sat 18/05/2024

David Kettle

Articles By David Kettle

Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypse

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Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation

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Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonances

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Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheer

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FLIP!, Summerhall Edinburgh review - sassy, satirical parable

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Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

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Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideas

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Edinburgh Fringe 2023 reviews: CHOO CHOO! / Blood of the Lamb

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Edinburgh Fringe 2023 reviews: Distant Memories of the Near Future / Soldiers of Tomorrow

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Edinburgh Fringe 2023 reviews: Dark Noon / Concerned Others

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Edinburgh Fringe 2023 reviews: The Insider / Sensuous Governing

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Dimanche, Edinburgh International Festival 2023 review - troubling and bewildering

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Edinburgh Fringe 2023 reviews: Maureen / Common Dissonance

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Edinburgh Fringe 2023 reviews: PLEASE LEAVE (a message) / Shadow Kingdom

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Edinburgh Fringe 2023 reviews: Without Sin / An Alternative Helpline for the End of the World / Two Strangers Walk into a Bar...

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Edinburgh Fringe 2023 reviews: The Grand Old Opera House Hotel / YOU ARE GOING TO DIE

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Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Album: Billie Eilish - Hit Me Hard and Soft

So Billie Eilish’s new album has had its worldwide midnight release,...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...