Film Reviews
Olympus Has FallenWednesday, 17 April 2013
South Korea begging Washington for protection as the dread threat of nuclear apocalypse looms? As Graham Norton recently twitquipped, the news headlines are no more than the publicity campaign for Olympus Has Fallen. Most amusing etc, but that was before a bomb on an American street killed three and injured many others. Read more... |
Evil DeadTuesday, 16 April 2013
Down in the cellar where the monsters were in Sam Raimi’s 1982 debut The Evil Dead, you glimpsed a poster for Wes Craven’s 1977 film The Hills Have Eyes, ripped symbolically in half. The bar for gruelling low-budget horror, Raimi was saying, had just been raised. Read more... |
RebellionMonday, 15 April 2013
The 1988 uprising in the French colony of New Caledonia, in the Western Pacific, is apparently unknown to most French people, let alone we rosbifs, but director Mathieu Kassovitz has used the episode as a scalpel with which to probe issues of colonialism, race and political cynicism. It's something of a return to issues Kassovitz explored in La Haine (1995), following his excursions into the supernatural and sci-fi with Gothika and Babylon AD. Read more... |
OblivionFriday, 12 April 2013
Director Joseph Kosinski's second film feels dispiritingly like his first, the bastion of excitement and originality that is TRON: Legacy. That film was an empty shell which at least managed not to be catastrophically irritating. Oblivion stars Tom Cruise, proving yet again that his ego is in inverse proportion to his physical stature. Read more... |
TheoremThursday, 11 April 2013
Terence Stamp has drolly recalled being over the moon when the Catholic church attacked Pier Paolo Pasolini’s Teorema, in which he starred, on its release in 1968. “It was a very obscure movie – it was going to be seen by four drag queens and Einstein. And when the Pope came out against it, everybody wanted to see it.” Read more... |
Simon KillerWednesday, 10 April 2013
Blunted affect is one of the more troubling symptoms associated with certain kinds of mental illness – the face becomes a mask, the voice becomes a monotone and the eyes, far from windows into the soul, turn shuttered and dark. It’s this uneasy sense of vacancy, in both the lead character and the film’s attitude to his behaviour, which gives stranger-in-a-strange-land thriller Simon Killer its queasy power. Read more... |
The GatekeepersWednesday, 10 April 2013
Retired spymasters, like retired diplomats, break their career reticence with particular relish, what they've known for so long in inverse proportion to what they can say. Dror Moreh’s remarkable interviews with the last six heads of the Shin Bet, Israel’s internal security service, shed light on strategies and tactics they were required to keep in the shadows in professional life. Read more... |
The Place Beyond the PinesMonday, 08 April 2013
"If you ride like lightning you're going to crash like thunder" Robin Van Der Zee (Ben Mendlesohn) tells his reckless partner-in-crime Luke Glanton (Ryan Gosling), who will later be dubbed the "Moto Bandit". Derek Cianfrance's The Place Beyond the Pines is a film that threatens to do likewise, never quite keeping up with its own soaring ambition. Read more... |
All Things to All MenFriday, 05 April 2013
Sigh: here's not much of anything for anyone, actually, to indulge a self-evident riff on the title of yet another in a seemingly ceaseless parade of subpar Brit-gangster films, this one from first-time writer/director George Isaac, who produced the Kidulthood/Adulthood celluloid duo. Read more... |
A Late QuartetThursday, 04 April 2013
Two’s company, three’s a crowd, four’s a string quartet. Classical music movies tend to focus on the cost of individual brilliance. See David Helfgott in Shine, Jacqueline du Pré in Hilary and Jackie, not forgetting the talented little man who features in Amadeus. A Late Quartet homes in on that subtle and complex quadratic equation, a string ensemble which thrives on the interplay of four barely subordinated egos. Read more... |
Spring BreakersWednesday, 03 April 2013
Whilst Zac Efron is getting urinated on in The Paperboy, his High School Musical co-star Vanessa Hudgens is taking the piss in an entirely different sense. In Spring Breakers Hudgens and Disney princess Selena Gomez bin their clean-cut images to hook up with James Franco's metal-mouthed miscreant during the US rites-of-passage party season. Harmony Korine's fifth feature gives us girls in bikinis packing heat. Read more... |
Papadopoulos & SonsTuesday, 02 April 2013
In a just world, Papadopoulos & Sons should join Bend it Like Beckham, East is East and The Full Monty in the micro-genre of thoughtfully entertaining, low-budget British feel-good hits. But the UK cinema industry is not that world, as the makers of last year’s raw and hilarious East End entertainment Wild Bill, given up on before it got near an audience, would be only the latest to tell you. Read more... |
Thursday Till SundayMonday, 01 April 2013
Latin Americans are the current masters of minimalist cinema, films in which nothing much seems to be happening on the surface, but a world of emotion and meaning bubbles beneath. Such films require a little patience and investment, for sure, but offer considerable returns. And like last year’s award-winning Las acacias from Argentina, the Chilean Thursday Till Sunday signals the debut of a filmmaker with the skill to match her cinematic convictions. Read more... |
In the HouseFriday, 29 March 2013
There is an arresting moment towards the start of In the House when a character looks the camera – and by extension, the audience - directly in the eye. A warm trusting face and a slight squint hint at vulnerability (see clip below). His name is Rafa, and he is the best friend of Claude, who regularly visits Rafa's house after school to help him with his maths. Read more... |
We Went to WarThursday, 28 March 2013
In his 1970 television documentary for Granada, I Was a Soldier, British filmmaker Michael Grigsby was one of the first to look into the experience of US soldiers returning home from Vietnam. “Vietnam syndrome” may have been a few years away from any formal diagnosis, but Grigsby caught the mood of three young Texans – David, Dennis and Lamar – back from the conflict and struggling to re-engage with a society that has become alien to them. Read more... |
Point BlankWednesday, 27 March 2013
It begins with two gunshots. Lee Marvin is a guy who just wants his $93,000. "I want my money" is the mission statement for Point Blank, a film that is as timelessly entertaining as it is influential. But putting it that way doesn’t grab the sensation of watching a film that is so exciting you may forget to breathe for all 92 minutes of it. Read more... |
Pages
latest in today
'We are bowled over!' Thank you for your messages...
