mon 27/01/2020

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

Read more...

theartsdesk in Katowice - energy and imagination at the Fitelberg Conducting Competition

Read more...

Singcircle, Barbican review - veteran ensemble bids farewell with Stockhausen

Read more...

Florian Boesch, Justus Zeyen, Wigmore Hall review - power, intimacy and atmosphere

Read more...

LPO, Renes, RFH review - solid Bruckner lacking in nuance

Read more...

BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

Read more...

Lucia di Lammermoor, Royal Opera review - creepy, violent and intense

Read more...

BBCSO, Brabbins, Barbican review - commanding vistas of earth and sea

Read more...

Dardanus, English Touring Opera review - mixed fortunes for warzone updating

Read more...

Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

Read more...

The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance music

Read more...

Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and gold

Read more...

Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

Read more...

Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

Read more...

Katya Kabanova, Opera Holland Park review - clarity and pace in Janáček's Volga tragedy

Read more...

OAE, Christie, St John's Smith Square

Read more...

Pages

latest in today

Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican re...

"Citizen. European. Pianist," declares Russian-born, Berlin-...

Street Scene, Opera North review - a true ensemble achieveme...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of...

Album: Sam Lee, Old Wow - a hymn to Mother Nature

Folk music has always thrived in times of adversity and...

Slipknot, Arena Birmingham review – Iowa metal-heads tear th...

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put...

Albert Costa: The Bilingual Brain review – double-talking he...

Those of us who have to toil and sweat with other languages often feel a twinge of envy when we meet truly bilingual folk. That ability to switch...

Clemens Meyer: Dark Satellites review - eccentric orbits

In Clemens Meyer’s new collection of short stories Dark...

Reissue CDs Weekly: Game Theory - Across The Barrier Of Soun...

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017...

Bombay Bicycle Club, Cardiff University Students Union revie...

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night...

Gerde's Folk City at 60, The Iridium, New York City - a...

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of...