tue 26/03/2019

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Hagen Quartet, Jörg Widmann, Wigmore Hall review – proportion and elegance

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Royal Academy of Music SO, Knussen, RAM review – vibrant, varied Stravinsky

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Colin Currie Group, Kings Place review - dynamism and detail in Steve Reich

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Salome, Royal Opera review – lurid staging still packs a punch

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Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein centenary

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Mark Padmore, Mitsuko Uchida, Wigmore Hall review - direct and uncompromising Schubert

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

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theartsdesk in Katowice - energy and imagination at the Fitelberg Conducting Competition

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Singcircle, Barbican review - veteran ensemble bids farewell with Stockhausen

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Florian Boesch, Justus Zeyen, Wigmore Hall review - power, intimacy and atmosphere

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LPO, Renes, RFH review - solid Bruckner lacking in nuance

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BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

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Lucia di Lammermoor, Royal Opera review - creepy, violent and intense

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BBCSO, Brabbins, Barbican review - commanding vistas of earth and sea

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Dardanus, English Touring Opera review - mixed fortunes for warzone updating

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Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

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The Phlebotomist, Hampstead Theatre review - thought-provoki...

Contemporary British theatre loves time travel — and not just to the past. It also enjoys imagining the future, especially the bad stuff ahead. So...

Elizabeth I/Macbeth, English Touring Opera review - elegance...

A crash, a scurry, a long, lilting serenade – the overture to Rossini’s Elizabeth I sounds oddly familiar. Not to worry....

Mary's Babies, Jermyn Street Theatre review - rollercoa...

Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatment of childless women and, back...

Biss, Philharmonia, Boyd, RFH review – compulsive life-force

Mozart in E flat (the Overture to The Marriage of Figaro...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic...

No successor has yet been named to Vladimir Jurowski as Principal Conductor of the...

The Life I Lead, Park Theatre review - pleasant enough but l...

I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead,...

Victoria, Series 3, ITV review - can Her Maj cope with the A...

 ITV has an enviable knack for creating populist historical...

My Baby, Castle & Falcon, Birmingham review – the Dutch/...

Balsall Heath’s Castle & Falcon is one of the newer live music venues in...

CD: Steve Earle & The Dukes - Guy

Guy Clark is among the favourite songwriters of...