fri 13/12/2019

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

Read more...

Death in Venice, Royal Opera review – expansive but intimate evocations

Read more...

theartsdesk in Warsaw: musical perspectives on culture beyond communism

Read more...

Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

Read more...

Williams, LPO, Alsop, RFH review - sleek lines and pastoral tones

Read more...

Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calm

Read more...

Angela Hewitt, Wigmore Hall review - a match made in heaven

Read more...

Brockes-Passion, Arcangelo, Cohen, Wigmore Hall review – hybrid Handel

Read more...

The Seraglio, English Touring Opera review – focused and light

Read more...

Orpheus and Eurydice, English National Opera review – imaginative but underwhelming

Read more...

Don Giovanni, Royal Opera review - laid-back Lothario

Read more...

LSO, Rattle, Barbican Hall review – visions of the beyond

Read more...

Last Night of the Proms, Barton, BBCSO, Oramo review – woke not broke

Read more...

Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passions

Read more...

Prom 25: Gabetta, BBCSO, Stasevska review – stunning Weinberg debut

Read more...

Prom 3, CBeebies: A Musical Trip to the Moon review - a celebration of the Apollo 11 landing

Read more...

Pages

latest in today

A Kind of People, Royal Court review - multiculturalism fall...

The trouble with prejudice is that you can't control...

The Ocean at the End of the Lane, National Theatre review -...

This scary, electrically beautiful adaptation of Neil...

'In every concert, I want to try to tell a story':...

Omer Meir Wellber may be the first chief conductor of a major orchestra to have begun his tenure with a children...

CD: Josh Rouse - The Holiday Sounds of Josh Rouse

Nebraska-born singer-songwriter Josh Rouse made his name in Nashville and has spent the past 15 years living in...

Mark Lanegan Band, Roundhouse review - rocking reiteration o...

It’s not about spontaneity. Bar switching the order of a couple of songs at the beginning and during the encore, the set was the same as a couple...

The Duchess of Malfi, Almeida Theatre review - a radically o...

This play can be a challenge for modern audiences: a woman...