mon 27/01/2020

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Thomas Adès, Wigmore Hall review - playful and erratic Janáček

Read more...

The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

Read more...

Mitsuko Uchida, Royal Festival Hall review - conviction and grace

Read more...

theartsdesk in Warsaw - Penderecki at 85

Read more...

The English Concert, Bicket, Wigmore Hall review – small-scale Bach

Read more...

Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

Read more...

Radamisto, English Touring Opera review - propulsive, lively Handel

Read more...

Das Rheingold, Royal Opera review - high drama and dark comedy

Read more...

Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal Schubert

Read more...

Parsifal, Saffron Opera Group review - drama and focus

Read more...

Ax, Kavakos, Ma, Barbican review - all-star Brahms

Read more...

Prom 74, Theodora, Arcangelo, Cohen review - coherent and compelling Handel

Read more...

Prom 21, BBC Scottish SO, Volkov review - horncalls and mountainscapes

Read more...

Prom 19, Ten Pieces review – creative format engages young audiences

Read more...

Prom 17, Murray, BBC NOW, Brabbyns review – pastoral vistas, with dark shadows

Read more...

Prom 1, BBCSO, Oramo review – spectacular First Night of the Proms

Read more...

Pages

latest in today

Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican re...

"Citizen. European. Pianist," declares Russian-born, Berlin-...

Street Scene, Opera North review - a true ensemble achieveme...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of...

Album: Sam Lee, Old Wow - a hymn to Mother Nature

Folk music has always thrived in times of adversity and...

Slipknot, Arena Birmingham review – Iowa metal-heads tear th...

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put...

Albert Costa: The Bilingual Brain review – double-talking he...

Those of us who have to toil and sweat with other languages often feel a twinge of envy when we meet truly bilingual folk. That ability to switch...

Clemens Meyer: Dark Satellites review - eccentric orbits

In Clemens Meyer’s new collection of short stories Dark...

Reissue CDs Weekly: Game Theory - Across The Barrier Of Soun...

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017...

Bombay Bicycle Club, Cardiff University Students Union revie...

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night...

Gerde's Folk City at 60, The Iridium, New York City - a...

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of...