency and dynamism

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Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'

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Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled power

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Cargill, BBCSO, Saraste, Barbican review - less is more in Shostakovich

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Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican review – reassessing a rarity

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Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

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Death in Venice, Royal Opera review – expansive but intimate evocations

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theartsdesk in Warsaw: musical perspectives on culture beyond communism

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Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

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Williams, LPO, Alsop, RFH review - sleek lines and pastoral tones

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Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calm

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Angela Hewitt, Wigmore Hall review - a match made in heaven

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Brockes-Passion, Arcangelo, Cohen, Wigmore Hall review – hybrid Handel

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The Seraglio, English Touring Opera review – focused and light

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Artemisia Gentileschi has definitely had a hard time. Although she was an outstanding Renaissance painter in the style of Caravaggio, and the...

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For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on...

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Ozark, Series 3 review, Netflix - money-laundering saga hits...

While not the most headline-catching show on Netflix, ...

Classical Music/Opera direct to home 5 - orchestral manoeuvr...

Necessity has certainly been the mother of invention over the past  three weeks, and orchestras especially, left in the dark with no means of...

Rumpelstiltskin, Sadler's Wells Digital Stage review -...

The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the...

Rachel Fairburn, Go Faster Stripe review - smart and subtle...

Rachel Fairburn says she didn't know what to wear for the...