thu 23/10/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartets

Read more...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

Read more...

Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

Read more...

Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

Read more...

Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

Read more...

Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

Read more...

LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

Read more...

Thomas Adès, Wigmore Hall review - playful and erratic Janáček

Read more...

The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

Read more...

Mitsuko Uchida, Royal Festival Hall review - conviction and grace

Read more...

theartsdesk in Warsaw - Penderecki at 85

Read more...

The English Concert, Bicket, Wigmore Hall review – small-scale Bach

Read more...

Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

Read more...

Radamisto, English Touring Opera review - propulsive, lively Handel

Read more...

Das Rheingold, Royal Opera review - high drama and dark comedy

Read more...

Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal Schubert

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...