thu 23/01/2020

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant tale

Read more...

Ravens: Spassky vs. Fischer, Hampstead Theatre review - it's game over for this chess play

Read more...

Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heart

Read more...

Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

Read more...

Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyond

Read more...

The Man in the White Suit, Wyndham's Theatre review - sparks but no combustion in this chemistry farce

Read more...

Noises Off, Garrick Theatre review - sublime chaos in Michael Frayn's meta-farce

Read more...

What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre

Read more...

Preludes, Southwark Playhouse review - journeying into the mind of Rachmaninoff

Read more...

Falsettos, The Other Palace review - affecting search for the new normal

Read more...

Once on This Island, Southwark Playhouse review - folkloric Caribbean musical charms

Read more...

Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019

Read more...

Blues in the Night, Kiln Theatre review - hard times, hot tunes

Read more...

The Bridges of Madison County, Menier Chocolate Factory review - Iowan romance fizzles

Read more...

Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again

Read more...

On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notes

Read more...

Pages

latest in today

Album: Black Lips - Sing In A World That’s Falling Apart

Since first getting together at the fag end of the Twentieth Century, Black Lips have largely played the role of garage rockers with a hint of...

The Welkin, National Theatre review - women's labour is...

History plays should perform a delicate balancing act: they have to tell us something worth knowing about the past, that foreign country where...

Scenes with Girls, Royal Court review - feminist separatism...

Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you...

Miloš Karadaglić, Birmingham Town Hall review - flashy and f...

Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin...

Crazy Delicious, Channel 4 review - the most ridiculous cook...

The race continues to create the most ridiculous cooking programme...

Chris Packham: 7.7 Billion People and Counting, BBC Two revi...

We hear plenty of debate about climate change and its disastrous potential, but the ballooning growth of the world’s population may be the most...

Album: Ruby Turner – Love Was Here

One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole...

You Stupid Darkness!, Southwark Playhouse review - an intrig...

Armageddon would appear to be at the gates in Sam Steiner’s intriguing if ramshackle...

English National Ballet 70th Anniversary Gala, Coliseum revi...

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were...

Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court...

Not long after noon on Sunday, strange bells began ringing. In just 11 bars,...