tue 13/11/2018

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

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Lucia di Lammermoor, Royal Opera review - creepy, violent and intense

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BBCSO, Brabbins, Barbican review - commanding vistas of earth and sea

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Dardanus, English Touring Opera review - mixed fortunes for warzone updating

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Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

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The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance music

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Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and gold

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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

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Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

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Katya Kabanova, Opera Holland Park review - clarity and pace in Janáček's Volga tragedy

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OAE, Christie, St John's Smith Square

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Die Walküre, Grange Park Opera review - imaginative and intelligent

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Ensemble InterContemporain, Wigmore Hall

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Britten Sinfonia, Adès, Barbican

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Britten Sinfonia, Adès, Milton Court

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LSO, Haitink, Barbican

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latest in today

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supe...

Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space...

The Simon & Garfunkel Story, Vaudeville Theatre review -...

What to make of The Simon & Garfunkel Story, which began a week-long residency at London’s...

theartsdesk on Vinyl 44: Thom Yorke, Primal Scream, Elvis, N...

Enough hyping! This month, without further ado, let’s head straight to the reviews…

VINYL OF THE MONTH

LOR...

CD: Imogen Heap - The Music of Harry Potter and the Cursed C...

London’s Palace Theatre this week celebrated the thousandth...

They Shall Not Grow Old, BBC Two review - Peter Jackson...

Peter Jackson has form when it comes to re-examining cinema history. In 1995 he made Forgotten Silver, a...

Robert Hastie: 'a seam of love runs through the play...

Robert Hastie is a little late for our meeting. Directing ...

LSO, Roth, Barbican - not enough pathos, but a remarkable st...

Missa in Angustiis. Mass in troubled times. There was a logic in...

Edward Burne-Jones, Tate Britain review - time for a rethink...

When, in 1853, Edward Burne-Jones (or Edward Jones as he then was) went up to Exeter College, Oxford, it could hardly have been expected that the...

Widows review - feminist crime pays

Steve McQueen’s progress from video artist to...