Classical Reviews
Vengerov, LSO, Pappano, BarbicanMonday, 03 February 2014
An all-British programme – with plenty of Italian flavours – opened to a sold-out Barbican Hall with the overture In the South (Alassio), composed by Elgar during a stay on the Italian Riviera. It isn’t one of his most memorable scores, but it still provides plenty of interest with typical Elgarian exuberance, an unexpected martial episode (imagining the Roman army), and a muted viola solo. Read more... |
Scholl, Academy Of Ancient Music, BarbicanSaturday, 01 February 2014
As a generalist (or dilettante) who writes about world, jazz, pop and classical music, I have no doubt that 10 years ago Andreas Scholl was one of the great voices of the planet alongside names like Abida Parveen from Pakistan and Caetano Veloso from Brazil, a vocal Sun King. From an early age he had had success upon success, audiences gave him huge standing ovations, women swooned over him (OK – slightly older women like my mum, who followed him around Europe). Read more... |
Classical CDs Weekly: Roxanna Panufnik, Penderecki, eXSaturday, 01 February 2014
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Jansen, LSO, Pappano, BarbicanFriday, 31 January 2014
There were, it seemed, enough trumpets to serve Gabriel throughout eternity - and, as fanfares go, this one was stretching a point and then some. Read more... |
Classical CDs Weekly: Delius, Hindemith, Holst, Claudia CoronaSaturday, 25 January 2014
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Williams, BBCPO, Hallé, Mena, Bridgewater Hall, ManchesterSaturday, 25 January 2014
There are occasions when just one band isn’t enough. Hence the rare experience of the Hallé and the BBC Philharmonic joining forces for a performance, in the Strauss’s Voice series celebrating the 150th anniversary of the composer’s birth, of An Alpine Symphony under Juanjo Mena. Read more... |
Issipile, La Nuova Musica, Bates, Wigmore HallThursday, 23 January 2014
A question flitted through my mind in advance. Was I down to review La Nuova Musica’s modern premiere of Conti’s baroque opera Issipile, or was it Issipile’s opera Conti? To many music lovers, even those well grounded in history, both possibilities must be equally plausible. Read more... |
Katia & Marielle Labèque, BBCSO, Bychkov, Barbican HallFriday, 17 January 2014
The first half of this concert was quite the family affair: Martinů’s Concerto for Two Pianos featuring the eternally youthful Katia and Marielle Labèque, with the latter’s husband Semyon Bychkov conducting. Read more... |
Power, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 16 January 2014
Baleful prophecies were rife before the concert. Was Vladimir Jurowski right to let Mahler’s only total tragedy among his symphonies, the Sixth, share the programme with anything else, least of all a new viola concerto in which the solo instrument’s naturally pale cast of thought seemed likely to be indulged by James MacMillan – another composer not afraid of rhetorical angst? Read more... |
Winterreise, Finley, Drake, Wigmore HallThursday, 16 January 2014
Of Schubert’s two great cycles, the youthful ardour of Die schöne Müllerin sits best with a tenor while the bleak wretchedness of Winterreise lends itself to the baritone voice. Read more... |
Holst: The Hymn of Jesus, Delius: Sea Drift, Cynara Roderick Williams (baritone), Hallé Choir, Hallé Youth Choir, Hallé Orchestra/Sir Mark Elder (Hallé)Pages
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