Matthew Wright
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Cornelia Parker’s early installations are as fresh and as thought provoking as when they were made. Her...

“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was...

Theatre is slowly recovering from the effects of the pandemic, and many shows which were cancelled because of the first lockdown are now finally...

As break-up albums go, Heidi Talbot’s new set knocks that tightly wound ball of heartbreak, separation and release into the front...

Interesting for the history of music, but not for music? Passing acquaintance with Ethel Smyth’s The Wreckers, a grand opera by a woman...

“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work...

Parallel Mothers unfolds at a daringly slow pace, and there are moments in the first half of...

One of the more heartwarming images in the news recently has been seeing Ukrainian refugees being welcomed by their eastern European neighbours....

First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from...

Terence Davies’s Benediction is a haunting but uneven biopic of the...