Classical Reviews
Trifonov, LSO, Gergiev, BarbicanMonday, 14 April 2014
This concert brought to a close the London Symphony Orchestra's focus on Scriabin, in a series appropriately titled "Music in colour". The Third Symphony was partnered here with Messiaen’s early work Les offrandes oubliées and Chopin’s Second Piano Concerto – both in their own way richly colouristic works. Read more...
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Rancourt, Hallé, Elder, Bridgewater Hall, ManchesterSaturday, 12 April 2014
Soccer-mad Shostakovich’s score for a ballet about a Soviet football team visiting Western Europe, the world premiere of an oboe concerto by John Casken marking the 1914 centenary, and a rare semi-staged performance of Kurt Weill’s The Seven Deadly Sins made up this remarkable programme. Even Sir Mark Elder pronounced it “eccentric”. Read more... |
Pascal and Ami Rogé, Howard Assembly Room, Leeds Grand TheatreFriday, 11 April 2014
For record collectors of a certain age, Pascal Rogé is Mr French Piano Music; if you’re looking for decent recordings of Ravel, Poulenc, Saint-Saëns and Debussy, he’s the man. Hearing him perform live, here with his wife and duet partner Ami Rogé, is an overwhelming, entertaining experience, though you’re occasionally confounded by Rogé’s calm, unruffled exterior. Read more... |
Vogt, Royal Concertgebouw Orchestra, Jansons, BarbicanSunday, 06 April 2014
Can there be a conductor with a clearer and more affirming beat than Mariss Jansons with the Concertgebouw Orchestra when they're at their best? The listener can just marvel at his capacity to work in partnership with this fine orchestra, to underline and reinforce everything they do, to enable them to land cleanly, decisively and unanimously, to introduce new ideas with care, precision and beauty, to treat the end of phrases with respect, love and punctiliousnes. Read more... |
It's All About Piano!, Institut FrançaisSaturday, 05 April 2014
With tickets only a couple of pounds more than screenings in the Ciné Lumière, back-to-back – sometimes overlapping - concerts by world-class pianists of all ages, and a lively roster of weekend events around the recitals, what more could you ask from the French Institute’s two-and-a-half day festival? Well, perhaps a better and bigger Steinway. Read more... |
Classical CDs Weekly: Brahms, Kletzki, Schumann, Szymanowski, Ji LiuSaturday, 05 April 2014
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Donose, Philharmonia, Gardner, RFHFriday, 04 April 2014
Arise, Sir Edward – Gardner, not Elgar, whose First Symphony the former conducted last night. Well, maybe a knighthood’s too premature; although the daft honours system has rewarded others in the operatic world for less, and Gardner has already served two brilliant terms at Glyndebourne Touring Opera and ENO, there was just one aspect of the symphony that he didn’t seem quite to get last night. Read more... |
Cabell, BBC Concert Orchestra, Lockhart, QEHTuesday, 01 April 2014
Where did all the terrific programming energy of last year’s The Rest is Noise festival go? One answer – surprising given the orchestra’s former Friday night lite status – is into a two-concert adventure by the BBCCO. World to Come, World Once Known has been devised by Principal Conductor Keith Lockhart to reflect the Janus-headed phenomenon of music just before, during and after the First World War. Read more... |
LSO, Gergiev, BarbicanMonday, 31 March 2014
The Tchaikovsky de nos jours, is Theodore Gumbril’s dismissal of Skryabin in Aldous Huxley’s Twenties novel Antic Hay. For some reason, Alexander Skryabin has suffered more than most from snap judgements of this kind. He has been the woolly theosophist, the vacuous, over-inflated mystifier, the effete, self-indulgent decorative – everything except the refined, disciplined creative genius. Read more... |
Classical CDs Weekly: Beethoven, Bloch, StravinskySaturday, 29 March 2014
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