Classical Reviews
Evgeny Kissin, Barbican HallWednesday, 21 November 2012
Why is music? A child’s question, a great question. One answered by Evgeny Kissin’s piano recital at London’s Barbican Centre last night, where you might want to engage analysis and come up later with answers but what happened was that you left the concert hall feeling more alive, emotions retooled, spirit lightened, range widened. Music is because. Why else would Beethoven compose 32 piano sonatas? What possible purpose of Haydn to write 62 of them? Because. Read more...
|
Andreas Scholl, Wigmore HallMonday, 19 November 2012
It’s something of a fashion at the moment for countertenors to break out of the baroque, to have a bit of a fling with classical and even romantic repertoire. David Daniels has experimented with Berlioz, Philippe Jaroussky has flirted as only a Frenchman can with the mélodies of Massenet and Hahn, and now Andreas Scholl is embracing his native lieder. Read more... |
WNO Chorus and Orchestra, Poppen, St David's Hall, CardiffSaturday, 17 November 2012
Speaking about the Requiem he composed in 1990 in memory of the London Sinfonietta’s long-time artistic director Michael Vyner, Hans Werner Henze always talked as a believing atheist. “Paradise is here or ought to be,” he insisted, “not later, when nothing else happens;” and “In this world there is no hereafter, only presence: you can meet angels and devils in the street at any time.” Read more... |
Classical CDs Weekly: Haydn, Mozart, Xavier Montsalvatge, Daniel PropperSaturday, 03 November 2012
|
Benjamin Grosvenor, Queen Elizabeth HallThursday, 01 November 2012
Benjamin Grosvenor made his Southbank recital debut last night in a sold-out Queen Elizabeth Hall in another milestone in his unstoppable evolution from wunderkind to fully-fledged concert star. It has been a good year for the 20-year-old pianist, during which he added a Classic Brit and two Gramophone awards to a Critics’ Circle accolade, Decca recording contract and tenure on the Radio 3 New Generation Artists scheme. Read more... |
Tetzlaff, LPO, Vänskä, Royal Festival HallThursday, 01 November 2012
Some symphonies are natural curtain-raisers: Sibelius’ Third is one. Music began with rhythm and in this piece the cellos are the distant drummers who bring us back to basics with their curt opening measures. Osmo Vänskä clipped the rhythms are kept them on a tight rein - because he knows how this piece goes, how Sibelius’ search for new found economy and textural leanness lends the music an uneasy tension. Read more... |
Classical CDs Weekly: Nicola Benedetti, Liszt, Thierry PécouSaturday, 27 October 2012
|
Montgomery, Orchestra of the Age of Enlightenment, Queen Elizabeth HallFriday, 26 October 2012
It’s a sadness to all lovers of the French horn that Mozart’s four horn concertos, the product of his longest friendship, make their appearance all too rarely in the concert hall. Though the building blocks of the repertoire, perhaps their apparent frivolity counts against them. Read more... |
Hahn, LPO, Skrowaczewski, Royal Festival HallThursday, 25 October 2012
Stanislaw Skrowaczewski. That's quite a mouthful. Bruckner's symphonies can be too. But this is one of the reasons why Skrowaczewski has acquired quite a cult following for his Bruckner performances; it's why I once drove all the way to Zurich to hear him conduct one. His Bruckner is never offered as an indigestible slab of meat. It's never hard or chewy. Read more... |
Leopold Trio, BBCSO, Wigglesworth, Barbican HallSaturday, 20 October 2012
The prospect of adventuring from one unpredictable day to the next in the course of Michael Tippett’s Triple Concerto, and from dawn to twilight in just over an hour’s orchestral music from Wagner’s Ring, seemed very much weighted in the English composer’s favour. Frankly, had Mark Wigglesworth only conducted Siegfried’s Funeral March in this concert’s second half, he would have consolidated an already glowing reputation as a top-notch Wagnerian. Read more... |
Xavier Montsalvatge: Orchestral works BBC Philharmonic/Juanjo Mena (Chandos)
Nicola Benedetti: The Silver Violin (Decca)Pages
inside classical music
latest in today
Twelfth Night, Regent's Park Open Air Theatre review -...
In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could engender wicked...
Multiple Casualty Incident, The Yard Theatre review - NGO me...
We open on one of those grim, grim training rooms that all offices have - the apologetic sofa, the single electric kettle, the...
Spirited Away, London Coliseum review - spectacular re-imagi...
Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking ...
Album: Kings Of Leon - Can We Please Have Fun
The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to...
Brancusi, Pompidou Centre, Paris review - a sculptor's...
One hundred and twenty sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the...
Album: Bab L'Bluz - Swaken
Bab L’Bluz are a French-Moroccan four-piece that play a tasty blend of fiery psychedelic rock backed up with hypnotic North African gnawa rhythms...
Thank You, Goodnight: The Bon Jovi Story, Disney+ review - h...
To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll,...
Album: Pokey LaFarge - Rhumba Country
Pokey LaFarge has always defied categorisation. He likened his 2020 album Rock Bottom Rhapsody to a mix tape, with elements of...
L'Olimpiade, Irish National Opera review - Vivaldi...
In Vivaldi’s more extravagant operas, some of the arias can seem like a competition for the gold medal. L’Olimpiade is relatively modest...