sun 14/08/2022

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Company, Gielgud Theatre review - here's to a sensational musical rebirth

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Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angst

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The Humans, Hampstead Theatre review - a riveting family portrait

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Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

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The King and I, London Palladium review - classic musical reborn with modern sensibilities

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Fun Home, Young Vic review - a simply sublime musical memoir

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Red, Wyndham's Theatre - Mark Rothko drama paints a vivid picture

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Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as ever

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Tina, Aldwych Theatre review - new Tina Turner bio-musical is simply OK

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Summer and Smoke, Almeida Theatre - exquisite renaissance of Tennessee Williams's neglected play

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Girl from the North Country, Noël Coward Theatre review - Bob Dylan fuels a dreamlike drama

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Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful

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Venus in Fur, Theatre Royal Haymarket review - pain and pleasure in a starry two-hander

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The Lie, Menier Chocolate Factory review - fake news, real feeling

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Committee review - we're all on trial in new Kids Company musical

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Our Ladies of Perpetual Succour review - West End transfer hits all the right notes

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latest in today

Music Reissues Weekly: The Telstar Story, The Heinz Sessions...

“Telstar” was released 60 years ago this week. On 17 August 1962...

Counting and Cracking, Edinburgh International Festival 2022...

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even...

Prom 35, Wang, Oslo Philharmonic, Mäkelä review - crystallin...

Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / S...
Sara Barron, Pleasance Courtyard ★...
Album: Cass McCombs - Heartmind

Cass McCombs has something of the detailed, opaque depth of his late peer Jason Molina, with more taste for pop shapes under a broader musical...

Prom 34, Soltani, BBC Philharmonic, Ollikainen review - jour...

Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places...

Shetland, Series 7, BBC One review - Douglas Henshall is bac...

The last couple of series of Shetland (BBC One) brought the...

Eiffel review - sensuous secret history

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a...

Edinburgh Fringe 2022 reviews: Temping / Work.txt

Temping, Assembly George Square Studios ★...