Film Reviews
What We Do in the ShadowsThursday, 20 November 2014
Clearly the makers of this delightful film from New Zealand have watched a lot of movies, as so many are neatly and obliquely referenced – Nosferatu, The Blair Witch Project, The Lost Boys, Grease, to name just a few - in a comic tale about a group of vampires in Wellington. Read more... |
The Hunger Games: Mockingjay - Part OneWednesday, 19 November 2014
Fortune, as a rule, does not favour Part Threes. Hollywood history is replete with sequels that outstrip their predecessors, but second sequels have an altogether patchier track record – for every Return of the King, there are five Spider-Man 3s. Read more... |
The HomesmanTuesday, 18 November 2014
Taking inspiration from classic westerns even as it vigorously sets itself apart, The Homesman combines the taciturn and muscular with a feminist bent, and manages to be stirring and sweeping while also embracing the odd. It's a gorgeous, painfully sad tale of a man who's been nothing but a disappointment to himself and a woman constantly disappointed by others who, together, shepherd three lost souls on a desperately treacherous journey. Read more... |
Get On UpMonday, 17 November 2014
James Brown has always been on my Desert Island Discs list, because, should despair threaten, his brand of propulsive funk could be guaranteed to make the castaway "Get Up Offa That Thing". But despite a compelling performance from Chadwick Boseman that vividly captures Brown’s blend of charisma, drive, self-absorption and business savvy, the film is short on Brown’s most defining characteristic – vitality. Read more... |
DiplomacyFriday, 14 November 2014
More frequently and accessibly than his fellow veteran directors of the New German Cinema, Volker Schlöndorff has captured the pandemonium wrought by Nazism – in in his Palme d’Or-sharing masterpiece The Tin Drum (1979), its quasi-sequel The Ogre (1996), and The Ninth Day (2004). Read more... |
Life ItselfThursday, 13 November 2014
In keeping with his impressive body of work, acclaimed documentary filmmaker Steve James approaches the details of the life of film critic Roger Ebert with honesty and the utmost respect. James was granted unprecedented access to Ebert in the final stages of his life in December 2012, just after he had been admitted to hospital for a hip-bone fracture. Read more... |
The DropTuesday, 11 November 2014
Derived from a Dennis Lehane short story called Animal Rescue, at one level The Drop is indeed a tale of one man and his dog, a pit bull puppy rescued from a dustbin in Brooklyn. But given the opportunity to develop the story into a screenplay for Belgian director Michaël R Roskam (of Bullhead fame), Lehane has created a subtly detailed milieu of crushed hopes, pervasive fear and simmering criminality. Read more... |
The Imitation GameMonday, 10 November 2014
“He should be on banknotes.” Benedict Cumberbatch has spoken of his character, real-life hero Alan Turing, as if he knew him. Turing, who died in 1954, was the father of computing and, more importantly, a secret WWII hero as told in The Imitation Game. Read more... |
The Possibilities are EndlessSunday, 09 November 2014
Rock music excessively rewards its pretty young corpses. Edwyn Collins’ survival, like Wilko Johnson’s, is much more remarkable. Two massive strokes in 2005, when he was only 44, should really have finished the ex-Orange Juice singer. Edward Lovelace and James Hall’s film plunges us without preamble into the dramatised, subjective reality for Collins back then. Read more... |
LeviathanFriday, 07 November 2014
It’s fascinating to catch the moment when an already great film director moves onwards and upwards, to another level. Russia’s Andrei Zvyagintsev has been collecting major festival prizes for more than a decade, since his debut feature The Return won the Golden Lion at Venice in 2003. Read more... |
Say WhenThursday, 06 November 2014
Pretty in Pink featured an interesting example of female friendship between a teenager and a grown woman. A record shop owner imparts motherly advice to her employee while also getting to grips with her own identity. In a similar manner, Lynn Shelton’s indie comedy (which was written by YA author Andrea Siegel) pairs up Keira Knightley and Chloë Grace Moretz, but shifts the focus away from teen angst to tackle the quarter-life crisis from the point of view of a woman who decides she... Read more... |
InterstellarMonday, 03 November 2014
Space, the final frontier. Except that on the slowly dying earth where Christopher Nolan's often awesome sci-fi epic begins, the instinct to reach for the heavens has been crushed by the struggle for survival as crops die and life-choking dust storms sweep across the American midwest. Read more... |
Mr TurnerFriday, 31 October 2014
There's been much talk about Late Turner, to co-opt the name of the exhibition now on view at Tate Britain covering the last 16 years in the English artist JMW Turner's singular career. And as if perfectly timed to chime with those canvases in celluloid terms is Mr Turner, the ravishing film that stands... Read more... |
The Fall of the House of Usher, Sound Affairs, MalvernThursday, 30 October 2014
At least three composers have set about turning The Fall of the House of Usher into operas, including most famously Debussy, whose abortive attempt, completed by Robert Orledge, was brilliantly staged by Welsh National Opera in June. But there is a good argument that Poe’s story – short on incident and character, long on visual image and atmosphere – lends itself better to film than to the stage. Read more... |
HornsThursday, 30 October 2014
Adapted from the cult novel by Joe Hill (son of Stephen King) and directed by Alexandre Aja, Horns can't keep itself on an even tonal keel for more than a few minutes. Part policier, part doomed romance and part gothic nightmare, I suppose it might even have created its own nano-genre. Read more... |
NightcrawlerWednesday, 29 October 2014
“If it bleeds it leads”, proclaims crime news reporter Joe Loder (Bill Paxton) as he investigates the bloody remains of a car crash with his invasive camera lens in a bid to make the biggest bucks out of the exploitation of human tragedy. It’s a mantra which curious onlooker Lou Bloom (Jake Gyllenhaal, who has shed a massive 30 pounds for the role) takes to grim and vicious extremes when he sets up his own TV news business. Read more... |
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