sun 15/09/2024

Ismene Brown

Ismene Brown's picture
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

Read more...

Accolade, Theatre Royal Windsor review - orgy-loving knight makes for topical pre-election drama

Read more...

The White Factory, Marylebone Theatre review - what price dignity in hell?

Read more...

Patriots, Noël Coward Theatre review - crash-bang brilliant Putin comedy does it again

Read more...

4000 Miles, Minerva Theatre, Chichester review - brilliant Atkins in a tender play

Read more...

The Vortex, Chichester Festival Theatre review - naturalism clogs up Coward's pipes

Read more...

Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023

Read more...

'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

Read more...

Dogs of Europe, Belarus Free Theatre, Barbican Theatre review - doom art with doom reality

Read more...

The unexpurgated Clement Crisp - in memoriam

Read more...

Ava: The Secret Conversations, Riverside Studios, Hammersmith review - about Ava Gardner's effing

Read more...

Matthew Bourne's Nutcracker!, Sadler's Wells Theatre review - new candy, but the nuts are off

Read more...

The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

Read more...

The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups

Read more...

The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition

Read more...

RIP dancer and photographer Colin Jones - obituary

Read more...

Pages

latest in today

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice - but is that the person or the...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...