mon 18/12/2017

Mahler

BBCSO, Storgårds, Barbican review – Jolas intrigues, Mahler 4 disappoints

Betsy Jolas is a pioneer, the programme for this BBC Symphony Orchestra concert told us, and she’s certainly unique. Now 91, she has been following her own course for many decades, an associate of the 1960s French avant-garde, but never a subscriber...

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Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'

Sweden's ackowledged "National Orchestra", the Gothenburg Symphony, left its Chief Conductor post unfilled for four seasons, but now it's finally certain to have let the right one in. Having enjoyed a golden age in the (largely unsung) highest...

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BBCPO, Mena, Bridgewater Hall, Manchester review - Mahler's Third lovingly realised

Juanjo Mena memorably began his tenure as chief conductor at the BBC Philharmonic with a Mahler symphony (the Second), and chose to enter his seventh and last season with them at the Bridgewater Hall with the Third. It was a testimonial to an era at...

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Classical CDs Weekly: Cage, Mahler, Satie

 John Cage: Two4 Aisha Orazbayeva (violin), Naomi Sato (shō) (SN Variations)The shō is a Japanese wind instrument long associated with traditional court music. Looking like a bundle of sticks, its 17 pipes each plays a distinct pitch. Its sound...

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Prom 72 review: Vienna Philharmonic, Harding - uncertain Mahler Six partly redeemed by brass

Outlines of a real face had begun to emerge in Daniel Harding’s conducting personality. His youthful rise to the top initially yielded neutral concerts with the LSO and a glassy, overpraised recording of Mahler’s Tenth in the Deryck Cooke completion...

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Proms 64 & 66 review: Royal Concertgebouw Orchestra, Gatti - halfway to paradise with Bruckner and Mahler

How do you get to heaven, especially if you need to reach the pearly gates by way of the earthbound acoustics of the Royal Albert Hall? With Chief Conductor Daniele Gatti as their spirit guide, the sumptuously arrayed pilgrim band of the Royal...

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Classical CDs Weekly: Mahler, Shostakovich, Michael Barenboim

Bach, Bartók, Boulez Michael Barenboim (violin) (Accentus)Michael Barenboim’s disc consists solely of pieces by composers whose names begin with B, but it’s effectively an A-Z of solo violin technique, as well as a demonstration of his winning...

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'You are my hero, dear Jiří': Karita Mattila and others remember Jiří Bělohlávek

The first of Jiří Bělohlávek’s final three appearances in London, conducting his Czech Philharmonic in a concert performance of Janáček’s Jenůfa, came as a shock. The trademark grey curly hair had vanished. Clearly he had undergone chemotherapy, but...

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Classical CDs Weekly: Joubert, Mahler, Simon Thacker & Justyna Jablonska

John Joubert: Jane Eyre April Frederick, David Stout, English Symphony Orchestra/Kenneth Woods (Somm)This is the second Brontë opera to have come my way in the past year; Carlisle Floyd’s Wuthering Heights is now joined by this involving adaptation...

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theartsdesk Q&A: Horn-player Alec Frank-Gemmill

Traditional musical formats rarely suit the individual talent, but the highly-motivated player always finds a way. I first got to talk to Alec Frank-Gemmill in the very sociable surroundings of the Pärnu Festival in Estonia, a gathering most...

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Mahler 8, LPO, Jurowski, RFH

For the first performances of his Eighth Symphony in Munich, Mahler conducted 11 rehearsals. He arranged for the bells of the city’s trams to be silenced during the concerts. He left nothing to chance. On Saturday night, for once, one felt that all...

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Landshamer, New York Philharmonic, Gilbert, Barbican

Alan Gilbert chose a surprisingly low-key programme to open the New York Philharmonic’s three-day Barbican residency, Bartók’s genre-defying Music for Strings, Percussion and Celesta and Mahler’s modest Fourth Symphony. But it proved an engaging...

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