sun 06/10/2024

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Company, Gielgud Theatre review - here's to a sensational musical rebirth

Read more...

Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angst

Read more...

The Humans, Hampstead Theatre review - a riveting family portrait

Read more...

Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

Read more...

The King and I, London Palladium review - classic musical reborn with modern sensibilities

Read more...

Fun Home, Young Vic review - a simply sublime musical memoir

Read more...

Red, Wyndham's Theatre - Mark Rothko drama paints a vivid picture

Read more...

Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as ever

Read more...

Tina, Aldwych Theatre review - new Tina Turner bio-musical is simply OK

Read more...

Summer and Smoke, Almeida Theatre - exquisite renaissance of Tennessee Williams's neglected play

Read more...

Girl from the North Country, Noël Coward Theatre review - Bob Dylan fuels a dreamlike drama

Read more...

Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful

Read more...

Venus in Fur, Theatre Royal Haymarket review - pain and pleasure in a starry two-hander

Read more...

The Lie, Menier Chocolate Factory review - fake news, real feeling

Read more...

Committee review - we're all on trial in new Kids Company musical

Read more...

Our Ladies of Perpetual Succour review - West End transfer hits all the right notes

Read more...

Pages

latest in today

Blond Eckbert, English Touring Opera review - dark deeds afo...

Judith Weir’s Blond Eckbert, presented by English Touring Opera...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...

Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...

Things Will Be Different review - lost in the past

Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.

There’s...

Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....

National Ballet of Canada, Sadler's Wells review - see...

What to expect of the National Ballet of Canada since its last...

Lear, Barbican Theatre review - a very stormy saga, Korean-s...

What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...

Album: Goat - Goat

With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...

Monet and London, Courtauld Gallery review - utterly sublime...

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...

Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...