wed 08/10/2025

Film Reviews

When Marnie Was There

Ed Owen

When Marnie Was There is the latest production by Japan’s animation powerhouse Studio Ghibli, and the first since the retirement of its creative genius Hayao Miyazaki. An adaptation of the Joan G. Robinson novel of the same name, it’s a confident and powerful account of a young girl’s search for identity.

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Warcraft

Adam Sweeting

The Warcraft series of "massively multiplayer online role-playing games" (or MMORPG if you must) has apparently amassed over 100 million users since it all began with Warcraft: Orcs & Humans in 1994. Ergo, turning it into a 3D multiplex-buster is a no-brainer. Surely?

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Versus: The Life and Films of Ken Loach

Graham Fuller

The release of Louise Osmond’s biographical film about the director Ken Loach, who turns 80 on 17 June, has been timed to perfection. Twelve days ago, Loach’s I, Daniel Blake won him his second Palme d’Or. He came out of retirement to make it after the Conservatives won the General Election last year. “Bastards,” he calls them, with a schoolboy-ish smile, at the beginning and end of the documentary.

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Me Before You

Matt Wolf

If you're disabled, it certainly helps to be as indecently rich as you are handsome while you make plans to end your life: that, in short, is the preposterous take-away message from Me Before You, the film version of the Jojo Moyes bestseller which Moyes herself has adapted for the screen. I haven't read the book and would imagine that  the material's multiple irritations, both large-scale and small, might be somewhat more tolerable not blown up into celluloid dimensions.

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The Nice Guys

Jasper Rees

“A porno film where the point was the plot?!” The Nice Guys asks you to make quite a few imaginative leaps: to find Russell Crowe endearing and Ryan Gosling funny and to believe that anyone in 1977 would set out to shoot a skin flick with a storyline. Implausibly, but delightfully, all of the above come to pass in a buddy caper in which Crowe and Gosling partner up to crack jokes,...

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Race

Ed Owen

With the Olympic Games starting in three months, it’s time to cash in with those inspiring stories of competition. Jesse Owens embodies the Olympic spirit, winning four track golds at the 1936 Berlin Olympics, comprehensively refuting Hitler’s message of race hate. Owens’s track medal tally remained unmatched until Carl Lewis, 48 years later. It’s difficult to think of a more perfect Olympian.

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Alice Through the Looking Glass

Ed Owen

How much you enjoy this new version of Alice Through The Looking Glass will be directly proportional to how much you revere Lewis Carroll’s original text. If you love the original you will be perplexed, wondering if you have come into the correct screening. But if you don’t mind some liberties taken with the story or, more than liberties, if you don’t mind the original story kidnapped, wrapped in chains and thrown into a well, or if you just don’t know the book, then you might...

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Money Monster

Saskia Baron

This is one of those films where it really is better not to have seen the trailer first. Much of the pleasure is in the narrative twists and the developing characters, and the publicity gives too much away. Nevertheless, Money Monster is an enjoyable soft-liberal satire on American TV shows and the wickedness of Wall Street.

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Brighton Festival: Zvizdal, Corn Exchange

Thomas H Green

Berlin are, misleadingly, an arts unit from Antwerp, Belgium. They’ve been around for well over a decade and major in artily constructed documentaries that are presented in the manner of experiential installations.

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Love & Friendship

alexandra Coghlan

Jane Austen’s early novel-in-letters Lady Susan has more in common with Vanity Fair or even Les Liaisons Dangereuses than it does with the author’s mature works. Austen’s familiar wit is there, certainly, but sharpened from embroidery needle to dagger. Her eye for social foibles and failings is similarly keen, but lacking the tempering generosity of her later novels.

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Ivan’s Childhood

Tom Birchenough

The 30th anniversary of the death of Andrei Tarkovsky – the great Russian director died just before the end of 1986, on December 29, in Paris – will surely guarantee that his remarkable body of work receives new attention, and this month distributor Artificial Eye launches a programme, Sculpting Time, which will see new digitally restored versions of his seven films being re-released around the country.

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A Hologram for the King

Jasper Rees

Tom Hanks is reaching world treasure status, like some third-century heritage site protected by UNESCO. His everyman allure makes him today’s only equivalent to James Stewart. Stewart shocked fans when he played a vengeful man-hunter in Winchester '73, and maybe it’s time Hanks defibrillated us all by playing a cold-blooded killer. In the meantime, here’s A Hologram for the King in which Hanks is very much Hanks and the main reason to pay up.

The source material is...

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X-Men: Apocalypse

Adam Sweeting

It's getting mighty crowded in the superhero lounge. After the underwhelming Batman v Superman and the overwhelming Captain America: Civil War, here's the X-Men posse back on the warpath, once again under the bombastic helmsmanship of Bryan Singer.

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Sing Street

Matthew Wright

He did it Once. He did it with Begin Again. Sing Street is Irish writer and director John Carney’s third hymn to music’s inspiring power for his characters to find themselves. Almost too cute for its own good, it’s targeted at the feel-good market with the precision of one of those cruise missiles that can navigate up a jihadi’s u-bend.

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Mustang

Graham Fuller

Teenage girls in the West who routinely abuse their parents for imposing midnight curfews, cancelling suspicious sleepovers, and insisting bra straps be concealed should hope that they are not suddenly dragged along to see Mustang

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Green Room

Nick Hasted

Adding the Dead Kennedys’ “Nazi Punks Fuck Off” to their set-list when they find themselves playing an Oregon roadhouse filled with neo-Nazis isn’t where The Ain’t Rights’ trouble starts. It’s when this hardcore, hard-up punk band stumble on a woman’s murder by a fellow neo-Nazi afterwards, then get bundled and locked into their dressing-room with her knife-stuck corpse, that their nightmare begins.

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