wed 19/02/2025

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019

Read more...

Blues in the Night, Kiln Theatre review - hard times, hot tunes

Read more...

The Bridges of Madison County, Menier Chocolate Factory review - Iowan romance fizzles

Read more...

Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again

Read more...

On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notes

Read more...

Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents

Read more...

Man of La Mancha, London Coliseum review - historical work better left in the past

Read more...

Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

Read more...

Sweet Charity, Donmar Warehouse review - Sixties style over substance

Read more...

Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revival

Read more...

Follies, National Theatre review - the Sondheim spectacular returns, better than ever

Read more...

The American Clock, Old Vic review - Arthur Miller's musical history lesson drags

Read more...

Violet, Charing Cross Theatre review - Jeanine Tesori's faith musical is a gentle pleasure

Read more...

Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

Read more...

Fiddler on the Roof, Menier Chocolate Factory review - family matters in this sensitive musical revival

Read more...

Hadestown, National Theatre review - new folk musical is hotter than hell

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Hacks, Season 3, NOW review - acerbic showbiz comedy keeps u...

Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks...

East Is South, Hampstead Theatre review - bewildering and un...

Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to...

Album: Basia Bulat - Basia's Palace

Canadian singer Basia Bulat has tried on various musical hats...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Blu-ray: Golem

In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth....

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...