tue 17/06/2025

Marianka Swain

Marianka Swain's picture
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019

Read more...

Blues in the Night, Kiln Theatre review - hard times, hot tunes

Read more...

The Bridges of Madison County, Menier Chocolate Factory review - Iowan romance fizzles

Read more...

Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again

Read more...

On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notes

Read more...

Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents

Read more...

Man of La Mancha, London Coliseum review - historical work better left in the past

Read more...

Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

Read more...

Sweet Charity, Donmar Warehouse review - Sixties style over substance

Read more...

Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revival

Read more...

Follies, National Theatre review - the Sondheim spectacular returns, better than ever

Read more...

The American Clock, Old Vic review - Arthur Miller's musical history lesson drags

Read more...

Violet, Charing Cross Theatre review - Jeanine Tesori's faith musical is a gentle pleasure

Read more...

Aspects of Love, Southwark Playhouse review - discourse keeps passion at bay

Read more...

Fiddler on the Roof, Menier Chocolate Factory review - family matters in this sensitive musical revival

Read more...

Hadestown, National Theatre review - new folk musical is hotter than hell

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Sarah Silverman Netflix Special review - finding the funny i...

Death can be a powerful driver for comedy, as countless stand-ups and sitcom writers will affirm, but it has to be sensitively handled...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...

Sam Fender, St James' Park, Newcastle review - Geordie...

Had a passer-by from outwith Newcastle been asked to guess...

Dandy, BBC Philharmonic, Storgårds, Bridgewater Hall, Manche...

The opening and closing concerts of a season tend to be statements of intent – to pursue a path of exploration or (latterly) to celebrate a...

Album: Yaya Bey - do it afraid

One of the great untold stories of the past decade is just how potent a cultural force R&B has been. It might not have had the wild musical...