sun 14/09/2025

Theatre Reviews

The Cripple of Inishmaan, Noël Coward Theatre

Veronica Lee

Martin McDonagh's play, which premiered in 1997, here receives its first major revival as part of Michael Grandage's star-studded first season at the Noël Coward Theatre.

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Hard Feelings, Finborough Theatre

Matt Wolf

Doug Lucie's signature spikiness remains intact, and then some, in the Defibrillator production of Hard Feelings, which is sure to pack out west London's tiny Finborough and might well be a candidate for a transfer.

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Bracken Moor, Tricycle Theatre

Heather Neill

In Bracken Moor Alexi Kaye Campbell inhabits similar territory to J B Priestley, whose work he admires. Like his predecessor, Campbell combines social comment with the mystical and spiritual and even chooses to set the action in pre-war Yorkshire. Orwell's The Road to Wigan Pier, published in 1937, quoted both in the dialogue and the programme, also contributes to the play's landscape.

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The School For Scandal, Park Theatre

Veronica Lee

What to do with an old warhorse like The School for Scandal, a fantastic play written by Richard Brinsley Sheridan in 1777 full of smart lines and great parts, beloved not just of professional actors but amateur troupes too - and therefore performed with sometimes monotonous regularity? Well, if you're director Jessica Swale you cut a bit, add a bit and give it some musical numbers while remaining mostly faithful to the original.

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The Amen Corner, National Theatre

Carole Woddis

Oh, how the mighty are fallen. Margaret Alexander (Marianne Jean-Baptiste) is a storefront pastor in Harlem who leads her flock with absolutist conviction. No drinking, no smoking - the way to the Lord is through abstinence and clean living, and she herself embodies these righteous goals. So woe betide Sister Margaret when her far from clean-living ex-husband, a musician called Luke (Lucian Msamati), arrives at her door after many years.

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Sweet Bird of Youth, Old Vic Theatre

Sam Marlowe

A town called St Cloud, a girl named Heavenly and a faded star who feels she’s living on the Moon: the imagery of Tennessee Williams’s drama is celestial, yet he puts his characters through hell.

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Mission Drift, National Theatre

aleks Sierz

One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship 10 years ago was to stage new and innovative musicals. His problem, of course, is that these don’t grow on trees. So after the triumph of Jerry Springer: The Opera in 2003, we had to wait eight years for London Road, the venue’s next British hit.

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Blair's Children, Cockpit Theatre

Carole Woddis

What kind of legacy will the Blair years lave on ordinary people? Some predictable answers but also some unexpected, haunting personal accounts emerge in a drama inspired by the spectacularly successful 1974 play Kennedy's Children from American actor-playwright Robert Patrick. 

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The Tiger Lillies, Southbank Centre

Tom Birchenough

The last two years have seen the Tiger Lillies hit a prolific peak of activity, to be found as often on the theatrical as the concert stage, drawing on plenty of influences from outside the UK to boot.

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Dances of Death, Gate Theatre

David Nice

There are two dances to unheard music in Howard Brenton’s pithy Strindberg reduction. One spells trouble for the interloper between the vampire couple who suck the blood of others to sustain their 30-year hell of a marriage; the other, in the rarely-performed Second Part, is a prelude to both liberation and death. The symmetries and the differences are cleanly underlined in Tom Littler’s production and the degrees of light admitted in to Jerwood Young Designer James Perkins’s sets.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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