sat 04/04/2020

Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Prom 74, Theodora, Arcangelo, Cohen review - coherent and compelling Handel

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Prom 21, BBC Scottish SO, Volkov review - horncalls and mountainscapes

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Prom 19, Ten Pieces review – creative format engages young audiences

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Prom 17, Murray, BBC NOW, Brabbyns review – pastoral vistas, with dark shadows

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Prom 1, BBCSO, Oramo review – spectacular First Night of the Proms

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Benedetti, LSO, Noseda, Barbican review – power and focus

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Bach Weekend, Barbican review - vivid and vibrant celebrations

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BBC Young Musician 2018 Final, Symphony Hall, Birmingham review - sky-high standards

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Pierre-Laurent Aimard, QEH review – taking Ligeti to extremes

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Ibragimova, Tiberghien, Wigmore Hall review – light, bright and melodic Brahms

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Philharmonia, Salonen, RFH review – cosmic perspectives

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Igor Levit, Wigmore Hall review – music for the ages

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Ruthless Jabiru, King's College London / Arditti Quartet, Wigmore Hall review - delicate, dedicated modernism

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Brantelid, LPO, Petrenko, RFH review - orchestral excesses redeemed by graceful Elgar

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Theatre of Voices, Kings Place review - fluidity and dynamism in Stockhausen

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Hagen Quartet, Jörg Widmann, Wigmore Hall review – proportion and elegance

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latest in today

One Man, Two Guvnors, National Theatre at Home review – blis...

Armchair theatre-lovers rejoice. During the lockdown, the...

The Platform review - timely, violent and effective

Horror has always been a good vehicle for...

Album: Pokey LaFarge, Rock Bottom Rhapsody - a gourmet gumbo

Talk about a great big melting pot! The eighth studio album by the man born 36 ago as Andrew Heissler in Bloomington, Indiana, and known to the...

Lazy Susan, Soho Theatre On Demand review - sketch duo'...

You may have seen Lazy Susan's excellent BBC pilot last year; now a series has been commissioned from Freya Parker and Celeste Dring so we can...

ReMastered: Tricky Dicky and the Man in Black, Netflix revie...

Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in...

The Turn of the Screw, Opera North, OperaVision review - cla...

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly...

Mark Kermode's Secrets of Cinema, BBC Four review - the...

Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the...

Album: Ren Harvieu - Revel In The Drama

Filmic. Lushness balanced with intimacy. Ren Harvieu’s follow-up to 2012’s Top Five Through The Night is crammed with wide-screen aural...

Wild, Hampstead Theatre online review - timelier than antici...

“The whole world is just tilting at the moment,” we’re told near the end of Wild, the Mike Bartlett play from summer 2016 that is...