Film Reviews
The General (1926)Tuesday, 21 January 2014
It's no discredit to Sandra Bullock and George Clooney that they didn't venture into outer space when filming Gravity – setting aside other considerations, the insurance costs would have been prohibitive. Read more... |
TeenageTuesday, 21 January 2014
Once open a time, all children would have blossomed into adults. Or, at least, have entered the adult world immediately after childhood. There was no intermediate stage. Then, in the 1950s, teenage was acknowledged as a distinct phase. Neither child nor adult, these young people had their own lifestyle, lingo and mores. Yet, as the film Teenage makes clear, this new section of society had actually emerged at the beginning of the 20th century but wasn’t recognised as such. Read more... |
The Night of the HunterFriday, 17 January 2014
The Night of the Hunter is not recorded as having charmed critics when released in 1955, but its reappearance in cinemas means it can be seen for what it was: a dark, frightening and intense film which questions the nature of faith and what happens when evil comes to town. Read more... |
Devil's DueThursday, 16 January 2014
Filmmaking collective Radio Silence - who comprise Matt Bettinelli-Olpin and Tyler Gillett (who take on shared directorial duties for this film), Chad Villella and Justin Martinez (Devil's Due's executive producers) - shot to fame on the genre circuit in 2012 with the visceral and funny haunted-house sequence from found-footage anthology V/H/S. Presumably off the back of that they got a deal working with 20th Century Fox to make a feature-length horror film. Read more... |
The Wolf of Wall StreetWednesday, 15 January 2014
It was Benjamin Franklin who said "money has never made man happy...the more of it one has the more one wants," and there is no shortage of examples of boundless greed and how an abundance of cash can upturn and empty lives. Based on the memoir of Jordan Belfort, a former stockbroker convicted of fraud, The Wolf of Wall Street gives us one such example. This is Martin Scorsese's... Read more... |
Crystal FairyTuesday, 14 January 2014
Crystal Fairy (or to give it its full, original name Crystal Fairy & the Magical Cactus and 2012) is an endearing curio from odd-couple director and star Sebastián Silva and Michael Cera, who have teamed up for a double-bill of projects: the other one is the psychological thriller Magic Magic, currently scheduled for an April release. Read more... |
Oh BoyMonday, 13 January 2014
Niko (Tom Schilling) just wants a decent cup of coffee. With this ambling excuse for motivation, he drifts through a day and night in Berlin, contriving to lose his girlfriend, driver’s license and college funding (Dad’s just discovered he dropped out two years ago). Read more... |
Sylvester Stallone, London PalladiumSunday, 12 January 2014
“There’s not much more I can do in action apart from explode,” says Sylvester Stallone with a grin on his face on being asked about the next step in his career. Following a video montage of the sweaty, musclebound action heroes Stallone is adored for (minus any clips from Rhinestone, his musical collaboration with Dolly Parton), a jolly and reflective Stallone took to the London Palladium stage in sharp suit full of sage advice and revelations about his writing process. Read more... |
Exposed: Beyond BurlesqueFriday, 10 January 2014
There’s a wealth of stories in Exposed: Beyond Burlesque, a highly articulate, visually flamboyant and finally moving documentary journey around the wilder edges of the performance genre. Read more... |
12 Years a SlaveThursday, 09 January 2014
Some films quite rightly have awards glory etched into their DNA, and when the admirably uncompromising Steve McQueen announced that his next project, focussing on the subject of slavery, would feature that cast, only a fool would have bet against it collecting armfuls of prizes. Moreover, the brutality and societal impact of slavery has seldom been seen on screen; thus in the words of its director, 12 Years a Slave fills "a hole in the canvass of cinema". Based on... Read more... |
The Railway ManTuesday, 07 January 2014
The agony of war and of surviving it almost destroyed Eric Lomax. A British POW after the fall of Singapore who was put to work by the Japanese on the Burma Railway, he suffered brutal and prolonged torture, trauma he dealt with in subsequent decades by sealing it inside him, and plotting revenge on his abusers as he fell into troubled sleep. Lomax’s memoir The Railway Man describes this and the reconciliation with one of his captors which finally defined his life. The week... Read more... |
The Missing PictureFriday, 03 January 2014
History has been told in many ways on film, but Rithy Panh achieves something new, something unique and unsettling, in The Missing Picture. Read more... |
Mandela: Long Walk to FreedomThursday, 02 January 2014
It took the last 16 years of Nelson Mandela’s life, almost to the day, to bring his autobiography to the screen. South African producer Anant Singh eventually handed Mandela: Long Walk to Freedom to British director Justin Chadwick and screenwriter William Nicholson to make a film for international audiences. The iconic weight of a violent rebel who became a living saint can’t wholly be thrown off in this authorised (though freely made) biopic. Read more... |
Last VegasMonday, 30 December 2013
Hollywood’s sexism and obsession with youth half-hobble this lunge for the grey dollar. In a cast seemingly assembled by birth certificate more than likely chemistry, 69-year-old Michael Douglas is playboy businessman Billy, whose Vegas stag weekend before marriage to a thirtyish beauty requires the presence of childhood pals Paddy (Robert De Niro, 70), Archie (Morgan Freeman, 76) and Sam (Kevin Kline, 66, pictured below). Read more... |
The Secret Life of Walter MittyThursday, 26 December 2013
Patchy but visual, actor/director Ben Stiller ignores the Hollywood motto of not remaking anything good to create an all-encompassing take on the daydreamer Walter Mitty. Read more... |
All Is LostMonday, 23 December 2013
Going from a talky debut with Margin Call, J C Chandor plunges Robert Redford into the solitary, (virtually) silent sea. All Is Lost is Hemingway for now. As the story of a solitary sailor in a single-handed adventure in the Indian Ocean, metaphor and meaning abound. Unlike some heavy, worthy piece of obtuse art house, however, Chandor wrests a tense, puzzling dynamic from a situation that could go cold in another filmmaker’s hands. Read more... |
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