thu 19/09/2024

Ismene Brown

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Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.

Articles By Ismene Brown

Leopards, Rose Theatre, Kingston review - a no-thrill thriller about sex and power

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Constellations, Vaudeville Theatre review - multiple casts continue to shine

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Hamlet, Windsor Theatre Royal review - the age is out of joint

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'She was Paris': RIP Zizi Jeanmaire (1924-2020)

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The deathless Alicia Alonso, in person

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Elisabeth Leonskaja, Wigmore Hall review - Mozart and Webern, anyone?

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Macbeth, National Theatre - Rufus Norris goes for drab, gory and tricksy

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Long Day's Journey Into Night, Wyndham's Theatre review - Lesley Manville hits ecstatic, fatal highs

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Bolshoi's controversial Nureyev ballet opens – to ovations and bans

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The Seagull, Lyric Hammersmith review – is Lesley Sharp's Irina a sex addict?

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The March on Russia, Orange Tree Theatre review – vividly funny amid the bleakness

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Otello, Royal Opera review — Kaufmann makes a pretty Moor

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Sergei Vikharev, master ballet-reconstructor, 1962-2017

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Hipermestra / La Traviata, Glyndebourne

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Three Sisters, Sovremennik review - over-conscious of its legendariness

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Travesties, Apollo Theatre

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The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...