sat 19/01/2019

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Mark Padmore, Mitsuko Uchida, Wigmore Hall review - direct and uncompromising Schubert

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

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theartsdesk in Katowice - energy and imagination at the Fitelberg Conducting Competition

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Singcircle, Barbican review - veteran ensemble bids farewell with Stockhausen

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Florian Boesch, Justus Zeyen, Wigmore Hall review - power, intimacy and atmosphere

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LPO, Renes, RFH review - solid Bruckner lacking in nuance

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BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

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Lucia di Lammermoor, Royal Opera review - creepy, violent and intense

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BBCSO, Brabbins, Barbican review - commanding vistas of earth and sea

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Dardanus, English Touring Opera review - mixed fortunes for warzone updating

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Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

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The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance music

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Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and gold

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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

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Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

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Katya Kabanova, Opera Holland Park review - clarity and pace in Janáček's Volga tragedy

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latest in today

Bang on a Can All-Stars, Kings Place review - a kaleidoscope...

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why...

theartsdesk Q&A: Hedvig Mollestad, Norway's bridge...

Norway’s Hedvig Mollestad Trio reset the dial to what...

CD: The Dandy Warhols - Why You So Crazy

Why You So Crazy is a woozy, disorientating and spaced-out affair with a similar understated production to the Dandy Warhols last album,...

American History's Biggest Fibs with Lucy Worsley, BBC...

The multi-costumed Lucy Worsley is television marmite, loved or loathed...

Murrihy, Britten Sinfonia, Elder, Barbican review – a countr...

As the January chill began to bite around the Barbican, Sir...

Beautiful Boy review - well-acted but a slog

The tortuous road to addiction and back again – or maybe not  makes for a faintly tedious experience in...

The Unreturning, Theatre Royal Stratford East review - hymn...

Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having begun in September last year, has...

'Bringing things to life is what opera is all about...

I’m here in Leeds at the end of five weeks of quite intense rehearsals for...