sun 18/05/2025

Film Reviews

Promised Land

Karen Krizanovich

Promised Land is much better than its poster suggests.

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Love Is All You Need

Veronica Lee

Following in the footsteps of hugely popular television dramas and film adaptations of various Scandi noir novels comes this overwhelmingly sympathetic piece, a romcom that hasn't an ounce of gloopiness and, unusually, is about middle-aged people getting it together.

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Olympus Has Fallen

Jasper Rees

South Korea begging Washington for protection as the dread threat of nuclear apocalypse looms? As Graham Norton recently twitquipped, the news headlines are no more than the publicity campaign for Olympus Has Fallen. Most amusing etc, but that was before a bomb on an American street killed three and injured many others.

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Evil Dead

Nick Hasted

Down in the cellar where the monsters were in Sam Raimi’s 1982 debut The Evil Dead, you glimpsed a poster for Wes Craven’s 1977 film The Hills Have Eyes, ripped symbolically in half. The bar for gruelling low-budget horror, Raimi was saying, had just been raised.

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Rebellion

Adam Sweeting

The 1988 uprising in the French colony of New Caledonia, in the Western Pacific, is apparently unknown to most French people, let alone we rosbifs, but director Mathieu Kassovitz has used the episode as a scalpel with which to probe issues of colonialism, race and political cynicism. It's something of a return to issues Kassovitz explored in La Haine (1995), following his excursions into the supernatural and sci-fi with Gothika and Babylon AD.

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Oblivion

Emma Simmonds

Director Joseph Kosinski's second film feels dispiritingly like his first, the bastion of excitement and originality that is TRON: Legacy. That film was an empty shell which at least managed not to be catastrophically irritating. Oblivion stars Tom Cruise, proving yet again that his ego is in inverse proportion to his physical stature.

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Theorem

Demetrios Matheou

Terence Stamp has drolly recalled being over the moon when the Catholic church attacked Pier Paolo Pasolini’s Teorema, in which he starred, on its release in 1968. “It was a very obscure movie – it was going to be seen by four drag queens and Einstein. And when the Pope came out against it, everybody wanted to see it.”

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Simon Killer

Emma Dibdin

Blunted affect is one of the more troubling symptoms associated with certain kinds of mental illness – the face becomes a mask, the voice becomes a monotone and the eyes, far from windows into the soul, turn shuttered and dark. It’s this uneasy sense of vacancy, in both the lead character and the film’s attitude to his behaviour, which gives stranger-in-a-strange-land thriller Simon Killer its queasy power. 

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The Gatekeepers

Nick Hasted

Retired spymasters, like retired diplomats, break their career reticence with particular relish, what they've known for so long in inverse proportion to what they can say. Dror Moreh’s remarkable interviews with the last six heads of the Shin Bet, Israel’s internal security service, shed light on strategies and tactics they were required to keep in the shadows in professional life.

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The Place Beyond the Pines

Emma Simmonds

"If you ride like lightning you're going to crash like thunder" Robin Van Der Zee (Ben Mendlesohn) tells his reckless partner-in-crime Luke Glanton (Ryan Gosling), who will later be dubbed the "Moto Bandit". Derek Cianfrance's The Place Beyond the Pines is a film that threatens to do likewise, never quite keeping up with its own soaring ambition.

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All Things to All Men

Matt Wolf

Sigh: here's not much of anything for anyone, actually, to indulge a self-evident riff on the title of yet another in a seemingly ceaseless parade of subpar Brit-gangster films, this one from first-time writer/director George Isaac, who produced the Kidulthood/Adulthood celluloid duo.

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A Late Quartet

Jasper Rees

Two’s company, three’s a crowd, four’s a string quartet. Classical music movies tend to focus on the cost of individual brilliance. See David Helfgott in Shine, Jacqueline du Pré in Hilary and Jackie, not forgetting the talented little man who features in Amadeus. A Late Quartet homes in on that subtle and complex quadratic equation, a string ensemble which thrives on the interplay of four barely subordinated egos.

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Spring Breakers

Emma Simmonds

Whilst Zac Efron is getting urinated on in The Paperboy, his High School Musical co-star Vanessa Hudgens is taking the piss in an entirely different sense. In Spring Breakers Hudgens and Disney princess Selena Gomez bin their clean-cut images to hook up with James Franco's metal-mouthed miscreant during the US rites-of-passage party season. Harmony Korine's fifth feature gives us girls in bikinis packing heat.

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Papadopoulos & Sons

Nick Hasted

In a just world, Papadopoulos & Sons should join Bend it Like Beckham, East is East and The Full Monty in the micro-genre of thoughtfully entertaining, low-budget British feel-good hits. But the UK cinema industry is not that world, as the makers of last year’s raw and hilarious East End entertainment Wild Bill, given up on before it got near an audience, would be only the latest to tell you.

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Thursday Till Sunday

Demetrios Matheou

Latin Americans are the current masters of minimalist cinema, films in which nothing much seems to be happening on the surface, but a world of emotion and meaning bubbles beneath. Such films require a little patience and investment, for sure, but offer considerable returns. And like last year’s award-winning Las acacias from Argentina, the Chilean Thursday Till Sunday signals the debut of a filmmaker with the skill to match her cinematic convictions.

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In the House

Jasper Rees

There is an arresting moment towards the start of In the House when a character looks the camera – and by extension, the audience - directly in the eye. A warm trusting face and a slight squint hint at vulnerability (see clip below). His name is Rafa, and he is the best friend of Claude, who regularly visits Rafa's house after school to help him with his maths.

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