Film Reviews
American Hustle reviewThursday, 19 December 2013
The exquisitely eclectic David O. Russell is fast becoming the go-to director for Oscar hungry actors. His last two films, 2010's The Fighter and 2012's Silver Linings Playbook, garnered their respective casts an astonishing seven Academy Awards nominations between them, including three wins. Read more... |
Anchorman 2: The Legend ContinuesWednesday, 18 December 2013
When Anchorman: The Legend of Ron Burgundy was released in 2004 it became a sleeper hit and has since appeared on several “Funniest Movies of All Time” lists. Read more... |
The Hobbit: The Desolation of SmaugFriday, 13 December 2013
Unless Peter Jackson and his team decide to mine The Silmarillion for three more J.R.R. Tolkien adaptations, their films of The Lord of the Rings and The Hobbit will, by this time next year, comprise a complete hexalogy – or, at least, two consecutive triptychs. Read more... |
The InnocentsThursday, 12 December 2013
“The film too often comes over as a prettily decorated edition of a sick spinster’s diary” was how the Monthly Film Bulletin concluded their review of The Innocents in January 1962. After seeing Jack Clayton’s intense adaptation of Henry James’s The Turn of the Screw more than 50 years on, the impression left now isn’t so much of an attractively presented chronicle of a breakdown, but a film which paints little of its substance in so clear-cut a fashion. Read more... |
Fill the VoidMonday, 09 December 2013
It’s usually documentary cinema that takes us inside societies of which we know little, revealing their structures and rituals. Occasionally feature films achieve something similar, and Rama Burshtein’s Fill the Void is one such, telling its story from inside the world of Israel’s Orthodox Hasidic community, specifically the Haredim. Read more... |
Cinema ParadisoMonday, 09 December 2013
Cinema Paradiso is having a third outing 25 years on. A commercial flop in 1988, Giuseppe Tornatore’s homage to the big screen as an escape route into other worlds excited love on a global scale only after it was re-released as winner of the best foreign film Oscar the following year. Read more... |
KlownSaturday, 07 December 2013
Lest anyone think that the measured performances in Borgen, The Bridge and The Killing or the personal cinema of, say, Susanne Bier, Pernille Fischer Christensen, Lars von Trier or Thomas Vinterberg define Danish drama, along comes the British release of Klown, a film which – despite a few local touches – plays to the familiar: the uncomfortable comedy of The Office and Curb Your Enthusiasm, and the gross-out, road-trip fare of The... Read more... |
Big Bad WolvesFriday, 06 December 2013
Tarantino calls Big Bad Wolves “the best film of the year”. With its Reservoir Dogs-style scenes of mutilation that are never quite as awful as you fear, a thick streak of brutal black comedy, and a twisting plot in a confined setting, Israeli writer-directors Aharon Keshales and Navot Papushado could almost have designed their second feature to appeal to Quentin... Read more... |
Kill Your DarlingsThursday, 05 December 2013
Allen Ginsberg was once approached by two young acolytes eager to discuss literature. The bearded eminence of the Beats was the soul of generosity, giving up no small allowance of time to share his vast knowledge and experience. How they must have basked in the glow as a great poet treated them as equals. At a certain point, having put in sufficient effort, Ginsberg deemed it a good moment to change the subject. “So,” he said, “either of you guys suck cock?” Read more... |
NebraskaWednesday, 04 December 2013
Alexander Payne is at home with the road movie. From mid-life crisis in Californian wine country in Sideways to dealing with life after the death of a loved one in About Schmidt, he has a knack of tapping into the human spirit and an affinity with the American landscape. Taking great lengths to elicit the whirs and hums of vehicles and the many bumps along the open road, his exploration of the USA is always an eye-opening experience. Read more... |
FrozenMonday, 02 December 2013
Although it begins, somewhat startlingly, with a 3D hacksaw to our collective mush - as it penetrates the ice on a frosted lake - the latest computer-generated offering from Walt Disney Animation Studios is far from an aggressive overhaul of Disney tradition. Read more... |
Jeune et JolieThursday, 28 November 2013
You wait ages for a French film about a teenage girl's sexual awakening and then two come along at once. Actually who am I kidding? As any filmic Francophile will tell you it's not exactly a rarity. Still, red-hot on the heels of the astonishing Blue is the Warmest Colour comes François Ozon's Jeune et Jolie. Read more... |
Saving Mr BanksWednesday, 27 November 2013
Classic children’s stories often have a darker side; a shadowy area that lends an eternal quality to an otherwise merely durable yarn. Such is Mary Poppins. How and why it came to the big screen is one of Hollywood’s best tales, previously untold until now with Saving Mr Banks, a controlled yet poignant story hinging on the persistence and pain essential to bringing even the cheeriest film to fruition. Blind Side director John Lee Hancock’s high-profile... Read more... |
The FamilyFriday, 22 November 2013
It's great to see Robert De Niro front and centre in a full-sized role again, even if we might wish it hadn't been this one. Likewise Michelle Pfeiffer, stepping up to play the hard-boiled wife of De Niro's mobster-in-hiding Giovanno Manzoni. Twenty-five years later, she's remarried to the Mob and giving it serious bada-bing. Read more... |
The Hunger Games: Catching FireThursday, 21 November 2013
The Hunger Games franchise is blessed with Jennifer Lawrence as its heroically defiant protagonist Katniss Everdeen. No matter how much darker, more drastic and deranged developments get in the world of these Games, Lawrence is a touching, authentic and watchable focus for our sympathetic attention. Read more... |
Blue Is the Warmest ColourWednesday, 20 November 2013
“The most potent special effect in movies is the human face changing its mind.” So stated film critic David Thomson, and the principle has never been more irrefutably proven than by Blue Is the Warmest Colour and its leading lady Adèle Exarchopoulos. The electric, emotionally raw story of 15-year-old schoolgirl Adèle’s sexual awakening unfolds in a series of languid close-ups and unbroken takes, and her face is centre-stage throughout, captivating both in its moments of beauty... Read more... |
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