Film Reviews
Sunshine on LeithFriday, 04 October 2013
There will be some who will sneer at this film, but ignore them. Director Dexter Fletcher has fashioned a wonderfully enjoyable movie from a play by Stephen Greenhorn (who also wrote the script), in which a good-natured story about family, love and friendship is set to the music of The Proclaimers. Read more... |
FilthThursday, 03 October 2013
Not long ago James McAvoy finished a brutal run as Macbeth, and he’s back in Filth as another manic Scotsman hurtling towards self-destruction. The setting is Nineties Edinburgh, and his character, dodgy policeman Bruce Robertson, has a Machiavellian genius for getting one over on his copper colleagues, until his addiction-fuelled luck runs out, and he comes crashing down. Read more... |
Thanks For SharingThursday, 03 October 2013
The new puritanism of the American cinema continues apace with Thanks For Sharing, which follows on from the more elegantly made but comparably dispiriting Shame in positing Manhattan as the most sexually dysfunctional place on earth. What did New York do (besides elect Michael Bloomberg as mayor three times over) to deserve all this carnal angst and obsessiveness and shame? Read more... |
PrisonersWednesday, 02 October 2013
What would you do if your six-year-old daughter vanished in broad daylight, and the man you’re sure took her is walking free? The answer for Keller Dover (Hugh Jackman, pictured bottom left) is as plain as the paranoid survivalist’s stockpiles that fill his basement. But his direct action against Alex Jones (Paul Dano), the apparently child-like man he’s sure is a monster, ripples against multiple traumas and secrets in this crime film of novelistic breadth. The most... Read more... |
The To Do ListMonday, 30 September 2013
In this refreshingly rowdy, distinctly feminist film from debut writer-director Maggie Carey an inexperienced, tirelessly sensible teenage girl prepares herself for college life by taking charge of her own sexual awakening. She does so in a way that's hilariously overly administrative, with her plans taking the form of the title's tawdry, quite literal "to do list". Read more... |
theartsdesk at the San Sebastian Film FestivalMonday, 30 September 2013
Jean-Pierre Jeunet, of Amélie fame, makes so few films that whenever he pulls one out of that magic hat of his it feels like an event. At least it used to. The Young and Prodigious T.S. Read more... |
The Wicker ManSaturday, 28 September 2013
Created in a time when we could be shocked, The Wicker Man shows its power by being shocking still. Conceived by its director Robin Hardy, writer Anthony Shaffer and star Christopher Lee as a reaction to New Age-ism, The Wicker Man delights, thrills and horrifies in this latest version, restored to the American theatrical cut. Read more... |
Girl Most LikelyFriday, 27 September 2013
An immensely likeable cast gets pushed to breaking point and beyond in Girl Most Likely, a Kristen Wiig quasi-romcom that is preposterous and obnoxious in turn. The tale of a playwright called Imogene (Wiig) who starts over by returning to her New Jersey home and to Zelda, her former go-go dancer of a mum (an unplayable role here foisted upon the great Annette Bening, if you please), the film wants to be distinctively quirky and merely ends by shutting the audience out. Read more... |
AustenlandThursday, 26 September 2013
There is a life-size cardboard cut-out of Colin Firth in Austenland. He blends in very nicely. The only way you can tell him apart from the other actors in this cloth-eared, cack-handed romantic comedy of paramount awfulness is you can't see the despair and self-loathing in the whites of his eyes. Read more... |
Blue JasmineMonday, 23 September 2013
An update on Tennessee Williams’ A Streetcare Named Desire, it isn’t essential to have seen that work on stage to enjoy this pithy homage from Woody Allen. However, revisiting the iconic 1951 film version starring Marlon Brando, Vivien Leigh and Kim Hunter could very well make Blue Jasmine even funnier. This is because Allen treats the audience as equals to the tragic in-joke of familial impact and the damage left in its wake. Read more... |
RIPDFriday, 20 September 2013
Sometimes, a little bit of everything amounts to a whole lot of nothing. RIPD features a standard buddy cop caper bolted on to a heaven-can-wait drama channelling a body swap comedy also starring a CGI cartoon element. There’s even a heavy dollop of the old Wild West and a splodge of Armageddon alarmism. You get a grab-bag of half a dozen film styles jostling for attention. It must be like this teaching a classful of needy reception kids with ADD. Read more... |
Cold Comes the NightThursday, 19 September 2013
Build My Gallows High, Farewell, My Lovely: Cold Comes the Night. The cod-profound, slightly tortured syntax of its title is in the lineage of downbeat pulp fiction Tze Chun’s film aspires to. Read more... |
DianaWednesday, 18 September 2013
A film once touted as surefire Oscar bait instead looks set to clean up at the Golden Raspberry awards (or Razzies) if this preposterously inept biopic of the world's best-known woman finds the fate it deserves. Read more... |
Kelly + VictorTuesday, 17 September 2013
Kieran Evans’s debut feature, adapted from the novel by Niall Griffiths, achieves a rare and accomplished sense of place in its depiction of Liverpool. It’s a place of chilly but not actually threatening cityscapes, with an air of space and windy sunshine, from which the film’s eponymous protagonists retreat into a private bedroom world. Read more... |
DVD: Les InvisiblesTuesday, 17 September 2013
Eleven life stories, and memories stretching back more than half a century. The protagonists of Sebastian Lifshitz’s Les Invisibles (The Invisible Ones) tell their different stories of growing up homosexual in France in years when their sexual identity was far from accepted by society. What a kaleidoscope of experience they have behind them, how moving a perspective they present as they view the lives they have lived from age. Read more... |
Metro ManilaMonday, 16 September 2013
The malign influence of the big city on countryside folk has fuelled filmmakers since cinema had the means to produce feature-length productions. In 1927, with the America-made Sunrise: A Song of Two Humans, F. W. Murnau brought the disruptive forces of the urban to a farmer in the form of a woman. Following her back to city, he suffered the consequences. Read more... |
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