Ismene Brown
Bio
Dr Ismene Brown designed and launched the original version of The Arts Desk in 2009, and was the Site Coordinator and a board director for three years, as well as its dance editor. A musician trained at the Royal College of Music, she has been dance critic for the Daily Telegraph and the Spectator, and has also written for TAD on classical music, theatre, TV and film. Since then she has gained an MA at UCL and DPhil at Oxford University for work on the Soviet politician and arts minister Ekaterina Furtseva.
Articles By Ismene Brown
latest in today
Here comes the flood: Bob Dylan's 1974 Live Recordings
Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...
Album: The Waeve - City Lights
Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...
Donohoe, Roscoe, Stoller Hall, Manchester review - two great...
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...
Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...
My Favourite Cake review - woman, love, and freedom
The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...
Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...
A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...
The Band Back Together, Arcola Theatre review - three is a d...
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...
The Critic review - beware the acid-tipped pen
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...