Theatre Reviews
Wild Swans, Young Vic TheatreSaturday, 21 April 2012
The Young Vic together with American Repertory Theater, Boston have taken on a huge challenge in staging the lengthy yet gripping memoir by Chinese writer Jung Chang that became an instant success when first published in 1991. Wild Swans was one of the first accounts of mainland China to be introduced to the West and as such it paved the way for other stories to be told from China. Read more... |
The Radicalisation of Bradley Manning, National Theatre WalesThursday, 19 April 2012
Looking at CCTV footage of a school hall in Cardiff through Adobe Flash Player in the corner of a webpage and listening to the attendant interference, bells, buzzes and bleeps might not sound like the cutting edge of theatre. Read more... |
Misterman, National TheatreThursday, 19 April 2012
Religious mania is bad for your love life. In Enda Walsh’s revamped 1999 play — which has already been seen in Galway and New York, and opened in London last night — a 33-year-old man (played with immense conviction and enormous presence by Cillian Murphy) invites us inside his mind to explore the dark and dangerous caverns of religious enthusiasm and psychological collapse. Be warned: it is a strange, tormented and rather weird trip. Read more... |
Miss Julie, Royal Exchange, ManchesterTuesday, 17 April 2012
Seeing Miss Julie played in-the-round would, I suspect, have delighted Strindberg. In his preface to the play, he was much exercised about the setting, presuming a proscenium stage: a single set, asymmetrical scenery, no clutter, no “tiresome” exits through doors, no footlights. And so on. Read more... |
Big and Small, Barbican TheatreSunday, 15 April 2012
It’s the star factor. Tickets for Big and Small, by the controversial German writer Botho Strauss, are selling fast because Cate Blanchett is in it. Her protean presence in this production by the Sydney Theatre Company, of which she is the co-artistic director, casts a glow over the whole event — she’s on stage for almost the entire running time of two and three-quarter hours. Read more... |
Chalet Lines, Bush TheatreFriday, 13 April 2012
When Madani Younis became the new artistic director of the Bush, some questioned his commitment to new writing, while others asked what he would bring to this small but high-profile venue. With this, his inaugural production, which opened last night, some answers suggest themselves: he’s chosen a solid new play, and he has introduced London audiences to a Lee Mattinson, a northern voice. Read more... |
Long Day's Journey Into Night, Apollo TheatreWednesday, 11 April 2012
We’ve seen a few American film and TV actresses grace the West End stage with surprising potency, but no one surely will surpass Laurie Metcalf for profound emotional truth-telling in Eugene O’Neill’s shattering family drama, given an unbeatably cast new production in London’s West End. Read more... |
Wonderful Town, The Lowry, SalfordThursday, 05 April 2012
The cultural triumvirate of the Hallé Orchestra, the Royal Exchange Theatre and The Lowry have joined forces for this new production of the 1953 hit musical Wonderful Town. Leonard Bernstein would surely have been a happy man to hear his score, dashed off in a mere five weeks at short notice, played by the 65-strong Hallé Orchestra conducted by Sir Mark Elder, who has been nursing the ambition to do the show here since he saw the 2004 Broadway production. Read more... |
Monkee Business the Musical, Opera House, ManchesterWednesday, 04 April 2012
The world premiere here of Monkee Business the Musical was planned long before the untimely death in February of Davy Jones, the Manchester-born member of the manufactured band that outsold The Beatles and the Rolling Stones half a century ago. The coincidence lends a poignancy to the event and the Manchester run has been dedicated to his memory. Read more... |
Uncle Vanya, The Print Room, LondonMonday, 02 April 2012
A play of boundaries, limitations, barriers, one that gazes outwards while never crossing the threshold, Uncle Vanya is often betrayed by the physical space of major stagings. In a new production at Notting Hill’s The Print Room the audience find themselves trapped along with Vanya, Sonya and their dysfunctional family in a single room. Ranged around the four walls we crowd in upon the (in)action, waiting together with the characters for the rupture that will release the tension. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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